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AI art "一期一振 - 電信電話記念日" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
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一期一振 - 電信電話記念日

Contest Entry
2nd "Favorite Work" Contest#Create What You Love 2
#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri A square 1:1 three-quarter composition inside an imagined Japanese telegraph office in the earliest Meiji years, after the opening of the Tokyo–Yokohama public service. Ichigo Hitofuri is the only person. His figure fills about three quarters of the picture height, from the crown of his head to the upper thighs, standing to the left of a solid wooden desk. The camera is at his upper-chest height and slightly in front of his left shoulder, looking obliquely down across a circular brass transmitter dial on the desk at the right. Both his face and the contact between his right fingers and the instrument are unobstructed. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His gaze stays on the particular character selected by the brass pointer. His eyebrows lift noticeably, and his small mouth is parted in bright, absorbed astonishment, with both mouth corners turning upward. He is fascinated by the possibility of exchanging written words over a distant wire. His shoulders angle toward the desk and his upper torso follows his working hand; the left shoulder remains relaxed rather than raised into a theatrical pose. He wears a finely woven indigo cotton kimono over a pale ash-gray inner robe. A narrow inner collar is visible beneath the dark blue outer collar, and the wearer's left front panel overlaps the right front panel at the kimono collar. The front closes in one continuous diagonal overlap down to the natural waist, held by a subdued charcoal woven obi. The overlapping lower panels remain closed below that obi inside the crop. Over the kimono is a smoke-gray silk-and-cotton haori, worn fully open from neck to hem so that the kimono collar, crossed chest and the central part of the obi can be seen between its two straight front edges. The haori has broad hanging sleeves with muted blue interior facings; the left sleeve hangs naturally, and the right sleeve forms deeper folds toward the bent elbow. A narrow dark woven facing finishes the haori's front edges. The coarse matte cotton, compact woven obi and soft luster of the haori remain distinct. His right elbow is bent beside his ribs, with the forearm extending forward across the upper-right portion of the desk. His right fingertips rest on the short rotating handle of a Breguet-style letter-dial telegraph transmitter; the handle points to one position on the circular dial. His left palm rests on the near corner of the desk, with its supporting wrist below the dial. Both hands remain connected naturally to their arms and clear of the instrument's lettering. The transmitter sits flat on a dark reddish wooden rectangular base, about the span of his forearm. Its broad horizontal brass disk has concentric rings of small engraved Latin letters and numerals around a central pivot. A single metal selecting arm extends from the center to one marked position, with small upright control fittings behind the disk and brass contacts near the wooden base. A pair of thin insulated wires leads away from the back of the desk. The circular mechanism, the supporting wood and his fingertips remain visibly separate; this is a pointer-and-letter telegraph, not a Morse tapping key or a modern telephone. Only enough of the office is shown to establish the early communication setting: plaster above a low timber wall, a narrow upright window frame behind his left shoulder, and the lower part of a dark wooden post outside with a taut telegraph line crossing the opening. The window does not cover the instrument or turn the room into a museum exhibit. Clear late-afternoon daylight enters from the upper left through the window and strikes one edge of the brass dial and his raised brows. A pale plaster wall supplies soft reflected light to his lower face. The wooden base absorbs more light than the polished brass; short shadows from the selector arm fall across the dial in the same direction as the folds in his sleeve. single coherent lighting setup. masterpiece, best quality, detailed illustration, soft washes, blended hues, translucent layers, delicate linework, luminous shading, expressive eyes, warm glow, dreamy aesthetic, playful strokes, vibrant gradients, whimsical charm, painterly texture, light transparency, cheerful tones, flowing forms, watercolor splashes, smooth blending, youthful vibe, ethereal rendering, prismelle, crisp clean lineart, sharp delicate linework, jewel-like eyes, luminous irises, bright eye highlights, colorful eye reflections, accent-colored hair highlights, luminous hair highlights, glossy plump lips, delicate soft coloring
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Original Prompt
A square 1:1 three-quarter composition inside an imagined Japanese telegraph office in the earliest Meiji years, after the opening of the Tokyo–Yokohama public service. Ichigo Hitofuri is the only person. His figure fills about three quarters of the picture height, from the crown of his head to the upper thighs, standing to the left of a solid wooden desk. The camera is at his upper-chest height and slightly in front of his left shoulder, looking obliquely down across a circular brass transmitter dial on the desk at the right. Both his face and the contact between his right fingers and the instrument are unobstructed. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His gaze stays on the particular character selected by the brass pointer. His eyebrows lift noticeably, and his small mouth is parted in bright, absorbed astonishment, with both mouth corners turning upward. He is fascinated by the possibility of exchanging written words over a distant wire. His shoulders angle toward the desk and his upper torso follows his working hand; the left shoulder remains relaxed rather than raised into a theatrical pose. He wears a finely woven indigo cotton kimono over a pale ash-gray inner robe. A narrow inner collar is visible beneath the dark blue outer collar, and the wearer's left front panel overlaps the right front panel at the kimono collar. The front closes in one continuous diagonal overlap down to the natural waist, held by a subdued charcoal woven obi. The overlapping lower panels remain closed below that obi inside the crop. Over the kimono is a smoke-gray silk-and-cotton haori, worn fully open from neck to hem so that the kimono collar, crossed chest and the central part of the obi can be seen between its two straight front edges. The haori has broad hanging sleeves with muted blue interior facings; the left sleeve hangs naturally, and the right sleeve forms deeper folds toward the bent elbow. A narrow dark woven facing finishes the haori's front edges. The coarse matte cotton, compact woven obi and soft luster of the haori remain distinct. His right elbow is bent beside his ribs, with the forearm extending forward across the upper-right portion of the desk. His right fingertips rest on the short rotating handle of a Breguet-style letter-dial telegraph transmitter; the handle points to one position on the circular dial. His left palm rests on the near corner of the desk, with its supporting wrist below the dial. Both hands remain connected naturally to their arms and clear of the instrument's lettering. The transmitter sits flat on a dark reddish wooden rectangular base, about the span of his forearm. Its broad horizontal brass disk has concentric rings of small engraved Latin letters and numerals around a central pivot. A single metal selecting arm extends from the center to one marked position, with small upright control fittings behind the disk and brass contacts near the wooden base. A pair of thin insulated wires leads away from the back of the desk. The circular mechanism, the supporting wood and his fingertips remain visibly separate; this is a pointer-and-letter telegraph, not a Morse tapping key or a modern telephone. Only enough of the office is shown to establish the early communication setting: plaster above a low timber wall, a narrow upright window frame behind his left shoulder, and the lower part of a dark wooden post outside with a taut telegraph line crossing the opening. The window does not cover the instrument or turn the room into a museum exhibit. Clear late-afternoon daylight enters from the upper left through the window and strikes one edge of the brass dial and his raised brows. A pale plaster wall supplies soft reflected light to his lower face. The wooden base absorbs more light than the polished brass; short shadows from the selector arm fall across the dial in the same direction as the folds in his sleeve. single coherent lighting setup. masterpiece, best quality, detailed illustration, soft washes, blended hues, translucent layers, delicate linework, luminous shading, expressive eyes, warm glow, dreamy aesthetic, playful strokes, vibrant gradients, whimsical charm, painterly texture, light transparency, cheerful tones, flowing forms, watercolor splashes, smooth blending, youthful vibe, ethereal rendering, prismelle, crisp clean lineart, sharp delicate linework, jewel-like eyes, luminous irises, bright eye highlights, colorful eye reflections, accent-colored hair highlights, luminous hair highlights, glossy plump lips, delicate soft coloring
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lowres, worst quality, low quality, bad anatomy, explicit
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