Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "DeeDee"
Generate New ArtworkGenerate for FreeGenerate for Free

DeeDee

Avatar image of Simon Kennedy

Simon Kennedy

More to See

Comments

2girls, two young women, medium shot, eye-level, centered composition, looking at viewer, seductive gaze, half-closed eyes, short cropped orange hair, reflective grey irises, facial freckles, white clown face paint, smudged black lipstick edges, red cotton tube top, visible fabric weave, white shorts, white leather belt, red leather boots, high-gloss sheen, white cabbie hat, detailed stitching, black velvet choker, bare shoulders, perspiration, leaning together, leaning on another person, golden hour, rim lighting, urban street, city street, out-of-focus background, metropolitan backdrop, gritty concrete, bokeh, city lights, dust particles, floating particles, shallow depth of field, wide aperture, visible pores, skin micro-texture, saturated reds, crisp whites, orange accents, neutral greys, muted shadows, warm color grading, atmospheric depth, crisp focus on eyes, editorial photography, high-end fashion, film grain, Portra 400 look, 85mm lens, subtle smile, head tilt. Eye-level medium shot, camera dead-center on the pair, a Canon 85mm f/1.2 wide open: two young women stand shoulder to shoulder in the middle of a city street, hips nearly touching, each leaning her upper body into the other so their cabbie hats almost clash brims -- the left woman's weight on her back foot, torso angled in at the hip; the right woman's shoulder pressed against the left one's upper arm, her chin tipped a few degrees down while her eyes come up under the brim. Both look straight into the lens with heavy-lidded, level seductive gazes, lips parted just enough to read as smiling; the left one's mouth corners curl higher on one side than the other, the right one's eyes narrow a fraction more, and each has one hand resting lightly at her own hip above the white leather belt, thumb hooked in the waistband, the other arm hanging free with relaxed fingers. Short cropped orange hair, a few strands lifted off the temple by a low breeze, sits under white cabbie hats whose stitched seams and bound brims catch a thin hard highlight. Faces are covered in flat matte white clown paint with the skin's own pores punching through it; scattered freckles show rust-brown where the paint is thinnest across the nose and cheekbones, and around each mouth the black lipstick has bled and smeared outward in soft dry drag marks that ride up over the white. Eyes are flat cool grey, wet and glassy, each carrying one tiny hard specular and a fainter reflected band of the street behind the camera. Black velvet chokers sit flush at both throats, nap swallowing the light, a fine seam of bare skin above and below. Bare shoulders glisten with a light film of perspiration; the red cotton tube tops show their weave in a fine crosshatch over the ribs, the white shorts crease at the hip from the belt, and the red boots throw a sharp, near-mirror gloss along the shin. Behind them the street drops out of focus within a few metres: a pale concrete wall to the left with gritty pitted grain and a scored seam, the far kerb and building fronts dissolving into soft round bokeh discs of warm white and amber, all of it well beyond the plane of their faces so the eyes stay razor-sharp while shoulders begin to soften. The sun comes in low and warm from camera-left at golden hour, striking the left sides of both faces and the tops of their shoulders with a soft rim of light that separates them from the blurred street; shadows fall to the right and stay open and muted, lifted by ambient bounce off the concrete, nothing crushed. Fine dust motes hang in the shafts of light between the lens and the women, each one a bright speck against the darker wall, thicker on the sunlit left side. Palette is disciplined: saturated red in the tops and boots, crisp white in the hats, shorts and belts, orange in the hair as the bright accent, and neutral grey in the paint, the concrete and the eye colour. Warm grading, Portra-like grain in the midtones, skin reading as real skin. Playful yet provocative.
Show Parameters
Original Prompt
Medium shot, eye-level centered duo of two young women with seductive gazes, looking directly at camera, orange short cropped hair, reflective grey irises, facial freckles, white clown face paint, smudged black lipstick edges, wearing red cotton tube tops with visible fabric weave, white shorts, white leather belts, red leather boots with high-gloss sheen, white cabbie hats with detailed stitching, black velvet chokers, leaning together, playful yet provocative psychological undertone, subtle perspiration on bare shoulders, natural golden-hour sunlight, soft rim lighting sculpting shoulders, urban city street setting, out-of-focus metropolitan backdrop, gritty concrete textures, soft bokeh city lights, fine dust particles suspended in air, Canon EOS R5, 85mm f/1.2 prime lens, shallow depth of field, wide aperture blur, Kodak Portra 400 film stock, saturated reds, crisp whites, bright orange accents, neutral grey tones, visible skin pores, micro-texture skin grain, high-end fashion editorial photography, cinematic lighting rig, muted shadows, warm color grading, inspired by Helmut Newton and Vogue editorial styling, atmospheric depth, crisp focus on eyes.
Mode
flash
Size
1888 x 1056
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.33k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile