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息耐者カール

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息耐者カール

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3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel, The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left. She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest. The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink. Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.33k

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Avatar image of 息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel, The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left. She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest. The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink. Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel, The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left. She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest. The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink. Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, trio, man in the center, two brides flanking him, bride on each side, kissing his cheek, cheek kiss, one bride on his left, one bride on his right, heart-shaped eyes, heart-shaped pupils, cleavage, deep neckline, heart-shaped light frame, heart-shaped border of light, wedding dress, white lace gown, strapless dress, bare shoulders, veil, bridal veil, long hair, looking at viewer, half-closed eyes, blush, closed mouth smile, from above, upper body, close-up, symmetrical composition, warm rim light, cel shading, flat colors, clean outlines, high contrast, hand-drawn animation feel, The camera looks down from slightly above the three of them, tight on their upper bodies inside a large heart of pale glowing light that arcs around them like a frame of pure luminance, its two lobes rising above their heads and its point dipping below their collarbones. In the middle stands the man, his face tipped a little back and up toward the light, a flushed warmth across his cheeks and a soft close-lipped smile caught halfway between laughing and melting; both eyes are wide open and each pupil is a crisp heart, one soft pink, one deeper rose, and their glow throws a faint pink sheen onto the bridge of his nose. His shoulders are squared but relaxed, his arms hang low and out of frame, and his chin lifts slightly toward the bride on his left. She presses in from the left, leaning her whole upper body against him, her lips flattened against his left cheek so the skin dimples under the kiss; her left hand rests flat on his far shoulder to brace herself and her right hand is lifted, fingers loosely curled near her own collarbone. Her veil slides forward over her shoulder and the lace of her bodice presses against his sleeve. Across from her the second bride leans in from the right, her kiss landing higher on his right cheekbone, one hand at his jaw and her thumb along the edge of it, her veil falling in a pale curtain between her face and the frame edge. Both women wear strapless white lace gowns with sweetheart necklines cut low enough to show a deep spill of cleavage, the lace scalloped along the edge and stretched over the curve of each chest. The light source is the heart frame itself, cool and pale where it is thinnest and warming to pink where it thickest, so that it lights the three faces from above and the outside; underneath their chins the shadows fall soft and lilac, and the women's shoulders, closer to the frame's lower arcs, catch a rim of pink along the bare skin. The inner edges of the frame are visible through the veils as a paler glow, so that the gauze shows a brighter band where it crosses the light and a dimmer one where it does not. The background behind them is a deep blue-violet, almost black at the corners, clean and empty, with a thin mist of scattered sparkles in the same pale pink. Palette: the deep blue-violet background holds the darkness; the brides' gowns, veils and the light frame are a warm off-white and rose, the lace edges touched with dusty mauve shadow; the bride's hair is a soft grey-lavender and the other's a muted blue, both cooled toward the background; the man's hair and jacket sit in desaturated blue-grey; a single rose pink dominates the frame, the heart pupils and the blush, and nothing else brighter is admitted. Flat cel-shaded color, clean crisp outlines, simple two-tone shadows, the sparkles drawn as simple hard-edged dots rather than airbrushed gradients. Joyful, giddy, a little ridiculous.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, multiple girls, trio, heart-shaped pupils, heart eyes, heart frame, glowing frame, bridal dress, wedding dress, veil, two brides, kissing cheek, kissing both cheeks, cheek kiss, blush, smile, closed eyes, cleavage, large breasts, collarbone, bare shoulders, strapless dress, hugging, arms around neck, leaning in, from above, from below, close-up, cowboy shot, upper body, looking at viewer, heart-shaped pupils, hetero, romantic, celebratory, pastel palette, blue and pink palette, heart-shaped bokeh, glowing light, rim light, white background, vertical composition. The view is a low, close cowboy shot, the camera tilted slightly upward so the three figures tower gently into a glowing heart-shaped frame of light that curves behind them. In the exact center stands a young man with short tousled light ash-purple hair, a dark tailored suit jacket over a crisp open collar, and his face turned straight toward the camera with a wide, breathless open-mouthed grin, both eyes wide open and unmistakably heart-shaped — each pupil a full glossy pink-red heart with a bright highlight, glowing faintly pink at the edges. His hands hang loose and happy at his sides, shoulders lifted, weight tilted back on his heels as though his knees have gone weak. On the left, a bride in a strapless white satin bridal dress with a sweetheart neckline, the fabric catching cool blue rim light; her pale rose-pink hair is swept up under a sheer veil that falls behind her shoulders. She leans in from the man's left, her chest pressed lightly near his shoulder, one arm looping around the back of his neck, her lips puckered and planted on his left cheek so the skin compresses softly; her own eyes are squeezed shut in a happy crescent, a faint blush across her nose. The gown's neckline opens into a soft rounded décolletage, shoulders bare and cool-toned. On the right, the second bride mirrors her: springy strawberry-blonde hair with a short veil pinned back, matching strapless white bridal gown with a delicate satin sheen, her body angled in and her lips pressed to the man's right cheek, the same cheekbone compressing under the kiss. Her arm reaches across to rest her hand flat on the man's far shoulder, and her lashes are lowered half-shut, a sly lopsided smile escaping around the kiss. Her own chest swells above the sweetheart neckline, the two gowns framing the man in matching white. The heart-shaped frame of light is a continuous glowing outline of pale pink and sky-blue light that arcs behind all three heads, its point dropping into the cleavage area between the two brides' gowns, its top lobes flaring open above their veils. Around the frame, scattered heart-shaped bokeh glows in soft pink and blue float in the near-white background. The background is a seamless pale off-white studio sweep with soft light-blue vignetted shading at the corners, giving the scene the airy feel of a wedding-day dream. Lighting: a bright, soft key from above-front wraps all three faces in warm white, with cool blue rim light tracing the brides' bare shoulders and the man's hairline from behind; the heart frame glows with its own internal light, casting a faint pink wash on the edges of the figures nearest it. Shadows are clean and simple, flat cel-shaded shapes in muted periwinkle-blue rather than black. Colour: pastel pinks, blush rose, powder blue and periwinkle dominate — the brides' gowns read white with cool blue shadows, their hair in soft rose and strawberry tones, the man in a muted blue-grey suit, the background a near-white with soft blue corner shading. No colour outside this soft pastel range appears except for the vivid heart-shaped pupils, which flash bright pink-red — the visual anchor of the whole composition. The single physical detail to trust: each bride's kiss visibly compresses the man's cheek, pushing a small crease in the skin around her lips, and the tip of her nose presses a concave dent beside it — the kiss is real contact, not overlay. The man's heart-shaped pupils dilate with tiny highlight dots, catching the frame's glow. The overall mood is giddy, romantic and celebratory, like the climactic frame of a wedding episode.
息耐者カール

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