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Show Parameters
- Original Prompt
- nsfw,1girl,beautiful ultra detailed,( an extremely beautiful 20-year-old girl),best lighting,beautiful,perfect anatomy,dynamic angle, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background),newest, perfect anatomy, detailed face, smooth skin, shiny skin, adult woman, hatsumi hanamura (majieku), shoulder-length wavy purple hair, purple eyes, tight beige ribbed turtleneck sweater, open white lab coat, black pantyhose, ((large breasts , mature figure,big hip)),(cowboy shot),full-face blush, cinematic lighting, dramatic pose, realistic anime style, detailed background, soft shadows, realistic dirt texture, backlight, dramatic atmosphere, standing,(((pink background))),
- Size
- 768 x 1280
- Sampling Steps
- 8
- Sampling Method
- Euler a
- CFG Scale
- 1.4
- Negative
- worst quality, low quality,normal quality, lowres, bad anatomy,ugly, fewer digits,missing fingers, extra digit,bad hands, watermark, missing limb, floating limbs, disconnected limbs, out of frame, trademark, mutated hands and fingers, poorly drawn hands, malformed hands, poorly drawn face, poorly drawn face, floating cock, censored, bar censor,
Model & LoRA used
Similar Images
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m
1girl, solo, looking at viewer, sitting, sitting on chair, crossed legs, feet out of frame, indoors, purple eyes, purple hair, medium hair, hair between eyes, turtleneck sweater, ribbed sweater, brown sweater, yellow sweater, lab coat, pantyhose, cowboy shot, from below, slight head tilt, half-closed eyes, light smile, hands in own lap, arm support, window light, cool ambient shadow, bookshelf, lab coat hanging open, lab coat sleeves pushed to the elbows, vertical composition
The camera sits low, tilted up just enough that the girl's crossed knee reads as the nearest mass and the ceiling-side of the room falls away behind her head; the shot cuts off at the top of her shins, so both feet sit outside the frame entirely and the pantyhose simply continue downward out of picture. She is planted on a plain wooden chair pulled a little off-square to the camera, her weight riding the right hip, right ankle hooked over the left knee so the crossed calf lies across her lap, the sheer dark pantyhose drawn taut over the shin and darker in the fold behind the knee where the fabric bunches; the chair's back post presses into her left shoulder blade, and her left forearm rests along the chair arm. Under the open white lab coat she wears a ribbed turtleneck knit in two tones -- the body of it a warm brown, the collar and cuffs a mustard yellow turned down once around her throat -- the vertical ribs stretching and flattening as the sweater is pulled across her chest and hips, the brown reading olive-dark where the knit turns into shadow. The lab coat hangs unbuttoned down to her thigh, its sleeves shoved up to the elbows, and it takes the cooler secondary light so its white tilts faintly blue-grey while her sweater stays warm. Her medium purple hair falls to her collarbone with one long lock dropping dead-center between her eyes and over the bridge of her nose, the strands near the window catching a light lavender rim, the under-layers deepening toward violet-black at the nape. Her chin dips slightly, brows level, one eyelid a fraction lower than the other, mouth closed in a faint, unhurried smile, and her purple eyes are fixed straight on the viewer. Her right hand lies loose over her crossed ankle, fingers curled, thumb against the pantyhose; her left hand rests open on the chair arm. The window is behind and to the right of her, so daylight spills across her left cheek, the yellow collar and the top of the brown sleeve while her right side and the chair's far legs sink into cool shadow, and the soft-edged shadow of her head and shoulder falls onto the wall behind her. Around her, an ordinary lab interior: a bookshelf of dense spines behind her right shoulder, a counter edge running out of focus, everything desaturated except the knit and her hair. Dust motes hang visible in the window beam. Quiet, absorbed, faintly amused.
Matheus
さ
白衣
さば味噌煮鰆
m
1girl, solo, looking at viewer, sitting, sitting on chair, crossed legs, feet out of frame, indoors, purple eyes, purple hair, medium hair, hair between eyes, turtleneck sweater, ribbed sweater, brown sweater, yellow sweater, lab coat, pantyhose, cowboy shot, from below, slight head tilt, half-closed eyes, light smile, hands in own lap, arm support, window light, cool ambient shadow, bookshelf, lab coat hanging open, lab coat sleeves pushed to the elbows, vertical composition
The camera sits low, tilted up just enough that the girl's crossed knee reads as the nearest mass and the ceiling-side of the room falls away behind her head; the shot cuts off at the top of her shins, so both feet sit outside the frame entirely and the pantyhose simply continue downward out of picture. She is planted on a plain wooden chair pulled a little off-square to the camera, her weight riding the right hip, right ankle hooked over the left knee so the crossed calf lies across her lap, the sheer dark pantyhose drawn taut over the shin and darker in the fold behind the knee where the fabric bunches; the chair's back post presses into her left shoulder blade, and her left forearm rests along the chair arm. Under the open white lab coat she wears a ribbed turtleneck knit in two tones -- the body of it a warm brown, the collar and cuffs a mustard yellow turned down once around her throat -- the vertical ribs stretching and flattening as the sweater is pulled across her chest and hips, the brown reading olive-dark where the knit turns into shadow. The lab coat hangs unbuttoned down to her thigh, its sleeves shoved up to the elbows, and it takes the cooler secondary light so its white tilts faintly blue-grey while her sweater stays warm. Her medium purple hair falls to her collarbone with one long lock dropping dead-center between her eyes and over the bridge of her nose, the strands near the window catching a light lavender rim, the under-layers deepening toward violet-black at the nape. Her chin dips slightly, brows level, one eyelid a fraction lower than the other, mouth closed in a faint, unhurried smile, and her purple eyes are fixed straight on the viewer. Her right hand lies loose over her crossed ankle, fingers curled, thumb against the pantyhose; her left hand rests open on the chair arm. The window is behind and to the right of her, so daylight spills across her left cheek, the yellow collar and the top of the brown sleeve while her right side and the chair's far legs sink into cool shadow, and the soft-edged shadow of her head and shoulder falls onto the wall behind her. Around her, an ordinary lab interior: a bookshelf of dense spines behind her right shoulder, a counter edge running out of focus, everything desaturated except the knit and her hair. Dust motes hang visible in the window beam. Quiet, absorbed, faintly amused.
Matheus
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Astra Kaan
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