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View detailsEris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation
Show Parameters
- Original Prompt
- Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,pregnant,puffy dress,frilled dress,engagement ring,red and white dress,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,silver and white dress,scary,sad,cry,tears,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,1 man,hug from behind,el hombre pone la mano debajo del vientre de la mujer,rococo style
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
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character: eris_greyrat, copyright: mushoku_tensei
2girls, 1boy, 2+boys? no — 1girl, 1boy, frontal view, girl facing viewer, from front, standing, pregnant, visibly pregnant belly, huge breasts, red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, crying, tears, tear streaks on cheeks, sad, trembling lower lip, docile posture, arms lowered, hands resting on pregnant belly, man hugging girl from behind, hug from behind, man's hand covering girl's mouth, hand over mouth, one hand on her belly, silver and white dress, red and white accents, overly ornate dress, tacky gaudy dress, excessive lace, excessive ruffles, many bows, overdecorated dress, oversized dress, puffy dress, puffy skirt, huge skirt, long skirt, glittery fabric, sequins, ridiculous ornaments, tiara, colossal earrings, colossal engagement ring, engagement ring on ring finger, crying while held, indoors, dim room, window light
A young woman stands squared to the viewer, taken at chest-height in a straight frontal medium shot, her whole body turned to the lens and unable to turn away: a man stands directly behind her, his chest pressed flat against her back, his left arm hooked around her waist so his palm settles under the swell of her pregnant belly, his right hand clamped palm-first over her mouth, fingers spread across her jaw and cheek so her lips are sealed under skin, his chin hovering just above her right shoulder. Her very long red hair spills over both his forearms and down her back; a short ahoge curls up from her crown behind the tiara, and a black hairband sits pushed back in the red mass. Thick red brows draw together over wide wet red eyes that look straight down the lens and slightly up, wet and pleading, lashes clumped with tears; tears have already run from both eyes down her cheeks and one drop hangs at the corner of the hand covering her mouth. Her arms hang low and sedate, both hands folded and resting on the front of her huge belly.
She wears an absurd overbuilt silver-and-white gown: a puffy, frilled bodice crusted with tier upon tier of lace, ruffles stacked on ruffles, bows knotted at every seam until they become a texture, sequins and glitter fabric catching the light in hard white sparks, ridiculous clustered ornaments and faux jewel cabochons pinned into the ruffles, and a skirt so enormous and puffy and long that it bellies out around her and pools at her feet, swallowing her hips and the man's stance behind her. The skirt is silver and white with red ribbon bands and red bows, overdecorated until the silhouette itself is ridiculous. On her head a small ornate tiara sits in the red hair; enormous colossal earrings drag her earlobes down and swing against her neck; on her left hand, folded on her belly, a colossal engagement ring rises like a paperweight over the finger.
A single cold window light comes from the left, raking across her tear-tracked cheek and lighting the sequins so each one throws its own pinpoint highlight; the man behind her is a dark shape, his face mostly hidden behind her hair and his hand, only his jaw and the shadow of his brow visible, and his dark sleeve and dark coat are plain and unadorned so the dress reads as the one gaudy object in the frame. The skirt's fabric dimples where his hip and knee press into it from behind, the only place the huge volume deforms. Palette limited to silver, white, red and the dim brown-grey shadow around them; no other colour admitted. Atmosphere: quiet dread, captive tenderness.
Eris Boreas greyrat
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character: eris_greyrat, copyright: mushoku_tensei
2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart
She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still.
The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace.
The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet.
Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
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