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かなぶん

Contest Entry

PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

Published on Oct 23, 2026

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かなぶん

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1girl, solo, from below, low angle, looking up, blonde hair, long hair, straight hair, hair falling forward, black wings, feathered wings, large wings, spread wings, white tail, tail, animal features, kimono, indigo kimono, cotton kimono, short kimono, tucked kimono, cream obi, wide obi, obi tied at front, bare feet, geta, rain, rain streaks, wet clothes, wet hair, cherry blossom tree, sakura, falling petals, wet petals, puddle, overcast, muted palette, Edo period, wooden buildings, dirt road, outskirts, standing under tree, arms at sides, looking ahead, faint closed-lip smile, half-closed eyes The camera sits low to the wet ground and looks up: a girl stands at the far edge of an Edo-period town, beneath the low grey cloud ceiling, and the view tilts so the cherry tree's rain-heavy branches arc across the frame above her and the wooden row houses stand small and rain-blurred behind. She is a single figure, alone. Her long straight blonde hair is soaked through — darkens toward the ends and clings in strands to her cheeks and neck, with wet locks stuck flat across her forehead. She wears an easy-to-move kimono of sturdy indigo-dyed cotton, the hem cut short and the skirt tucked up at the waist for free movement, bound round with a wide cream-colored obi sash tied at the front; the fabric hangs heavy and darker where the rain has soaked in, and the indigo cloth clings to her legs. From her back a pair of large black feathered wings spread partly open and out to either side; the water runs off the layered feathers in threads and drops fall from the lowest tips, and where the wings block the rain, the petals and drops beat down on the black plumage instead of her shoulders. A white tail curves out from behind the kimono and hangs low, its fur bedraggled and flattened by the water, tip twitching. The cherry blossom tree fills the upper third of the frame: dark wet bark, boughs sagging under the rain, blossoms pale and heavy with moisture — a few petals come loose and drift down through the falling rain, and some stick flat to the wet ground. The ground is a churned dirt road at the town's edge; a shallow puddle lies at her feet, holding a darker, softer, broken reflection of her silhouette and the tree above. Behind her the outermost row houses of the town recede in the downpour, their wooden fronts and tiled eaves rendered in soft wash without sharp detail, sliding toward the vanishing point on the left. The sky is a flat pale grey; the light is that of a rainy afternoon — diffuse, no sun, cool and even from above, and it catches the rim of each wing feather, the wet crown of her head, and the sheen on the puddle's surface. Shadows are soft and almost absent; the darkness sits instead against the tree trunk behind her. The palette is drawn tight to the scene's own: deep indigo, cream, the black of the wings, the drowned white of the tail, and the pale bone-pink of the rain-soaked blossoms against grey. Her chin is lifted a little and her eyes are half-lowered, looking level into the rain ahead of her, a faint closed-lip smile on her mouth; the weight is on her left leg with the right foot turned slightly out, both hands loose and quiet at her sides, and her hair and the loose end of the obi move in slight secondary sway with the downdraft. Drops strike the puddle in perfect expanding rings, the petals land only on upward-facing surfaces, and the whole scene holds its breath. Quiet, rain-soaked melancholy.

かなぶん

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