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AI artwork featuring #Reverse: 1999
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Reverse: 1999

#Reverse: 1999
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character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
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Original Prompt
遊戯王_キース・ハワード、サングラスで目が隠れている、アメリカ国旗の柄のバンダナ、無精ひげ、半袖シャツ、ノースリーブジャケット、リストバンド、ニヤけている、右手の親指を伸ばして自分の顔に向けている BREAK 英字新聞の一面、男の写真が小さく載っている、男の顔にフォーカス、モノクロ写真
Mode
pro
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
にばんめ
#Reverse: 1999
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! newspaper front page layout, 1boy, solo, close-up, face focus, from front, slight from below, head tilt, short blonde hair, stubble, sunglasses, eyewear covering eyes, american flag pattern bandana, red short-sleeved shirt, navy blue sleeveless jacket, silver wristband, smirk, smug, raised eyebrow, right hand raised, thumb up, thumb pointing at own face, looking at viewer, masthead, headline, columns, halftone print, newsprint texture The image is a full broadsheet front page seen straight on, flat and evenly lit as paper is lit, a single English-language newspaper filling the entire frame edge to edge. The whole page is composed around one large printed photograph occupying the upper two-thirds: a tight close-up of one man's face and raised hand, cropped at the jacket's shoulder line and at the top of his hair. His head tilts a little to his left and toward the lens, chin slightly down, so the jaw is foreshortened; the camera sits a touch below his eyeline and level with the printed page, giving him a low, looming presence inside the newsprint. His eyes are completely hidden: dark-tinted sunglasses sit squarely on his nose and bridge, both lenses opaque enough that no eye shows behind them, and the silver-white catch of the studio lights runs along the top of each lens rim. A bandana printed with the stars-and-stripes pattern is knotted low on his brow above the glasses, the flag's blue field with white stars bunching over his right temple and the red-and-white stripes tightening across his left, its knotted corner poking out at the back of his head. Short blonde hair escapes at the temples and above his ears. A grey-gold stubble shades his jaw, upper lip and chin, uneven and coarse in the halftone. He wears a red short-sleeved shirt, its collar open, and over it a navy-blue sleeveless jacket whose armholes leave his bare upper arms exposed; a wide silver wristband sits on his raised right wrist, and the shirt cuff bunches just behind it. His right hand is lifted in front of his chest, sole contact at the wrist and lower forearm only, no other support: thumb fully extended and angled up and inward so its tip points straight at his own jaw, the remaining fingers loosely curled toward the palm, the back of the hand turned three-quarters to the lens. His expression is a wide lopsided smirk — one corner of the mouth pulled high, one brow arched above the sunglasses, the lips parted enough to show teeth on that side, the cheek on the smirk's side tight and creased. The smirk's own eyebrow does the looking: behind opaque lenses, the whole tilt of the head aims the hidden gaze out of the page at the reader. The photograph is printed in a slightly desaturated four-colour web-offset palette — red shirt and red stripes of the bandana saturated against cool navy jacket, the paper ground a warm newsprint off-white, everything confined to those colours plus the neutral greys of the skin's halftone. The image is visibly ink on newsprint: a fine halftone screen breaks the skin and the bandana's stripes into dots, the paper's fibers show faintly in the pale areas, and the photograph's edges are perfectly straight, dead square with the page. Above the photo a heavy serif masthead runs edge to edge, and between masthead and photograph a thin rule carries a date line and small edition marks in illegible micro-text. Below the photograph, the lower third is set in three narrow justified columns of grey body type, every line deliberately illegible at this scale, with one column broken by a pull-quote. A headline set in bold condensed capitals, much larger than the body type, sits immediately under the photograph and reads "THE THUMB THAT POINTS AT ITSELF", its letters warped very slightly where the paper's curvature lifts at the right edge of the frame. Smaller deck type runs under the headline, and a thin column of credits stays tiny and unreadable. A faint lengthwise crease crosses the whole page just below the man's chin, and the halftone dots and the printed type both dip into it. Raw, cocky, tabloid.
にばんめ
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! newspaper front page layout, 1boy, solo, close-up, face focus, from front, slight from below, head tilt, short blonde hair, stubble, sunglasses, eyewear covering eyes, american flag pattern bandana, red short-sleeved shirt, navy blue sleeveless jacket, silver wristband, smirk, smug, raised eyebrow, right hand raised, thumb up, thumb pointing at own face, looking at viewer, masthead, headline, columns, halftone print, newsprint texture The image is a full broadsheet front page seen straight on, flat and evenly lit as paper is lit, a single English-language newspaper filling the entire frame edge to edge. The whole page is composed around one large printed photograph occupying the upper two-thirds: a tight close-up of one man's face and raised hand, cropped at the jacket's shoulder line and at the top of his hair. His head tilts a little to his left and toward the lens, chin slightly down, so the jaw is foreshortened; the camera sits a touch below his eyeline and level with the printed page, giving him a low, looming presence inside the newsprint. His eyes are completely hidden: dark-tinted sunglasses sit squarely on his nose and bridge, both lenses opaque enough that no eye shows behind them, and the silver-white catch of the studio lights runs along the top of each lens rim. A bandana printed with the stars-and-stripes pattern is knotted low on his brow above the glasses, the flag's blue field with white stars bunching over his right temple and the red-and-white stripes tightening across his left, its knotted corner poking out at the back of his head. Short blonde hair escapes at the temples and above his ears. A grey-gold stubble shades his jaw, upper lip and chin, uneven and coarse in the halftone. He wears a red short-sleeved shirt, its collar open, and over it a navy-blue sleeveless jacket whose armholes leave his bare upper arms exposed; a wide silver wristband sits on his raised right wrist, and the shirt cuff bunches just behind it. His right hand is lifted in front of his chest, sole contact at the wrist and lower forearm only, no other support: thumb fully extended and angled up and inward so its tip points straight at his own jaw, the remaining fingers loosely curled toward the palm, the back of the hand turned three-quarters to the lens. His expression is a wide lopsided smirk — one corner of the mouth pulled high, one brow arched above the sunglasses, the lips parted enough to show teeth on that side, the cheek on the smirk's side tight and creased. The smirk's own eyebrow does the looking: behind opaque lenses, the whole tilt of the head aims the hidden gaze out of the page at the reader. The photograph is printed in a slightly desaturated four-colour web-offset palette — red shirt and red stripes of the bandana saturated against cool navy jacket, the paper ground a warm newsprint off-white, everything confined to those colours plus the neutral greys of the skin's halftone. The image is visibly ink on newsprint: a fine halftone screen breaks the skin and the bandana's stripes into dots, the paper's fibers show faintly in the pale areas, and the photograph's edges are perfectly straight, dead square with the page. Above the photo a heavy serif masthead runs edge to edge, and between masthead and photograph a thin rule carries a date line and small edition marks in illegible micro-text. Below the photograph, the lower third is set in three narrow justified columns of grey body type, every line deliberately illegible at this scale, with one column broken by a pull-quote. A headline set in bold condensed capitals, much larger than the body type, sits immediately under the photograph and reads "THE THUMB THAT POINTS AT ITSELF", its letters warped very slightly where the paper's curvature lifts at the right edge of the frame. Smaller deck type runs under the headline, and a thin column of credits stays tiny and unreadable. A faint lengthwise crease crosses the whole page just below the man's chin, and the halftone dots and the printed type both dip into it. Raw, cocky, tabloid.
にばんめ
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! newspaper front page layout, 1boy, solo, close-up, face focus, from front, slight from below, head tilt, short blonde hair, stubble, sunglasses, eyewear covering eyes, american flag pattern bandana, red short-sleeved shirt, navy blue sleeveless jacket, silver wristband, smirk, smug, raised eyebrow, right hand raised, thumb up, thumb pointing at own face, looking at viewer, masthead, headline, columns, halftone print, newsprint texture The image is a full broadsheet front page seen straight on, flat and evenly lit as paper is lit, a single English-language newspaper filling the entire frame edge to edge. The whole page is composed around one large printed photograph occupying the upper two-thirds: a tight close-up of one man's face and raised hand, cropped at the jacket's shoulder line and at the top of his hair. His head tilts a little to his left and toward the lens, chin slightly down, so the jaw is foreshortened; the camera sits a touch below his eyeline and level with the printed page, giving him a low, looming presence inside the newsprint. His eyes are completely hidden: dark-tinted sunglasses sit squarely on his nose and bridge, both lenses opaque enough that no eye shows behind them, and the silver-white catch of the studio lights runs along the top of each lens rim. A bandana printed with the stars-and-stripes pattern is knotted low on his brow above the glasses, the flag's blue field with white stars bunching over his right temple and the red-and-white stripes tightening across his left, its knotted corner poking out at the back of his head. Short blonde hair escapes at the temples and above his ears. A grey-gold stubble shades his jaw, upper lip and chin, uneven and coarse in the halftone. He wears a red short-sleeved shirt, its collar open, and over it a navy-blue sleeveless jacket whose armholes leave his bare upper arms exposed; a wide silver wristband sits on his raised right wrist, and the shirt cuff bunches just behind it. His right hand is lifted in front of his chest, sole contact at the wrist and lower forearm only, no other support: thumb fully extended and angled up and inward so its tip points straight at his own jaw, the remaining fingers loosely curled toward the palm, the back of the hand turned three-quarters to the lens. His expression is a wide lopsided smirk — one corner of the mouth pulled high, one brow arched above the sunglasses, the lips parted enough to show teeth on that side, the cheek on the smirk's side tight and creased. The smirk's own eyebrow does the looking: behind opaque lenses, the whole tilt of the head aims the hidden gaze out of the page at the reader. The photograph is printed in a slightly desaturated four-colour web-offset palette — red shirt and red stripes of the bandana saturated against cool navy jacket, the paper ground a warm newsprint off-white, everything confined to those colours plus the neutral greys of the skin's halftone. The image is visibly ink on newsprint: a fine halftone screen breaks the skin and the bandana's stripes into dots, the paper's fibers show faintly in the pale areas, and the photograph's edges are perfectly straight, dead square with the page. Above the photo a heavy serif masthead runs edge to edge, and between masthead and photograph a thin rule carries a date line and small edition marks in illegible micro-text. Below the photograph, the lower third is set in three narrow justified columns of grey body type, every line deliberately illegible at this scale, with one column broken by a pull-quote. A headline set in bold condensed capitals, much larger than the body type, sits immediately under the photograph and reads "THE THUMB THAT POINTS AT ITSELF", its letters warped very slightly where the paper's curvature lifts at the right edge of the frame. Smaller deck type runs under the headline, and a thin column of credits stays tiny and unreadable. A faint lengthwise crease crosses the whole page just below the man's chin, and the halftone dots and the printed type both dip into it. Raw, cocky, tabloid.
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