Oct 23, 2026

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AI art "原神璃月4人組" featuring #Genshin Impact, #Chongyun, #Xiangling, #Xingqiu and #Hu Tao

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原神璃月4人組

#Genshin Impact #Chongyun #Xiangling #Xingqiu #Hu Tao

Published on Oct 23, 2026

nuofdja

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character: xingqiu_(genshin_impact), chongyun_(genshin_impact), xiangling_(genshin_impact), hu_tao_(genshin_impact), copyright: genshin_impact 4girls, hu tao \(genshin impact\), xingqiu \(genshin impact\), xiangling \(genshin impact\), chongyun \(genshin impact\), brown hair, long hair, twintails, very long hair, hair between eyes, red eyes, flat cap hat, hat flower, long sleeves, jewelry, ring, blue hair, short hair, yellow eyes, single earring, tassel earrings, frills, frilled sleeves, shorts, hair ornament, hairclip, braid, hair rings, bow, gloves, dress, chinese clothes, ribbon, ahoge, blue eyes, hood down, hood, fingerless gloves, ouji fashion, 4girls, walking, walking on railing, balancing, arms outstretched, tiptoes, looking down, open mouth, smile, grin, talking, looking at another, gesturing, pointing, from below, wide shot, dutch angle, day, outdoors, liyue, stone street, wooden stalls, red lanterns, warm sunlight, friendly atmosphere, The camera sits low and tilted a few degrees off level, looking up a narrow Liyue street that climbs gently away from the lens: grey flagstone paving between timber shopfronts, red paper lanterns strung on cords overhead, cloth awnings and stacked crates flanking the walk. Four girls fill the street, one high, three low, all moving in the same direction toward the camera's left. Hu Tao walks the whole length of a low stone-and-timber railing that runs along the left of the street, one hand's width above head height for the others — a ledge of dark worn wood on stubby posts. She is up on it in profile-ish three-quarter, seen slightly from below: weight on her front foot at the rail's edge, back heel lifted and toes curled over the wood, both arms flung out level with her shoulders, sleeves hanging and her long brown twintails swinging out behind her with the sway of each step. The flat dark cap sits on her head with its flower at the brim; her red eyes are tipped down toward her own feet and the drop to the stones, brows drawn up in concentration, a wide open grin breaking through it, mouth open as if she is saying something down to the others. Loose strands of very long hair drift across her cheek. Nothing on her feet touches anything but the narrow rail; her shadow falls short on the paving directly beneath her, tight and hard-edged because the sun is high. Below and to her right, on the paving, Xiangling, Xingqiu and Chongyun walk abreast in a loose staggered line, all three turned partly toward one another rather than the lens. Xiangling is nearest the rail and closest to the camera: short blue hair with its hairclip and braid, bow and ribbon at her collar, gloved hands — one lifted mid-gesture at chest height, fingers spread, the other swinging loose — her yellow eyes on Chongyun, mouth open in mid-sentence, chin tipped up. Xingqiu walks between and slightly behind, one shoulder forward, head turned toward Xiangling's face, yellow eyes on her, a small closed-lipped smile; his frilled sleeves and the tassel of his earring hang still, his stride caught with the back foot pushing off. Chongyun is on the far side, partly overlapped by Xingqiu's shoulder in the foreground order, blue hair with its ahoge, hood down on his shoulders, one gloved hand raised palm-out as he makes a point, his blue eyes on Xiangling, mouth open in reply. The three sets of footfalls land at different points on the flagstones, and their four shadows — three long from the figures, one short under the rail — run in parallel toward the lower right. Light comes from high behind the shopfronts on the right: warm afternoon sun rakes across the street from the right rear, lighting the right side of every face, the tops of Xingqiu's shoulders, Xiangling's braid and the lanterns' upper curves, and leaving the left edge of the street and the underside of the awnings in cool blue-grey shadow. Palette: warm honey stone, deep cinnabar lanterns and awnings, the bright blue of three heads of hair against Hu Tao's brown and the dark timber, with clean white cloth and pale skin carrying the highlights. The detail budget goes to Hu Tao's balance — the exact contact of toes and sole on the narrow rail, the lifted heel, the spread arms, the drop beneath — and to the three faces turned into their conversation. Distant shopfront signage down the street is small and illegible. Bright, springy, good-humoured.

原神璃月4人組

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