Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

六号之前

六

六号之前

More to See

Comments

two subjects, giant frog, winged frog, limbless frog, smooth limbless torso, no arms, no legs, open mouth, giant bubble in mouth, bubble, girl, short black hair, black hair, off-white embroidered surcoat, inner layer, dark woven shoulder guard, brown leather belt, dark slim long pants, walking into bubble, riverside background, riverbank, full body, from side, profile, wide shot, dutch angle, leaning forward, mid-step, one leg forward, looking at bubble, reflective bubble surface, grass, reeds, daytime, soft overcast light, <lora:frog_winged:0.8> A low, slightly tilted wide shot from the side, the camera set almost at water level so the riverbank runs as a soft horizontal band behind the pair: the girl and the frog stand in the same plane, both seen close to profile, the girl on the left of the frame and the frog on the right, with the giant bubble between them bridging the gap. The frog is as tall as an adult human, its whole body a single smooth limbless green torso that tapers to a rounded base where it rests on the grass -- no arms and no legs anywhere on it, the belly pale cream and slightly darker along the ground contact where the grass presses in. Two broad veined wings sprout from the upper back and are held half-unfurled, one spread toward the camera catching the light through its membrane, one angled away; the wings' tips droop just enough to show their weight. Its mouth is stretched wide open, the jaw hinged down, and wedged in that opening sits a bubble as large as the frog's own head is wide, its thin skin stretched taut against the lip corners and dimpled inward where the frog's jaw grips it. The bubble's surface is a soap-film sheen -- a curved smear of sky on the upper half, a darker inverted streak of the grass along the bottom edge, and one bright crescent highlight on the side facing the river -- and it is slightly ovoid, wider at the free end, because it is still being pushed out of the throat. The girl is caught mid-step, her weight fully on her forward right foot with the left heel just lifting off the turf, torso leaning slightly forward into the bubble's opening, her short black hair swinging forward off her cheek with the motion and one strand lifted. Her off-white embroidered surcoat hangs over its inner layer, the thick pale fabric creased at the hip where she bends, fine stitched patterning running in bands across the chest and hem; the dark woven shoulder guards sit as two blocks of tight braided texture on her shoulders, edges scuffed; the brown leather belt cinches the waist with its end hanging loose and swinging; the dark slim trousers wrinkle in sharp folds at the knee of the stepping leg. Both her hands are at her sides, fingers loosely curled, and her head is tipped so she looks straight into the bubble's curved wall, eyes wide and fixed on the point where the soap film meets the frog's lip; the frog's eye, on the side facing her, is rolled down and toward her, one slit pupil tracking her step. The bubble skin is undisturbed as her leading shoulder approaches it, and the grass around them is wet with dew, one flat leaf holding a single bead that has not yet run off. Behind them the river fills the background: slow green-brown water, a gravel bar and low reeds at the waterline, the far bank hazy and simplified into soft tree masses, and the water's only bright line is the reflection of the overcast sky, broken into small horizontal shivers. Light comes entirely from the pale overcast above and slightly behind the camera, soft and shadowless except for a gentle core shadow under the frog's belly and behind the girl's stepping leg; the palette is limited to wet green, cream and off-white, dark brown-black, and the bubble's thin iridescent film of faint rose and blue. Her shadow and the frog's shadow fall short and soft on the grass, touching at the point where she will enter the bubble. Quiet, wondrous.
Show Parameters
Original Prompt
一只一人高的青蛙，长着翅膀，没有四肢，张着嘴巴，口中含着一个巨大泡泡。一个黑发短发小女孩，内搭米白色刺绣束腰战袍与深色编织护肩，腰系棕色皮带，下穿深色修身长裤，走进泡泡, 背景河边
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1024 x 1536
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.89k

Similar Images

Show more
AI artwork
六
two subjects, giant frog, winged frog, limbless frog, smooth limbless torso, no arms, no legs, open mouth, giant bubble in mouth, bubble, girl, short black hair, black hair, off-white embroidered surcoat, inner layer, dark woven shoulder guard, brown leather belt, dark slim long pants, walking into bubble, riverside background, riverbank, full body, from side, profile, wide shot, dutch angle, leaning forward, mid-step, one leg forward, looking at bubble, reflective bubble surface, grass, reeds, daytime, soft overcast light, <lora:frog_winged:0.8> A low, slightly tilted wide shot from the side, the camera set almost at water level so the riverbank runs as a soft horizontal band behind the pair: the girl and the frog stand in the same plane, both seen close to profile, the girl on the left of the frame and the frog on the right, with the giant bubble between them bridging the gap. The frog is as tall as an adult human, its whole body a single smooth limbless green torso that tapers to a rounded base where it rests on the grass -- no arms and no legs anywhere on it, the belly pale cream and slightly darker along the ground contact where the grass presses in. Two broad veined wings sprout from the upper back and are held half-unfurled, one spread toward the camera catching the light through its membrane, one angled away; the wings' tips droop just enough to show their weight. Its mouth is stretched wide open, the jaw hinged down, and wedged in that opening sits a bubble as large as the frog's own head is wide, its thin skin stretched taut against the lip corners and dimpled inward where the frog's jaw grips it. The bubble's surface is a soap-film sheen -- a curved smear of sky on the upper half, a darker inverted streak of the grass along the bottom edge, and one bright crescent highlight on the side facing the river -- and it is slightly ovoid, wider at the free end, because it is still being pushed out of the throat. The girl is caught mid-step, her weight fully on her forward right foot with the left heel just lifting off the turf, torso leaning slightly forward into the bubble's opening, her short black hair swinging forward off her cheek with the motion and one strand lifted. Her off-white embroidered surcoat hangs over its inner layer, the thick pale fabric creased at the hip where she bends, fine stitched patterning running in bands across the chest and hem; the dark woven shoulder guards sit as two blocks of tight braided texture on her shoulders, edges scuffed; the brown leather belt cinches the waist with its end hanging loose and swinging; the dark slim trousers wrinkle in sharp folds at the knee of the stepping leg. Both her hands are at her sides, fingers loosely curled, and her head is tipped so she looks straight into the bubble's curved wall, eyes wide and fixed on the point where the soap film meets the frog's lip; the frog's eye, on the side facing her, is rolled down and toward her, one slit pupil tracking her step. The bubble skin is undisturbed as her leading shoulder approaches it, and the grass around them is wet with dew, one flat leaf holding a single bead that has not yet run off. Behind them the river fills the background: slow green-brown water, a gravel bar and low reeds at the waterline, the far bank hazy and simplified into soft tree masses, and the water's only bright line is the reflection of the overcast sky, broken into small horizontal shivers. Light comes entirely from the pale overcast above and slightly behind the camera, soft and shadowless except for a gentle core shadow under the frog's belly and behind the girl's stepping leg; the palette is limited to wet green, cream and off-white, dark brown-black, and the bubble's thin iridescent film of faint rose and blue. Her shadow and the frog's shadow fall short and soft on the grass, touching at the point where she will enter the bubble. Quiet, wondrous.
六号之前
AI artwork
六
two subjects, giant frog, winged frog, limbless frog, smooth limbless torso, no arms, no legs, open mouth, giant bubble in mouth, bubble, girl, short black hair, black hair, off-white embroidered surcoat, inner layer, dark woven shoulder guard, brown leather belt, dark slim long pants, walking into bubble, riverside background, riverbank, full body, from side, profile, wide shot, dutch angle, leaning forward, mid-step, one leg forward, looking at bubble, reflective bubble surface, grass, reeds, daytime, soft overcast light, <lora:frog_winged:0.8> A low, slightly tilted wide shot from the side, the camera set almost at water level so the riverbank runs as a soft horizontal band behind the pair: the girl and the frog stand in the same plane, both seen close to profile, the girl on the left of the frame and the frog on the right, with the giant bubble between them bridging the gap. The frog is as tall as an adult human, its whole body a single smooth limbless green torso that tapers to a rounded base where it rests on the grass -- no arms and no legs anywhere on it, the belly pale cream and slightly darker along the ground contact where the grass presses in. Two broad veined wings sprout from the upper back and are held half-unfurled, one spread toward the camera catching the light through its membrane, one angled away; the wings' tips droop just enough to show their weight. Its mouth is stretched wide open, the jaw hinged down, and wedged in that opening sits a bubble as large as the frog's own head is wide, its thin skin stretched taut against the lip corners and dimpled inward where the frog's jaw grips it. The bubble's surface is a soap-film sheen -- a curved smear of sky on the upper half, a darker inverted streak of the grass along the bottom edge, and one bright crescent highlight on the side facing the river -- and it is slightly ovoid, wider at the free end, because it is still being pushed out of the throat. The girl is caught mid-step, her weight fully on her forward right foot with the left heel just lifting off the turf, torso leaning slightly forward into the bubble's opening, her short black hair swinging forward off her cheek with the motion and one strand lifted. Her off-white embroidered surcoat hangs over its inner layer, the thick pale fabric creased at the hip where she bends, fine stitched patterning running in bands across the chest and hem; the dark woven shoulder guards sit as two blocks of tight braided texture on her shoulders, edges scuffed; the brown leather belt cinches the waist with its end hanging loose and swinging; the dark slim trousers wrinkle in sharp folds at the knee of the stepping leg. Both her hands are at her sides, fingers loosely curled, and her head is tipped so she looks straight into the bubble's curved wall, eyes wide and fixed on the point where the soap film meets the frog's lip; the frog's eye, on the side facing her, is rolled down and toward her, one slit pupil tracking her step. The bubble skin is undisturbed as her leading shoulder approaches it, and the grass around them is wet with dew, one flat leaf holding a single bead that has not yet run off. Behind them the river fills the background: slow green-brown water, a gravel bar and low reeds at the waterline, the far bank hazy and simplified into soft tree masses, and the water's only bright line is the reflection of the overcast sky, broken into small horizontal shivers. Light comes entirely from the pale overcast above and slightly behind the camera, soft and shadowless except for a gentle core shadow under the frog's belly and behind the girl's stepping leg; the palette is limited to wet green, cream and off-white, dark brown-black, and the bubble's thin iridescent film of faint rose and blue. Her shadow and the frog's shadow fall short and soft on the grass, touching at the point where she will enter the bubble. Quiet, wondrous.
六号之前
AI artwork
六
two subjects, giant frog, winged frog, limbless frog, smooth limbless torso, no arms, no legs, open mouth, giant bubble in mouth, bubble, girl, short black hair, black hair, off-white embroidered surcoat, inner layer, dark woven shoulder guard, brown leather belt, dark slim long pants, walking into bubble, riverside background, riverbank, full body, from side, profile, wide shot, dutch angle, leaning forward, mid-step, one leg forward, looking at bubble, reflective bubble surface, grass, reeds, daytime, soft overcast light, <lora:frog_winged:0.8> A low, slightly tilted wide shot from the side, the camera set almost at water level so the riverbank runs as a soft horizontal band behind the pair: the girl and the frog stand in the same plane, both seen close to profile, the girl on the left of the frame and the frog on the right, with the giant bubble between them bridging the gap. The frog is as tall as an adult human, its whole body a single smooth limbless green torso that tapers to a rounded base where it rests on the grass -- no arms and no legs anywhere on it, the belly pale cream and slightly darker along the ground contact where the grass presses in. Two broad veined wings sprout from the upper back and are held half-unfurled, one spread toward the camera catching the light through its membrane, one angled away; the wings' tips droop just enough to show their weight. Its mouth is stretched wide open, the jaw hinged down, and wedged in that opening sits a bubble as large as the frog's own head is wide, its thin skin stretched taut against the lip corners and dimpled inward where the frog's jaw grips it. The bubble's surface is a soap-film sheen -- a curved smear of sky on the upper half, a darker inverted streak of the grass along the bottom edge, and one bright crescent highlight on the side facing the river -- and it is slightly ovoid, wider at the free end, because it is still being pushed out of the throat. The girl is caught mid-step, her weight fully on her forward right foot with the left heel just lifting off the turf, torso leaning slightly forward into the bubble's opening, her short black hair swinging forward off her cheek with the motion and one strand lifted. Her off-white embroidered surcoat hangs over its inner layer, the thick pale fabric creased at the hip where she bends, fine stitched patterning running in bands across the chest and hem; the dark woven shoulder guards sit as two blocks of tight braided texture on her shoulders, edges scuffed; the brown leather belt cinches the waist with its end hanging loose and swinging; the dark slim trousers wrinkle in sharp folds at the knee of the stepping leg. Both her hands are at her sides, fingers loosely curled, and her head is tipped so she looks straight into the bubble's curved wall, eyes wide and fixed on the point where the soap film meets the frog's lip; the frog's eye, on the side facing her, is rolled down and toward her, one slit pupil tracking her step. The bubble skin is undisturbed as her leading shoulder approaches it, and the grass around them is wet with dew, one flat leaf holding a single bead that has not yet run off. Behind them the river fills the background: slow green-brown water, a gravel bar and low reeds at the waterline, the far bank hazy and simplified into soft tree masses, and the water's only bright line is the reflection of the overcast sky, broken into small horizontal shivers. Light comes entirely from the pale overcast above and slightly behind the camera, soft and shadowless except for a gentle core shadow under the frog's belly and behind the girl's stepping leg; the palette is limited to wet green, cream and off-white, dark brown-black, and the bubble's thin iridescent film of faint rose and blue. Her shadow and the frog's shadow fall short and soft on the grass, touching at the point where she will enter the bubble. Quiet, wondrous.
六号之前

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile