Notice: PixAI iOS App Temporarily Unavailable on the App Store โ Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively wโฆ
View details347
Contest Entry
PixAI ร zeta Original Character Creation Contest 2026 #zetaCollab
Show Parameters
- Original Prompt
- ไธไธชๅๅ่ง่ฒ
- Mode
- flash
- Size
- 1104 x 1824
Model & LoRA used
Similar Images
Show more1girl, solo, original character, long wavy auburn hair, hair tied back, navy blue velvet ribbon in hair, high-collared ivory lace blouse, forest green high-waisted wool skirt, brown leather ankle boots, small gold locket, from below, dutch angle, looking down at viewer, leaning forward, one hand on hip, head tilt, smirk, one eyebrow raised, half-closed eyes, wind, depth of field, cinematic lighting, full body,
The camera sits low and canted, tilted a few degrees off true, looking up at her: a young woman with long wavy auburn hair pulled back and bound by a navy blue velvet ribbon whose tails lift and flick to her left as she steps forward off the balls of her feet. She leans down toward the lens from the hip, weight carried on her right leg with the left knee bent and the left boot slightly ahead on the pavement, brown leather ankle boots creasing at the toe. Her left hand rests flat on her hip, fingers spread and pressing the wool of her high-waisted forest green skirt, which falls in a stiff, heavy straight line to just below the knee, flaring slightly from her forward lean; her right arm hangs loose with the hand half-curled. She is caught mid-step and mid-smirk, chin dipped so that the tilt favors one side of her mouth, one brow arched high while the other stays low, eyes half-lidded and fixed straight down the tilted sightline at the viewer with a look of unhurried, knowing amusement. The ivory lace blouse sits high at the throat, the collar rigid and closed, the lace's openwork casting small flecks of shadow onto her skin, the fabric tucked cleanly into the waistband and stretching taut across her back as she bends. A small gold locket hangs at the base of her throat inside the high collar's shadow and swings gently outward on its chain with the lean, catching one bright quiver of light. She stands on wet cobblestone pavement whose joints run on the diagonal of the dutch tilt; the sheen of the water reflects her an inverted soft blur but darker and with less contrast than she is. Behind and above her, a brick wall of the building's lower frontage and a tall barred window rise into shallow-focus background, its upper edge cropped by the frame. The light is a single low source from her upper right, a cool late sunlight passing between buildings: it edges the auburn waves and the velvet ribbon, glints on the gold locket, catches the furred lace at her collar and shoulder, and leaves the lower half of her skirt and the pavement's shadowed side in a deep, soft green-darkness, her cast shadow stretching back to the lower left across the wet stones. Palette: auburn warmth, ivory, deep forest green, navy velvet, brown leather, and the pale wet grey of stone. Quiet, cool confidence.
347
1girl, solo, original character, long wavy auburn hair, hair tied back, navy blue velvet ribbon in hair, high-collared ivory lace blouse, forest green high-waisted wool skirt, brown leather ankle boots, small gold locket, from below, dutch angle, looking down at viewer, leaning forward, one hand on hip, head tilt, smirk, one eyebrow raised, half-closed eyes, wind, depth of field, cinematic lighting, full body,
The camera sits low and canted, tilted a few degrees off true, looking up at her: a young woman with long wavy auburn hair pulled back and bound by a navy blue velvet ribbon whose tails lift and flick to her left as she steps forward off the balls of her feet. She leans down toward the lens from the hip, weight carried on her right leg with the left knee bent and the left boot slightly ahead on the pavement, brown leather ankle boots creasing at the toe. Her left hand rests flat on her hip, fingers spread and pressing the wool of her high-waisted forest green skirt, which falls in a stiff, heavy straight line to just below the knee, flaring slightly from her forward lean; her right arm hangs loose with the hand half-curled. She is caught mid-step and mid-smirk, chin dipped so that the tilt favors one side of her mouth, one brow arched high while the other stays low, eyes half-lidded and fixed straight down the tilted sightline at the viewer with a look of unhurried, knowing amusement. The ivory lace blouse sits high at the throat, the collar rigid and closed, the lace's openwork casting small flecks of shadow onto her skin, the fabric tucked cleanly into the waistband and stretching taut across her back as she bends. A small gold locket hangs at the base of her throat inside the high collar's shadow and swings gently outward on its chain with the lean, catching one bright quiver of light. She stands on wet cobblestone pavement whose joints run on the diagonal of the dutch tilt; the sheen of the water reflects her an inverted soft blur but darker and with less contrast than she is. Behind and above her, a brick wall of the building's lower frontage and a tall barred window rise into shallow-focus background, its upper edge cropped by the frame. The light is a single low source from her upper right, a cool late sunlight passing between buildings: it edges the auburn waves and the velvet ribbon, glints on the gold locket, catches the furred lace at her collar and shoulder, and leaves the lower half of her skirt and the pavement's shadowed side in a deep, soft green-darkness, her cast shadow stretching back to the lower left across the wet stones. Palette: auburn warmth, ivory, deep forest green, navy velvet, brown leather, and the pale wet grey of stone. Quiet, cool confidence.
347
1girl, solo, original character, long wavy auburn hair, hair tied back, navy blue velvet ribbon in hair, high-collared ivory lace blouse, forest green high-waisted wool skirt, brown leather ankle boots, small gold locket, from below, dutch angle, looking down at viewer, leaning forward, one hand on hip, head tilt, smirk, one eyebrow raised, half-closed eyes, wind, depth of field, cinematic lighting, full body,
The camera sits low and canted, tilted a few degrees off true, looking up at her: a young woman with long wavy auburn hair pulled back and bound by a navy blue velvet ribbon whose tails lift and flick to her left as she steps forward off the balls of her feet. She leans down toward the lens from the hip, weight carried on her right leg with the left knee bent and the left boot slightly ahead on the pavement, brown leather ankle boots creasing at the toe. Her left hand rests flat on her hip, fingers spread and pressing the wool of her high-waisted forest green skirt, which falls in a stiff, heavy straight line to just below the knee, flaring slightly from her forward lean; her right arm hangs loose with the hand half-curled. She is caught mid-step and mid-smirk, chin dipped so that the tilt favors one side of her mouth, one brow arched high while the other stays low, eyes half-lidded and fixed straight down the tilted sightline at the viewer with a look of unhurried, knowing amusement. The ivory lace blouse sits high at the throat, the collar rigid and closed, the lace's openwork casting small flecks of shadow onto her skin, the fabric tucked cleanly into the waistband and stretching taut across her back as she bends. A small gold locket hangs at the base of her throat inside the high collar's shadow and swings gently outward on its chain with the lean, catching one bright quiver of light. She stands on wet cobblestone pavement whose joints run on the diagonal of the dutch tilt; the sheen of the water reflects her an inverted soft blur but darker and with less contrast than she is. Behind and above her, a brick wall of the building's lower frontage and a tall barred window rise into shallow-focus background, its upper edge cropped by the frame. The light is a single low source from her upper right, a cool late sunlight passing between buildings: it edges the auburn waves and the velvet ribbon, glints on the gold locket, catches the furred lace at her collar and shoulder, and leaves the lower half of her skirt and the pavement's shadowed side in a deep, soft green-darkness, her cast shadow stretching back to the lower left across the wet stones. Palette: auburn warmth, ivory, deep forest green, navy velvet, brown leather, and the pale wet grey of stone. Quiet, cool confidence.
347
ใช
1girl, solo, full body, standing, character sheet style, light honey blonde hair, medium hair, messy hair, light blue eyes, drooping eyes, subtle smile, slim, white blouse, pale blue accents, long sleeves, light beige skirt, simple boots, pendant necklace, medieval fantasy town, soft sunlight, wind, cinematic lighting
A character sheet style full-body shot, presented as a clean centered composition against the soft-focus backdrop of a medieval fantasy town. The girl stands with a natural, relaxed posture, her weight shifted slightly onto her left leg while her right foot is turned outward. She has a slim, youthful build and a gentle, natural appearance. Her medium-length light honey blonde hair is slightly messy, with soft, loose strands fluttering gently in a light breeze. Her light blue eyes are slightly drooping, conveying a calm expression and a subtle, innocent smile that feels reliable. She wears a modest long-sleeved blouse of white and pale blue simple fantasy village fabric, tucked into a light beige skirt that reaches her mid-calf. On her feet are simple, matte brown leather boots. A small, simple pendant on a thin cord rests against the fabric of her blouse, shifting slightly with her breath. The scene is bathed in warm, soft sunlight from the upper right, casting a gentle glow across her features and creating soft, diffused shadows on the cobblestone ground beneath her. The palette is a harmonious blend of pale creams, soft blues, and honey tones, evoking a peaceful, timeless atmosphere. Serene and wholesome.
ใชใใใคใฟใฏ
Explore more
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments