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Adult wolf-eared girl with heavy blunt black bangs, two long side-locks, tall triangular furred ears, wide frantic light-grey eyes with detailed lower lashes, a cross-shaped adhesive bandage with torn edges over the nose bridge, sharp upper fangs, glossy dark lips, a single silver hoop earring, and clawed fingerless gloves. She is trapped mid-commute in a poisoned elevator whose toxic air literally barrel-distorts her face and the cabin walls outward toward the viewer exactly like warped typography stretched around an invisible sphere, turning a mundane ride into physical nausea. Extreme low-angle fisheye shot from the checkered floor looking up, the curved cabin walls bulging outward as the single graphic spine, her face large and central in the upper two-thirds of the frame. Upper-body dominant framing, torso twisted, both clawed hands pressed flat against the distorted elevator door glass in the foreground with fingers splayed and anatomically locked, jacket hem and hair lifting upward as if the heavy green air pushes everything toward the ceiling, mouth open mid-exhale, eyes darting slightly above the viewer toward the flickering ceiling light. Oversized cropped bone-cream bomber jacket with a thick dark fur collar and ribbed cuffs pushed up the forearms, high-waisted dark trousers, the jacket rendered as flat opaque shapes with hard shadow edges. Curved sick-green painted metal elevator cabin with peeling paint, graffiti tags stretched along the wall curvature into warped T-O-X letterforms in dark purple, a dented control panel with one glowing red floor button, checkered bone-cream and dark-purple floor tiles curving under the lens, two slumped bone-cream skeleton commuters in the rear corners โ€” one holding a cigarette with a thin smoke curl, one arms crossed โ€” drawn as flat shapes with hard green shadow planes. Sick overhead fluorescent flicker bathing everything in chartreuse green, hard-edged bruised-purple shadow shapes under her chin, collar, and the skeletons' ribs, green bloom around the cigarette ember and red button, halftone grain densifying toward the warped frame edges, no sterile white anywhere. Palette strictly chartreuse green, bone cream, and bruised purple-black plus black, with chartreuse green as the single chromatic pop. Semi-realistic anime style, flat color planes, hard-edged shadow shapes, dot-screen halftone shading, crumbly dry-brush edges on the graffiti, chunky opaque strokes, claustrophobic nauseating atmosphere.
Show Parameters
Mode
pro
Style Code
AR824667
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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Avatar image of ไบบ็”Ÿๅคขใ‚ชใƒ
road, many signs, one of the signs has the word "love" written on it, 1girl, standing in front of the "love" sign, white hair, purple-tinted tips, short wolf cut, shoulder-length hair, androgynous, piercings in both ears, black cross earring, full body, front view, from above, delicate lineart, thin clean lines, painterly anime coloring, soft cel shading, muted color palette, desaturated tones, layered soft shadows, diffused lighting, subtle highlights, detailed hair, wispy strands, low contrast rendering, arm, hand, velune, delicate face, ethereal beauty, expressive eyes, detailed eyes, glossy eyes, long eyelashes, pale skin, soft blush, glossy lips, clean lineart, soft shading, smooth coloring, soft lighting
ไบบ็”Ÿๅคขใ‚ชใƒ
AI artwork
็”บ
1girl, masterpiece, gyaru, two-tone hair, purple hair, white hair, fluffy hair, pink eyes, upturned eyes, long eyelashes, beauty mark under eye, mischievous expression, teasing smile, fangs, white button-up shirt, pink ribbon, pastel lavender short-sleeved cardigan, black-and-purple striped arm warmers, black lace gloves, oversized loose black leg warmers, chunky purple platform loafers, leaning forward, hand raised near peephole, looking at viewer, door peephole viewpoint, fisheye lens distortion, circular framing, black vignette, extreme close-up, exaggerated perspective, voyeuristic composition, pop horror aesthetic, psychological tension, cute but unsettling, claustrophobic space, reflections on glass, scratches on glass, bright pastel colors, deep black shadows, vivid purple accents, pink accents, graphic composition, clean anime linework, sharp details, glossy eyes, expressive face, Japanese pop visual aesthetic, high contrast, highly detailed, yellow-green filter, noise, semi realistic, 3d rendering, virtual influencer, aegyo sal, moe, year 2000, distinct colors, thick painting style, cute, delicate
็”บๅทใฎใดใ‚
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็”บ
1girl, gyaru, two-tone hair, purple hair, white hair, fluffy hair, bright pink eyes, upturned eyes, long eyelashes, beauty mark under eye, mischievous expression, teasing smile, pointed canine teeth, white button-up shirt, pink ribbon, pastel lavender short-sleeved cardigan, black-and-purple striped arm warmers, black lace gloves, oversized loose black leg warmers, chunky purple platform loafers, leaning forward, hand raised near door, looking at viewer, yellow-green filter, noise, fisheye lens distortion, circular peephole framing, warped edges, darkened edges, extreme close-up, exaggerated perspective, circular vignette, door peephole viewpoint, claustrophobic space, peephole glass reflections, scratches on glass, pop horror aesthetic, voyeuristic composition, psychological tension, cute but unsettling, bright pastel colors, deep black shadows, vivid purple accents, vivid pink accents, graphic composition, clean anime linework, sharp details, glossy eyes, expressive face, modern Japanese pop visual aesthetic, high contrast, highly detailed, makeup, aegyo sal, moe, year 2000, distinct colors, thick painting style, cute, detailed, delicate, semi realistic, 3d rendering, virtual influencer, virtual goth style, IMVU style, detailed features, detailed makeup
็”บๅทใฎใดใ‚

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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