AI art "アスカ対式波タイプ" featuring #Rei Ayanami, #Neon Genesis Evangelion, #Asuka Langley Soryu, #Honkai Series and #Evangelion: 3.0+1.0 Thrice Upon a Time

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アスカ対式波タイプ

#Rei Ayanami #Neon Genesis Evangelion #Asuka Langley Soryu #Honkai Series #Evangelion: 3.0+1.0 Thrice Upon a Time

Published on Oct 23, 2026

kiripupu0620

character: souryuu_asuka_langley 2girls, souryuu_asuka_langley, red hair, orange hair, long hair, hair between eyes, hair flowing in the wind, glowing hair, glowing green eyes, white plugsuit, sitting, gray entry plug seat, entry plug interior, cockpit, red light, blue light, glowing background, side view, profile, crossing arms, outstretched arms, reaching, hands forward, grabbing, second girl made of white light, glowing white body, glowing blue eyes, from side, cowboy shot, dutch angle, dark interior, volumetric light, rim light, tense, mysterious A side-on view, camera set low and level with the seat, the whole entry plug interior cut across the frame in profile. In the left half of the image the seated Asuka faces right: she is planted on a gray entry plug seat, hips low, back angled forward off the seat's backrest so that the weight rides on her front hip and her boots brace against the plug floor. She wears a white plugsuit that hugs her torso and thighs, its panels catching the two colored lights along their seams. Both of her arms are thrust forward across her chest, forearms crossed in an X in front of her sternum, wrists overlapping, and her fingers are spread wide and hooked as they close on the empty air in front of her — the gesture of a grasp that has not yet made contact. Her hair streams backwards and to the left off her shoulders in long red and orange strands that thin out into luminous ribbons, as though the air of the plug were rushing past her; the ends glow brighter than the roots and dissolve into sparks at the frame edge. Her eyes are open wide and shine solid luminous green, with no visible pupil, and her gaze is locked dead ahead into the figure in front of her. Her jaw is set, lips parted a fraction, and her shoulders roll forward with the reach. Directly in front of her, in the right half of the frame and turned to face her in three-quarter profile, stands the second Asuka: a figure made entirely of white light, its silhouette that of the same girl's body and unbroken hair, its surface a smooth overexposed white with soft bloom at the edges, and the plug's interior visible as a faint ghost through her shoulder and upper arm where the light thins. Her only distinct feature is a pair of blue eyes, saturated and cold, glowing out of the featureless white of her face. She stands upright, arms loose at her sides, and her blue gaze is fixed on the seated girl's face. Between them the space is charged: the seated girl's outstretched fingertips come within a hand's width of the light figure's chest, and no contact is made. The light figure casts no real shadow but floods the seated girl's face, chest and forearms with a soft white bounce from the right, while the red and blue glow of the plug walls washes her from behind and above — red climbing the left wall of the cylinder and laying along her hair, blue on the right wall and on her shoulder blade, both sources bleeding into the haze that fills the cockpit's depth. Beyond the two figures the plug's ribbed panel walls, restraints and instrument housings fall off into darkness, lit only where the red and blue meet. The white light figure acts as the revealer here: her glow is what turns the red and blue glare on the seated girl into visible colored rim light. Palette is held to white, red, blue and the orange-red of the glowing hair; no other hue enters. High-contrast composite lighting, the seated figure sharp and detailed in her face, hands and suit seams, the light figure rendered smooth and bloomed, the cockpit simplified to big dark shapes. Eerie, charged.

アスカ対式波タイプ

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