Aston Machan, Uma Musume Pretty Derby
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character: daiwa_scarlet_(umamusume)
1girl, solo, daiwa scarlet \(umamusume\), china dress, standing split, vertical split, one leg raised straight up, leg up, high kick, large breasts, large butt, wide hips, long hair, very long hair, brown hair, twintails, hair between eyes, hair intakes, horse ears, animal ears, red eyes, bow, from below, full body, looking down at viewer, smug, lopsided grin, one eye half closed, arm up, outstretched arm, hand on own hip, toes pointed, bare legs, barefoot, chinese clothes, red and gold dress, side slit, dark tights, dynamic pose, dutch angle, low angle, wind, floating hair
The camera sits low and close to the floor, tilted slightly off level, looking up the length of the figure: a single girl caught at the apex of a standing split, her whole weight carried on her right leg, planted flat and bare on a polished stone floor, toes of the supporting foot gripping with the arch lifted. Her left leg is stretched straight up and pressed close along her own side, knee locked, ankle vertical, the toe pointed hard so the shin forms one clean line from hip to ceiling; her left hand rests light against the back of that raised thigh just below the knee, fingertips pressing into the fabric, not clasping. The right arm is flung out and slightly back for counterbalance, palm open, wrist loose, sleeve sliding down toward the elbow. Her hip is cocked high on the standing side, shoulders counter-rotated, torso arched just enough that the chest pushes forward and outward, its full heavy weight carried high and straining against the dress's crossed collar while the slit rides open over the raised thigh and the swell of the hip behind is turned three-quarters to the lens and reads round and full, stretched taut against the taut silk. The china dress is deep crimson silk with gold piping, a high mandarin collar closed at the throat, knotted frog buttons down the center, short cap sleeves, and a long side slit that opens all the way to the hip on the raised-leg side; under it, dark opaque tights run unbroken from waist to the raised ankle. Her head is tipped down toward the lens along the diagonal of her own lifted leg, chin tucked, eyelids heavy and half-lowered in a smug sideways look aimed straight at the viewer, one corner of her mouth pulled up higher than the other; a small ribbon sits in the hair above one ear, and both horse ears swivel back slightly with the effort. Her very long brown twintails and the loose hair between her eyes are thrown sideways and upward by the momentum of the stretch, suspended and fraying at their tips. Behind and around her, the plain stone hall dissolves into shadow, a single warm overhead key throwing a hard pool of light down the crown of her head, the length of the raised leg and the front swell of the dress, the underside of her jaw and the inner side of the raised thigh falling into cool shade, and where her heel meets the floor the contact throws a compressed dark shadow and a faint scuff of dust displaced outward along the tile seam. Palette limited to crimson, gold and warm skin against cool grey stone. Effortlessly arrogant, sharply graceful.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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