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歡氏

歡氏

歡氏

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multiple women, striptease, stage, retro nightclub, Muromachi-period style, geisha, undressing, kimono slipped off shoulders, bare shoulders, bare back, bare chest, semi-nude, multiple male customers, seated, sake, sake cups, sake bottles, food, lacquered trays, stage on the left, customers on the right, facing stage, looking at stage, wide shot, from side, elevated angle, dutch angle, wooden stage, tatami floor, paper lanterns, candlelight, warm amber palette, deep indigo, vermilion accents, seductive, smoky atmosphere, half-closed eyes, blush A wide shot from a slightly raised, subtly tilted angle takes in the whole floor at once: the low wooden stage running along the left of the frame, the tatami seating floor stretching away to the right. The camera sits at the far right corner of the room so the stage recedes along the left edge in perspective, its front edge angled across the frame while the customer mats fan out toward the near foreground. On the stage, three women are caught mid-performance. The nearest, at the stage lip, has her outer kimono already crumpled around her hips; her bare back and the long curve of her shoulder are turned half away from the room as she twists, one hand drawn up across her chest, the other reaching behind to loosen the knot at her waist, chin over her shoulder, one eye half-lidded toward the men below. Behind her a second woman kneels with her sleeve fallen to the elbow, exposing an arm and the slope of her collarbone, unfastening the tie of her under-sash; a third stands at the back of the stage with her robe open down the front and her hair spilling loose. Their hair ornaments ride low, swinging as they move, and the loosened silk slides rather than falls, catching on the hips before it drops. On the right, on the tatami, five men in dark Muromachi robes and tall eboshi caps sit with their backs partly to the camera, faces in near-profile, all turned toward the stage. Sake cups are raised, one man's fingers still around a white porcelain cup at his lips, another leaning on one hip with his elbow on a low lacquered tray scattered with small dishes. Between and among them, three hostesses lean in close — one draped across a customer's shoulder with her translucent silk robe fallen to her waist and her breath at his ear, one kneeling and pouring sake, the sleeve of her robe pooling on the mat, one lying along the near customer's thigh with an arm hooked over his knee, her loose robe baring her back. The men's gazes stay on the stage; the women watch the men's faces. The light comes from paper lanterns hung low over the stage and from iron candle stands between the mats, warm amber and slightly uneven, so the stage front is bright and the far corners of the room fall into dark indigo shadow; the men's backs are rimmed while their faces catch the lantern glow, and long soft shadows stretch to the right. A faint blue smoke haze hangs over the stage. The palette holds amber, indigo and vermilion, with the pale porcelain of cups and the bare skin of the women as the only light notes. The painted sliding screens behind the stage carry worn, illegible gold flecks. Alluring, decadent.
Show Parameters
Original Prompt
脫衣陪酒畫面，復古夜總會，室町風，陪酒女郎（多女，舞台上的脫衣藝妓，台下顧客身邊半裸侍寢的陪酒女郎），男顧客，飲食，清酒，NSFW，explicit，舞台位於左邊，顧客位於右邊面向舞台
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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4people, 3men, 1woman, cinematic composition, from audience, over-shoulder view, kabuki actor, mie pose, kumadori, glowing makeup, augmented reality trails, brocade kimono, kabuki stage, carbon fiber beams, hanamichi, holographic spotlight, high-society gala, exclusive box seats, young noble, futuristic kimono, heiress, furisode, glowing jewelry, glowing earrings, glowing necklace, older zaibatsu magnate, cybernetic eye, drinking sake, crystal cup, lacquered table, kaiseki, wine bottles, holographic text, paper lanterns, neon accents, dual lighting, golden stage light, cool blue glow, opulent atmosphere, ultra-detailed anime illustration. Viewed from an exclusive foreground box seat looking toward the elevated stage, a grand theatrical scene unfolds in Muromachi-futuristic opulence. In the center midground, a kabuki actor locks into a fierce, dramatic mie pose upon an ornate cedar stage reinforced with matte black carbon-fiber structural braces; his wide-legged stance pulls taut the stiff, voluminous folds of his gold-and-vermilion brocade costume, while his bold red-and-black kumadori face paint is bordered by faint, suspended augmented-reality light trails that trace his expression beneath focused cyan holographic spotlights. The traditional polished wooden hanamichi walkway extends from the stage edge into the theater hall, framed by subtle neon floor seams and tiers of overhead crimson paper lanterns. In the immediate foreground, three wealthy aristocrats observe from their private viewing box: on the right, an older zaibatsu magnate raises a faceted crystal cup to his lips with his right hand, his polished chrome cybernetic eye gleaming with an internal diode as he sips clear aged sake; seated beside him, an elegant heiress in an elaborate floral-patterned furisode rests her hands in her lap, her long draping sleeves pooling beside luminous azure-glowing earrings and a delicate glowing collarbone pendant; to her left, a handsome young noble heir leans forward with his left forearm resting on the table rail, clad in a sleek, dark iridescent futuristic kimono with structured metallic lapels, his gaze directed intently toward the performance. Between them upon the polished black lacquer table sit miniature tiered porcelain kaiseki bowls, lacquered plates with gourmet garnishes, and slender dark glass wine bottles. Drifting in mid-air above the lacquer tabletop, a translucent cyan holographic ribbon scrolls with vertical glowing program credits reading "演目：義経千本桜". The faceted crystal sake cup catches and refracts both the warm golden glare of the stage spotlights and the cool blue holographic ambient glow, projecting dual-toned caustics across the glossy black table surface. Opulent and dramatic.
GOG & minimaw
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新白
wide shot, establishing shot, from below, slight low angle, sento, japanese bathhouse, indoor pool, night, retro anime aesthetic, gritty film noir, multiple people, yakuza, men, women, irezumi, full-body tattoo, dragon tattoo, soaking, submerged, folded towel on head, cigarette, smoking, drifting cigarette smoke, steam, mist, loose yukata, off-shoulder, clinging wet clothes, bath towel, wooden tray, floating tray, sake bottle, sake cup, drinking sake, blue-green tiles, aged tile, weathered wood, wooden slats, low amber lighting, bare light bulb, red neon glow, neon sign, water reflection, wet floor, surveillance camera, red tally light A wide cinematic establishing shot taken from a slight low angle with a wide-angle lens, looking across the steaming expanse of an old Japanese co-ed bathhouse at night. In the center, a deep sunken communal pool is filled with turquoise hot-spring water, its surface churning with delicate circular ripples and rising plumes of thick white steam that catch the ambient light. Several broad-shouldered yakuza men soak up to their chests in the mineral water, their backs and shoulders densely adorned with intricate full-body irezumi depicting swirling dragons and floral motifs. Flat folded white washcloths rest neatly atop their cropped wet hair, and between the fingers of one tattooed hand a lit cigarette burns, sending thin ribbons of grey smoke to intermingle with the curling vapor above the water line. Beside them along the submerged tile coping, women lean intimately against the men's wet shoulders; their dark hair is pinned loosely with damp strands clinging to their necks, wearing soaked white bath towels wrapped tightly across their torsos and loose indigo-patterned yukata slipped down past one bare shoulder, the damp fabric sticking translucent against skin where it meets the water. One woman steadies a floating circular cedarwood tray laden with a ceramic sake tokkuri and shallow ochoko cups, tilting a cup toward a reclining man whose eyes are narrowed in quiet repose. The bathhouse interior is built of aged, moss-tinged blue-green rectangular ceramic tiles along the sunken floor and wainscoting, transitioning to water-stained cedar wood slats and exposed rafters above. Illumination is sparse and atmospheric: hanging bare filament bulbs cast warm amber pools from above, while high on the damp tiled wall, a glowing red neon sign reading "極楽" projects a saturated crimson light that shears across the water, reflecting in broken, undulating scarlet ripples against the turquoise depths. In the high upper corner near the dark wooden ceiling beams, an aged boxy surveillance camera is bolted to the masonry, its single red indicator diode glowing steadily downward through the mist. Liquid condensation runs in thin vertical channels along the grout lines of the tiled walls, and the polished stone ledges glisten with slick mirror-like reflections of warm amber and neon red. Decadent, gritty film-noir stillness.
新白

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3#Attack on Titan#Mikasa Ackerman
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