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AI artwork featuring #zetaCollab
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nyx09-

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PixAI ร— zeta Original Character Creation Contest 2026 #zetaCollab
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artist: ratatatat74 2girls, 1girl, 1boy, vampire, countess, male human, biting, neck bite, blood drain, blood, drinking blood, fangs, facing away, from behind, back to viewer, over-shoulder view, heavy voluminous crimson hair, intricate hair coils, elegant coiled updo, deathly alabaster white skin, pale skin, beautiful face, malevolent expression, commanding physique, graceful, regal, opulent structured gown, velvet gown, silk gown, heavy gold jewelry, ruby jewelry, wealthy, fancy couch, sitting on couch, head tilted back, dark grand gothic manor background, gothic interior, ominous lighting, volumetric lighting, depth of field, white outline, sharp cel-shading, high contrast, rim lighting, cinematic, moody atmosphere, half-closed eyes, blood on lips, blood trickling down neck, tense shoulders, arched back, The camera sits behind and slightly to the right of the vampire countess, over her shoulder, so her broad back fills the left half of the frame and the scene opens past the sweep of her hair and the curve of her shoulder toward the man beneath her. She is turned completely away from the lens; the back of her head and the dense architectural mass of her crimson coils occupy the foreground, the coils pinned up in heavy interlocking spirals that catch a cold rim of light along their outer edge and fall into near-black in the deep folds between them, the nape of her neck deathly alabaster white and luminous against the dark velvet collar of her gown. Only the barest sliver of her jaw and cheek passes the frame edge at the far left, enough to read the cruel downward pull of a malevolent mouth, nothing more of her beautiful face shown. Her structured gown of velvet and silk is built like armour: a high flared collar of deep burgundy velvet rising behind her head, a fitted silk bodice rigid with boning, the seam lines sharp, the shoulder line wide and commanding. Heavy gold chains and a collar of rubies and gold bands sit across her throat and shoulders, the stones small wet gleams of red in the ominous light, and antique gold rings band her fingers where her left hand is spread flat on the man's chest, fingers splayed and pressing him down into the cushion, nailbeds flushed. The man is a plain normal human, seated on the fancy couch and pushed back against its tufted velvet back, his head tipped far back over the top edge of the cushion and his throat stretched into a long tense line. He is ordinary in every way that matters here: warm-toned human skin, brown hair dishevelled against the tufting, no fangs, no pallor, no pointed ear, nothing of the vampire about him. He wears a charcoal grey tailored frock coat over a crisp white cotton shirt with a high collar and a black silk cravat pulled askew and hanging loose where it has been dragged aside. The countess's face is buried at the crook of his neck; her lips are sealed to the skin at the side of his throat and two thin rivulets of blood break from the bite and run down over his collarbone, one soaking dark into his white shirt collar, one running clean along the skin to disappear into the hollow of his throat. His right hand grips the couch's carved armrest, knuckles pale, and his left hand hangs slack across his own thigh, fingers half-curled; his eyes are half-closed and unfocused, looking up and away at nothing in the dark above him, lids fluttering. The couch is a fancy one, deep green tufted velvet with a carved gilded wooden frame, and the cushion under his shoulder is visibly compressed where he has been forced back into it. The manor interior recedes around them: a tall dark room of carved panelling and clustered gothic arches, a stone column catching a pale cold shaft of moonlight from a high window at the far left, the floor lost in shadow. The volumetric light comes from that single cold source, cutting a visible misty shaft through the dusty air and striking the outside of the countess's coiled hair, the gold of her jewellery, and the stretched arc of the man's throat, while everything behind and below them falls to a deep brown-black. Beyond the light, the darkness is nearly absolute. The palette is crimson, gold, ruby red, deep green velvet and black, with the man's white shirt and her alabaster skin as the only bright planes. A shallow depth of field holds the foreground coils and the man's throat in crisp focus and softens the arches behind into dark masses. Rendering is sharp cel-shading with high contrast, crisp rim lighting, and a distinct white outer outline tracing every figure and object against the gloom, the whole in a cinematic, moody atmosphere. Ominous, opulent.
Show Parameters
Original Prompt
1girl, 1man, dark grand gothic manor background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, heavy voluminous crimson hair styled in elegant intricate coils, Vampire Countess, biting, opulent structured gown of velvet and silk, wealthy, heavy gold and ruby jewelry, regal, commanding physique, graceful, malevolent, deathly alabaster white skin, facing away from viewer, biting man's neck like a vampire as she drinks his blood, man is a normal human and not a vampire, blood drain, on fancy couch,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
n0
artist: ratatatat74 1girl, 1man, 2 subjects, vampire countess, male human victim, heavy voluminous crimson hair, elegant intricate coils, deathly alabaster white skin, opulent structured gown, velvet and silk, heavy gold and ruby jewelry, commanding physique, graceful, malevolent, regal, wealthy, biting, neck bite, blood drain, drinking blood, fangs, facing away, from behind, over-shoulder composition, close-up, dutch angle, fancy couch, dark grand gothic manor background, white outline, volumetric lighting, ominous lighting, depth of field, looking at another, head tilt, parted lips, blood trickle, half-closed eyes, sharp eyes, backlighting, rim lighting, high contrast, sharp cel-shading, moody atmosphere, wide angle lens. The camera sits behind and slightly below the Countess's shoulder, tilted a few degrees off level, so the frame is filled by her back and the man's throat: she faces away from the viewer, only the back of her head and the heavy mass of crimson hair visible, wound in elegant intricate coils that catch a cold rim of light along their coils and leave the nape in shadow. Her deathly alabaster white skin shows at the nape, at the wrist and at the fingers that spread across his jaw and clavicle. She bends over a fancy couch, weight carried on her forward hip and one braced arm, the opulent structured gown of velvet and silk built into a stiff corseted bodice and a high standing collar, its deep pleats falling in hard vertical folds; heavy gold and ruby jewelry at her throat, ears and wrists, the gold warm, the rubies wet-looking. Her lips are closed on the side of the man's neck, fangs sunk, her body angled so the bite sits at the center of the composition; a single thin line of blood runs down from the punctures along the tendon of his throat and pools in the hollow above his collarbone, and two more drops have already soaked a dark coin into his open shirt collar. The man is a normal human, not a vampire, no fangs, no pallor of the undead: a lean build, white cotton dress shirt with the top button undone and black tailored trousers, half-lying on the couch with his head fallen back over the armrest and one hand loose at his side gripping the upholstery, his eyes half-closed and unfocused, looking up and away past the frame, mouth parted on a shallow breath. Behind them the dark grand gothic manor hall recedes in depth of field: a blurred colonnade of pointed arches, a tall mullioned window, a candelabra far down the hall throwing a dim warm pool that never reaches the couch. Volumetric lighting cuts down from a high window in cold blue shafts that pick out the dust and strike her hair and the curve of his throat, ominous lighting leaving everything beyond the shaft in near-black; each figure is traced with a clean white outline against the dark. Palette restrained to crimson, gold, ruby, cold blue-grey stone and alabaster, with the blood's red as the only wet color. The blood runs along the tendon's groove rather than across it, thinning as it descends. Graceful, malevolent, opulent.
nyx09-
#zetaCollab
AI artwork
n0
artist: ratatatat74 1girl, 1man, 2girls only no, 2 characters, vampire countess, heavy voluminous crimson hair, elegant intricate coils, deathly alabaster white skin, commanding physique, graceful, regal, malevolent, opulent structured gown of velvet and silk, heavy gold and ruby jewelry, long crimson velvet gown with boned corseted bodice, gold filigree collar, ruby cabochon necklace, ruby rings, bare ears, unadorned hair, fangs, biting, biting neck, blood drain, drinking blood, blood trickle, normal human man, no fangs, no vampire features, ordinary human, thrown-back head, bared throat, gripped wrist, fancy couch, dark grand gothic manor background, gothic interior, from behind, facing away, back to viewer, over-shoulder composition, close-up on neck, volumetric lighting, ominous lighting, depth of field, white outline, sharp cel-shading, high contrast, dramatic backlighting, rim lighting, cinematic perspective, wide angle lens, moody atmosphere, detailed shading, highres, absurdres, masterpiece, best quality, very aesthetic, blood-red and gold palette, candlelit amber, near-black shadow, Seen from behind, the countess stands over the man on a carved blackwood chaise longue, her back squarely to the viewer so the camera sees the great mass of her crimson hair coiled in heavy intricate loops, gold pins threaded through the coils, and the long pale nape of her neck rising out of the gown's high boned collar. Her head is tipped forward and down to the left, her mouth closed over the pulse of his throat; his head is thrown back over the rolled arm of the couch, jaw slack, one hand gripping the velvet seat cushion hard enough to compress it, his other wrist pinned under her bare white fingers against the couch back. She is not looking at him with her eyes โ€” her lashes are lowered in a thin crescent of concentration โ€” but her whole weight leans down onto the bite, one knee planted on the cushion beside his hip, the other foot still on the floor, the crimson skirt crushed and folded where it drags. Blood runs from the corner of her lips in a single dark line down his throat, and where it has already slid it soaks into the couch velvet in a dull darker patch. He is ordinary and human: his mouth open on a gasp, no fangs, no marks, no glow about him. Her gown is velvet and silk with a solid, sculptural silhouette โ€” a boned bodice, a stiff standing collar framing the back of her head, ruby and gold cabochons hanging at her ears and throat and flashing from her fingers, the gold catching the light with a hard polished sheen while the velvet swallows it. Her skin is alabaster, almost blue-white, with the only warmth on her coming from reflected gold. The manor behind them is grand and gothic โ€” a vaulted stone hall receding into depth with tall ribbed windows, a huge ironwork chandelier half-lost in shadow, and pillars falling out of focus behind the couch, the depth of field softening the far wall into shapes. Ominous volumetric light comes from a single high window at the left, cutting a flat diagonal shaft through dust motes and striking the back of her hair and the curve of her shoulder in a bright rim, while the man's face stays in the darker half of the beam; the shadows are near-black and the palette is blood crimson, gold, and old grey stone. A thin white outline lifts both figures cleanly off the dark ground, offset from the rim light rather than tracing it. The candle flames are guttering and one is out, so the gloom on the far side of the room is absolute. Hushed, sumptuous dread.
nyx09-
#zetaCollab
AI artwork
n0
artist: ratatatat74 1girl, 1man, 2girls? no โ€” 1girl 1man only, vampire, vampire countess, biting, neck bite, blood drain, drinking blood, elongated fangs, fangs, crimson hair, very long hair, voluminous hair, intricate hair coils, hair framing face, crimson eyes, glowing eyes, glassy eyes, swirling eyes, hypnotic gaze, deathly pale skin, alabaster skin, white skin, deep red lips, red lips, stained lips, predatory beauty, beautiful face, malevolent expression, regal, commanding presence, graceful, opulent gown, structured gown, velvet dress, silk dress, high collar gown, heavy jewelry, gold necklace, ruby necklace, gold earrings, ruby earrings, gold bracelets, ornate rings, large cleavage, normal human man, human male, not a vampire, black wool waistcoat, white high-collared dress shirt, head tilted back, neck exposed, head back, eyes closed, pained expression, blood on neck, blood on lips, blood drip, dark gothic manor, gothic architecture, grand hall, candlelight, volumetric lighting, ominous lighting, backlighting, rim lighting, depth of field, blurry background, sharp cel-shading, high contrast, vibrant accent colors, cinematic perspective, wide angle lens, cowboy shot, from side, profile, dutch angle, white outline, masterpiece, best quality, absurdres, very absurdres, highres, extremely detailed, detailed shading, perfect anatomy, very aesthetic The image is a side-on view of a tall dark gothic manor hall, camera canted slightly off level on a dutch angle, framed as a cowboy shot that cuts both figures at mid-thigh; on the right of frame the vampire countess leans her weight onto her back leg and drives her shoulders forward, her gown's boned velvet bodice crushing silk panels into deep folds as her right hand fists the man's collar and pushes it down off his shoulder, her left bracelet stacked wrist braced flat on his chest. Her long crimson hair is built in heavy intricate coils that sit in glossy spirals around her face and fall behind her shoulders, catching a hard rim of candlelight. Her face is close to his throat in near-profile: lashes low, glassy crimson eyes half-lidded and turned down onto the wound with a slow swirl of brighter red inside the iris, one corner of her deep red stained mouth pulled up, her elongated fangs sunk into the side of his neck with the upper lip pressed flat against the skin, a thin dark line of blood running from the bite corner down over his collarbone and a single drop hanging at her chin, blood smeared along her lower lip. Her skin is deathly alabaster, unbrokenly pale, and the light polishes it. The man is a plain human with a neutral build, knees slightly buckling, weight dropped back onto his heels, both hands gripping the back of her forearm without pushing her away; his head is tilted back and away from her so his throat arches long and taut, his eyes squeezed shut, jaw slack, brows drawn up, the white high-collared cotton dress shirt pulled open at the throat with two buttons torn away and his black wool waistcoat creased across the chest. Between them, a dense spherical candle chandelier sits behind and to the left, its flames the only light source: it flares against the edge of her hair, her cheekbone and the back of his neck and leaves the depth of the hall falling away into near-black with heavy falling-off of focus, tall lancet windows and carved stone vaulting dissolving into soft bokeh beyond them. Her gold and ruby jewelry is the only warm spark in the dark โ€” a thick gold and ruby collar at her throat, ruby earrings, wide gold cuffs and corded gold bracelets โ€” each stone lighting up with a hard pinpoint glint where the chandelier catches it. A pale cool-white outline traces both silhouettes, a fine contour separation of figure from the murk that stays crisp even where the background goes soft. Palette: crimson, gold, alabaster and the black-brown of the hall, nothing else admitted. His shadow and hers fall together, stretched long and merged across the stone floor behind them. Ominous, lavishly cruel.
nyx09-
#zetaCollab
AI artwork
n0
artist: ratatatat74 vampire, vampire countess, 1girl, 1man, 2girls?, no, solitary, from behind, facing away, back to viewer, over-shoulder composition, biting, neck bite, blood drain, drinking blood, blood on lips, blood trickle, fangs, crimson hair, heavy voluminous hair, intricate coils, coiled hair updo, deathly alabaster skin, pale skin, opulent gown, structured gown, velvet gown, silk gown, high collar, heavy gold jewelry, ruby jewelry, gold necklace, ruby pendant, gold bracelets, rings, commanding physique, tall, broad shoulders, regal, graceful, malevolent, dominant, head tilted, closed eyes, long eyelashes, beautiful face, sharp features, red lips, man, human man, no fangs, normal human, fair skin, white linen dress shirt, unbuttoned shirt, open collar, dark charcoal trousers, leaning back, head tilted back, neck exposed, eyes shut, pained expression, clenched hand, gripping couch, fancy couch, velvet couch, ornate couch, upholstered, dark grand gothic manor background, gothic interior, manor hall, dark wood paneling, arched windows, candelabra, volumetric lighting, shaft of light, dust motes, ominious lighting, dramatic backlighting, rim lighting, white outline, high contrast, cel shading, depth of field, blurred background, close-up, cowboy shot, adult, seductive, blood, tension A close over-shoulder composition from behind the woman, her back squarely to the viewer so only the coiled crimson mass of her hair and the great structured sweep of her shoulders fill the foreground: her hair is heavy and voluminous, sculpted into elegant intricate coils pinned high, catching a cold rim of light along every coiled ridge. She leans in over the man who is seated on a high-backed ornate velvet couch, her broader commanding frame bent close, one gloved hand curled at the back of his skull tipping it aside, the other pressed flat against his chest to pin him to the upholstery โ€” his white linen shirt bunched under her palm, top buttons open, dark charcoal trousers creased where his knees press the cushion. Her lips are sealed to the side of his throat, a thin dark trickle of blood running down from the corner of her mouth across his collarbone and soaking into the open collar; the man's head is thrown back against the couch's carved crest, mouth open, eyes squeezed shut, one hand gripping the armrest with white knuckles, the other fisted in the cushion fabric. No fangs on him: his neck is only fair human skin and beard-shadow, plain and unmarked save the bite. She is dressed in an opulent structured gown of midnight velvet and deep silk, boned bodice and wide sweep of silk skirt spilling over the couch edge, high collar framing her throat, and heavy gold and ruby jewelry at her ears, throat and wrists loading her wrists and chest with weight; her skin is deathly alabaster white, almost luminous against the dark of the room. The manor hall behind them falls away in soft depth-of-field blur โ€” tall dark wood panels, a mullioned window, thin gilt mouldings โ€” but the key light is one cold silver shaft from the window striking across the coiled crimson hair and the velvet of her shoulder, leaving the couch's far side and the man's face in heavy shadow; a warm faint red glow from some off-frame fire touches only the ruby stones. Sharp cel-shading with high contrast, dramatic backlighting, rim lighting on every silhouette edge, and a clean white outline tracing her figure against the gloom of the manor, cinematic and moody. Palette: blood crimson, midnight velvet, dark wood brown, gold, and the deathly white of her skin. Ominous, opulent.
nyx09-
#zetaCollab

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