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AI art "夢見りあむ" featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE and #Yumemi Riamu
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夢見りあむ

#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE#Yumemi Riamu
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character: yumemi_riamu single character, 1girl, solo, medium shot, slightly off-center composition, from side, pink hair, short hair with blue two-tone tips, multicolored hair, ahoge curling up from the crown, hair intakes framing the face, pink eyes, single small fang, sweet lolita dress with frills, short sleeves, apron, ribbon at the chest, small hat perched on the head, earrings, leaning forward, mid-step, one arm extended, looking to the side, looking at object, parted lips, open mouth, candid, mid-action, hair blowing slightly, dress hem swaying, cinematic framing, natural perspective, anime screencap, 2D cel animation, clean anime lineart, flat color fills, simple cel shading, limited highlights, restrained color palette, soft environmental lighting, atmospheric depth, broadcast anime frame A slightly off-center medium shot, camera at about chest height and angled in from the side so the girl is seen three-quarters from her right, framed against the right-of-center of the screen with open depth to her left. She is caught mid-action in an ordinary indoor corridor of a school building: she pivots on her leading left foot, weight carried on that foot with the right heel just peeling off the floor, her torso leaning forward into the turn, her right arm swung out half-extended as if she has just spun around to look at something behind her, fingers loosely open. Her hips are offset from her shoulders in the same spiral, so the pose is frank and ungainly rather than posed. Her chin is turned toward the left of the frame, and both pink eyes are focused on the closed classroom door at the far left edge, its frosted-glass pane catching the daylight. Her mouth is open a little in an unselfconscious half-formed word, brows slightly raised. The short pink hair with blue-tipped ends and the ahoge swinging over are lifted and dragged sideways by her turn, a few strands crossing her cheek and collarbone; the frilled hem and the ribbon at her chest lag a beat behind her, the skirt flaring out over her knees, the apron and short sleeves pushed just slightly back. The small hat sits slightly askew from the motion, its ornament catching a thin highlight. Her earrings swing forward on their own momentum, out of time with the hair. The corridor is drawn in the same flat cel style: pale cream wall with a horizontal dado rail, a row of windows along the left feeding daylight, a few closed classroom doors in mid-grey, a polished vinyl floor whose pale reflection of the windows is dimmer and softer than the real panes and runs in long flattened streaks along the seams of the floorboards. The far end of the corridor greys out into a lighter, hazed wall so the space reads as deeper than it is; a single distant, illegible sign hangs near the ceiling. Soft neutral daylight comes only from the corridor windows on the left, so her left side (the side facing the window) is the lit one, cool on the wall and floor, and the right side of her face, her right arm and the folds under her skirt fall into one or two simple cel-shadow steps of flat unmixed colour with hard clean edges; she casts a short blurred-edged shadow on the floor back toward the right. The palette is restrained: cream, grey-green and the muted blue-grey of the corridor, with her pink hair, blue tipped ends and soft rose dress as the only warm accents admitted, all in flat ungraded fills, no gloss, no painterly texture, no rim light. Quiet, ordinary, slightly caught-off-guard. The image is rendered as a TV anime screenshot with clean uniform outlines and smooth cel shading.
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Original Prompt
yumemi riamu, Japanese TV anime screenshot, frame captured from an animated scene, looks like a single frame from an actual anime episode, 2D cel animation, clean anime lineart, flat color fills, simple cel shading, limited highlights, no painterly rendering, consistent character design, production anime quality, natural in-scene composition, cinematic framing, character positioned naturally within the environment, slightly off-center composition, medium shot, natural perspective, background drawn in the same anime production style, a candid moment during an ongoing scene, subtle body movement, natural gesture, slightly imperfect pose as if captured mid-action, natural facial expression, eyes focused on something within the scene, hair and clothing reacting subtly to movement, soft environmental lighting, simple anime-style shadows, restrained color palette, background and character lighting consistent, atmospheric depth, looks like a frame from a broadcast anime, not promotional artwork, not a character illustration, not a key visual, not a poster, not a character sheet, no dramatic illustration composition, no excessive details, no glossy rendering
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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character: yoshikawa_chinatsu, copyright: yuruyuri 1girl, solo, full body, standing, front view, eye level, pink hair, long twintails, hair bobbles, blunt bangs, green eyes, sweet smile, light smile, closed mouth, blush, nanamori school uniform, sailor collar, ribbon, layered dress, long sleeves, burgundy dress, pleated skirt, black knee-highs, uwabaki, holding bag, holding with both hands, school bag, school hallway, lockers, windows, morning, morning sunlight, light beams, shadows, bright atmosphere, clean anime cel-shading In a straight-on full body shot at eye level, a middle school girl stands composed in the center of an empty school hallway. She has vibrant pink hair parted into straight blunt bangs and long, thick twintails that fall past her shoulders, secured at both sides of her head with round hair bobbles. Her emerald-green eyes gaze forward with a tender expression, accompanied by a subtle blush on her cheeks and a sweet, closed-mouth polite smile. She wears a Nanamori school uniform comprising a short-sleeved white serafuku overtop with a dark sailor collar and trim, accented by a ribbon tied at the center of the chest, layered over a long-sleeved burgundy dress with a pleated knee-length skirt, paired with black knee-high socks and clean white indoor uwabaki slippers resting on the corridor floor. Her posture is gently upright with her weight set on her right foot and her left knee softly angled inward; both hands clasp the twin carry-straps of a dark navy school bag resting lightly against the front pleats of her skirt. To her left, large multi-pane corridor windows admit streaming soft morning sunlight, casting sharp rectangular patches of pale golden light and window-frame shadow lines across the polished wooden floorboards, while tall metal lockers line the wall opposite the glass. Rendered with sharp outlines with distinct, non-blended color blocks and bright, flat shading, following a flat, clean anime style defined by soft pastel palettes, minimal shading, smooth color fills of simple forms, and light, rounded linework. Bright and fresh.
YUKI
#YuruYuri#Yoshikawa Chinatsu

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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