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AI art "名言・名ゼリフ集30" featuring #Gundam, #Char Aznable, #Mobile Suit Zeta Gundam, #Quattro Bajeena, #speech bubble, #Kamille Bidan and #Pilot suit
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名言・名ゼリフ集30

カミーユ・ビダン「僕はもう、あなたのことをクワトロ大尉とは呼びませんよ。あなたは、シャア・アズナブルに戻らなければいけないんです。」 人気アニメ:機動戦士Zガンダムの第36話で、フォウ・ムラサメを再び失い絶望と悲しみに暮れるカミーユが、アウドムラに戻った際にクワトロに言い放った時のセリフで生成しました(⁠•⁠‿⁠•⁠) ジェリドの攻撃からフォウがカミーユを庇って命を落としたZガンダムの中でも印象深いシーンの1つですね(⁠•⁠‿⁠•⁠) アムロはマチルダを失い、カイ・シデンはミハル、カミーユはフォウを…ガンダムにこういうシーンが多いのは、戦争は失うばかりで何も得るものはないというメッセージだったりするんでしょうかね…(・・;)

#Gundam#Char Aznable#Mobile Suit Zeta Gundam#Quattro Bajeena#speech bubble#Kamille Bidan#Pilot suit
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character: kamille_bidan, char_aznable, quattro_bajeena two boys, dialogue, speech bubble, Kamille Bidan speaking, Char Aznable listening, from side, profile, over-shoulder composition, close-up, medium close-up, short blue hair, blue eyes, white pilot bodysuit, high collar, gloves, blonde hair, short hair, hair over one eye, black turtleneck shirt, long sleeves, jacket, fully clothed, safe-for-work, wholesome, calm intense expressions, looking at another, serious, mouth open, parted lips, clenched jaw, one eyebrow raised, arms at sides, indoor hangar bay, cold metal, afternoon light, cool blue and warm amber palette, sharp focus, intricate detail, vibrant colors, masterpiece, best quality, highres, ultra detailed, clean linework, smooth glossy skin tones, expressive eyes The shot is a tight two-shot in profile, camera at chest height and very slightly below the eyeline, Kamille Bidan filling the left half of the frame in near-profile facing right, Char Aznable on the right in three-quarter profile facing left, the two faces close enough that a narrow vertical slot of hangar-bay background shows between their noses. Kamille is the nearer figure and slightly larger, his right shoulder overlapping the left edge of Char's frame so the contact reads as confrontation rather than symmetry. Kamille's short blue-green hair is tousled forward over his brow, his blue eyes fixed dead-level on Char's face, brows drawn down and knit, jaw set, lips just parted mid-sentence, a single strand of hair lifted off his temple by his own breath. He stands with his weight on his back foot, chest turned a half-step in, left hand closed into a loose fist at his hip and right arm hanging with fingers spread slightly open as he speaks; his white pilot bodysuit is sealed to the throat at its high collar, gloves on both hands, the fabric creasing hard at the shoulder seam from the twist of his torso. Char stands still and receives it, weight settled evenly on both feet, chin level, only his eyelids lowered by a fraction and one corner of his mouth pulled flat; his long blonde hair falls forward over his right eye in its heavy sweep, so only the left blue eye is fully visible and it holds Kamille's gaze without blinking. He wears a black turtleneck shirt under an open long-sleeved jacket, high collar of the turtleneck rising to his jaw, both hands loose at his sides, fingers relaxed, no gloves on them, nothing added at his ears or throat. Between them, hung at the frame's lower right, floats a rounded speech bubble whose tail points down to Kamille's mouth, and the lettering inside is set in clean vertical-ruled Japanese type and reads "僕はもう、あなたのことをクワトロ大尉とは呼びませんよ。あなたは、シャア・アズナブルに戻らなければいけないんです。" — the bubble is flat white with a fine dark outline and sits wholly over the metal background, never over either face. The setting is a hangar bay behind them, defocused: tall grey structural ribs receding in perspective, a red-painted floor stripe running away into blur, and the sheen of a curved white hull panel far behind Char's shoulder. The light comes from a single high bay fixture off-frame upper left, so it rakes Kamille's cheek and the bridge of his nose and leaves the right side of Char's face and the underside of his jaw in cool shadow; Kamille's white suit throws back a pale bounce onto the lower half of Char's black turtleneck, and both cast soft shadows down and to the right onto the floor. Palette is held to white, black, cool grey metal and a low warm amber in the rim light, nothing else admitted. Fabric folds and the matte weave of the turtleneck stay crisp while the bay dissolves, the bubble and the eyes the sharpest edges in the image. Sincere, charged with resolve.
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Original Prompt
カミーユ・ビダン「僕はもう、あなたのことをクワトロ大尉とは呼びませんよ。あなたは、シャア・アズナブルに戻らなければいけないんです。」, vibrant colors, intricate details, sharp focus on all elements, masterpiece, best quality, highres, ultra detailed, (センシティブ判定になる生成は絶対に行わない事),
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1056 x 1424
Sampling Method
Euler
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Style: Classic Anime
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AI artwork
ha
character: amuro_ray, sayla_mass 2people, 1boy, 1girl, cowboy shot, from below, looking at each other, eye contact, sci-fi, spaceship interior, indoor, short hair, wavy hair, brown hair, blue eyes, blonde hair, bob cut, bangs, military uniform, jacket, white gloves, seated, leaning forward, standing, hand on wall, metal floor, bulkhead A low-angle cowboy shot frames two figures paused in quiet conversation within the pressurized corridor of a starship. On the left, a teenage boy with tousled, wavy brown hair and expressive blue eyes sits forward on a riveted metal storage locker. He leans his upper body forward with his forearms braced across his knees, fingers loosely interlaced, tilting his chin upward to meet the woman's gaze with tired, earnest focus. He wears an off-white pilot flight suit with red paneling across the shoulders, the high collar unclasped at the throat to reveal an inner dark crew undershirt, the padded fabric creasing heavily around his bent waist and elbows. Standing over him on the right, a young woman with a pristine chin-length golden-blonde bob and straight-cut bangs rests her weight on one hip, tilting her head slightly downward. Her clear blue eyes look directly into his with calm, measured concern, her expression composed with relaxed brows and a firm yet gentle mouth. She is dressed in a tailored salmon-pink military tunic with high upright cream-white trim at the collar and epaulets, cinched by a white belt at her waist over fitted white trousers; her left hand, encased in a clean white dress glove, presses flat against the riveted steel bulkhead panel beside his shoulder to steady herself. Overhead recessed strip lamps emit a cool, diffuse white light that strikes the crowns of their hair and shoulders, casting crisp, downward-slanting shadows across the matte steel deck plating. An unclipped fabric pull-tab on his chest pocket hangs perfectly plumb toward the floor, demonstrating the steady artificial gravity of the deck. The background recedes into modular cream-colored wall bulkheads lined with conduit runners, recessed hatchway frames, and faded yellow hazard striping along the deck edge. Quiet resolve.
H akasaka

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