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AI art "女拳闘士加賀さん" featuring #Alternate Costume, #Kantai Collection, #Kaga, #blue skirt and #zetaCollab
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女拳闘士加賀さん

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Alternate Costume#Kantai Collection#Kaga#blue skirt
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, fishnet tights, short light blue pettipants, hime-style gothic lolita pettipants, lots of frills, many ribbons, voluminous pettipants, pale pink tube bra, frilled bra, ribboned bra, midriff bare, white elbow-length gloves, frilled gloves, ribboned gloves, leather shoes, necklace with heart-shaped jewelry, from below, low angle, cowboy shot, standing, contrapposto, one hand raised to her side ponytail, head tilt, looking at viewer, half-closed eyes, light smile, dutch angle, frills fluttering, window light Low-angle cowboy shot from slightly below and a touch off-axis, tilted a few degrees into a dutch angle, framing the figure from mid-thigh to above the head against a tall, bare interior: a plain cream wall with a leaded window high at the left, her full length cut off at the calves and the floor reduced to a narrow strip where the toes of both leather shoes sit turned slightly toward each other on dark wood. Her brown hair is gathered into a long side ponytail falling past the shoulder, loose strands curving across the collarbone, and her brown eyes look down at the viewer with half-lowered lids and a small closed-lip smile crooking higher on one side. She stands in contrapposto with her weight sunk into the right hip and the left knee loose, torso angled a little away from the lens while her head tilts back toward it; her right hand is lifted to the base of the ponytail, the pure white glove's cuff wrinkling at the elbow as ribbon and frill ride the bend of her arm, while her left arm hangs with the glove's frilled edge brushing the volume of her pettipants. The pale pink tube bra sits straight and seamless across her chest, its frill border scalloping over bare midriff skin and its small ribbons catching a highlight along their folds; below it the short light blue hime-style gothic lolita pettipants balloon outward in deep pleated tiers, each hem loaded with layered frills and knotted ribbons that flare out over the fishnet tights, and the squares of the fishnets stretch widest across the thighs, their mesh shadowing the skin beneath. The necklace with its heart-shaped jewelry hangs in the notch of the tube bra's top edge, the polished heart a small dense gleam against her skin. One high window at the left is the only light source: it rakes in cool daylight that clips the left side of her face and the tops of the glove cuffs while falling away into warm shadow on her right cheek and under the flared tiers of the pettipants, and her cast shadow lands low and long across the wood floor with the shoes' soles dark inside it. Palette held to pale pink, light blue, pure white and the dark lattice of the nets on bare skin and wood, with her brown hair and eyes as the only warm notes. Crisp cel rendering with fine cloth detail on frill edges and fishnet mesh. Effortlessly stylish.
Show Parameters
Original Prompt
艦隊これくしょんの加賀さんのイラスト。下半身には、網タイツの上に、丈の短い水色の、フリルやリボンがたくさんついているボリューミーな地雷系ゴスロリペチパンツをはいている。皮の靴を履いている。上半身には薄桃色の、フリルやリボンで飾られたチューブブラジャーをつけている。 両手には純白の、二の腕まである手袋をつけており、これもリボンやフリルで飾られている。ハートのジュエリーのついたネックレスをしている。
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.31k

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ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
#zetaCollab#Fishnet Tights#Bare shoulders
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
#zetaCollab#Fishnet Tights#Bare shoulders
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
#zetaCollab#Fishnet Tights#Bare shoulders
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
#zetaCollab#Fishnet Tights#Bare shoulders

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