Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "Girl" featuring #Bob cut and #Girl
Generate New ArtworkGenerate for FreeGenerate for Free

Girl

#Bob cut#Girl
Avatar image of Octoberはまち

Octoberはまち

More to See

Comments

1girl, solo, young girl, taisho era, cloche hat, crocheted hat, knit hat, moga, modern girl, okappa bob, black hair, short hair, blunt bangs, high-waisted dress, a-line dress, wool dress, white lace collar, from below, low angle, cowboy shot, dutch angle, walking, mid-stride, looking to the side, sideways glance, half-closed eyes, light smile, one hand holding hat brim, other hand at chest, arm up, head tilt, dark olive-brown palette, olive ground, dusty rose accents, soft warm light, film grain free, cel-shaded, The camera sits low near the cobbled pavement and tilts a few degrees off level, looking up at a single young girl who crosses the frame mid-step with the momentum of the street behind her. Her okappa bob is cut straight and blunt at the jaw, black hair with a flat even fringe across the brow and the tips curving slightly inward at the cheeks; the short strands at her temples swing back as her head turns to her right, her sideways glance sliding toward something off-frame, chin tipped up by the tilt of the hat. A crocheted cloche hat rides low on her crown, its tight shell-stitch lattice hooking down over her ears and its brim dipping toward her right eye, a small cluster of olive-brown thread rosettes pinned where the brim meets the band. Her left hand lifts and grips the front brim, thumb and forefinger pinching the wool stitches; her right hand rests flat at her collarbone against the white lace collar. She wears a high-waisted A-line dress of heavy wool in a deep olive brown, the bodice close and the skirt falling in stiff pleats past the knee that flare a half-step behind her as her weight lands on her forward left foot, right heel lifted off the cobbles. The white lace collar sits starched and pointed at the throat, and a dusty rose ribbon is knotted once at the waist, its short tails turned by the air she cuts. The palette stays in olive, dusty rose and warm apricot skin against a near-black line, with her black hair as the darkest mass under the hat and a faint warm peach flush on her cheeks and the tip of her nose. Behind her, the street unspools in soft focus: cream and dusty rose facades, a dark wooden shopfront edge crossing the frame low to the left, facades catching a diagonal wash of low afternoon light from the upper left so the cast shadow of her hat brim falls across her right cheek and the lace collar throws a fine openwork grid onto her collarbone. A single herringbone weave runs the wool at her shoulder, and the cobblestone seams carry the thin warm lines of reflected sun. Light, brisk, buoyant.
Show Parameters
Original Prompt
,大正時代,帽子クロッシェ,モダンガール,オカッパ頭,黒髪,ショートカット,若い女の子,
Mode
ultra
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.92k

Similar Images

Show more
AI artwork
Avatar image of 黒
1girl, solo, child, young girl, louise brooks bob, sharp short bob haircut, chin-length hair, heavy straight blunt bangs, flat sleek hair, symmetrical hair, glossy black hair, 1920s retro hairstyle, gentle smile, closed mouth, peaceful expression, calm half-closed eyes, long pleated skirt, high-waisted charcoal grey wool pleated skirt, cream blouse, peter pan collar, tucked-in blouse, retro outfit, 1920s daywear, standing on cobblestones, ultra-low-angle shot, from below, ground level camera, extreme foreshortening, wide shot, quiet townscape, empty old street, low stone curb, shuttered shopfronts, overcast soft light, muted palette, looking down at viewer, hands clasped in front of skirt, from below, foreshortening Seen from an ultra-low camera set down flat on the cobblestones at her feet, the girl towers into the top of the frame: her shoes and the hem of her skirt fill the lower foreground at close range, and her body tapers upward with strong foreshortening, so the crown of her glossy black bob is small and high against a pale overcast sky. She stands with her weight settled on her left leg, right knee slightly relaxed, both hands clasped loosely in front of her skirt at hip height, fingertips resting against the wool; her chin tilts down toward the lens and her eyes, half-lowered under straight heavy bangs, look calmly down at the viewer with a faint closed-lip smile. The bob is flat, sleek and perfectly symmetrical, cut blunt and straight across just below the jaw, the fringe a solid level curtain that stops at her brows, a single strand unmoved by the still air. Her cream blouse is tucked neatly into the high waistband of the long charcoal-grey pleated wool skirt, and as the skirt hangs straight to her ankles the pleats fan slightly at the hem where it meets the stones, the nearest folds sharp and wide in the low camera's foreshortening, the far ones closing into fine parallel lines. Behind and around her the quiet townscape stretches away: an empty cobbled lane running off out of frame, a low stone curb at the very bottom edge of the picture crossing in front of the stones, and a row of shuttered wooden shopfronts and tiled eaves receding small and unpeopled above her shoulders. Any signage on the shopfronts is worn, faded and illegible. The light is flat, cool overcast daylight falling equally from the sky, so the only shadow is a soft contact shadow pooling under her shoes and along the skirt hem where it touches the ground; nothing else is dark. Palette held to charcoal grey, cream, black and the cool grey-beige of the stones. Quiet, calm, softly nostalgic.
黒
AI artwork
Avatar image of 黒
1girl, solo, young girl, louise brooks bob, heavy straight blunt bangs, sharp short bob, flat sleek hair, symmetrical chin-length hair, retro 1920s hairstyle, gentle smile, closed-mouth smile, peaceful expression, soft lowered lashes, long pleated skirt, retro-style outfit, black opaque tights, extreme low-angle shot, from below, looking up from the ground, worm's-eye view, foreshortening, upskirt, skirt hem seen from underneath, full body, quiet townscape, cobblestone street, overcast daylight, muted palette, no other people, The camera is on the ground itself at the level of the cobblestones, tilted steeply upward, so the cobbled street fills the bottom edge of the frame in the near foreground and the girl towers above it, foreshortened -- her black leather lace-up boots planted close to the lens, the long pleated skirt rising away and flaring wide outward as it recedes, the pleats opening like a fan around her hips from this angle, and the dark gusset shadow between the pleats at the peak of her silhouette. The black opaque tights sheath both legs from the boot tops to where they disappear under the hem, catching a soft grey sheen on the front of the calves where the overcast sky reaches them. Her pleated wool skirt in muted mushroom-brown hangs ankle-length and heavy, its folds disturbed by a light draft so the hem sways slightly out of true; above it a retro-style outfit of a tucked cream blouse with a rounded Peter Pan collar buttoned to the throat and a knitted charcoal cardigan with small shell buttons. Her hair is a flat, sleek, symmetrical chin-length Louise Brooks bob, black and glossy, cut in one sharp straight line at the jaw with heavy straight blunt bangs squared off across the brow in a 1920s line, the temple locks hugging her cheekbones exactly and the whole shape catching a single narrow highlight along the crown from the pale sky overhead. From this low vantage her chin reads as a clean lifted arc, her mouth curves in a gentle closed-lip smile with the corners softly up, her eyelids are lowered a fraction in a calm, peaceful expression, and her gaze drifts to the side along the empty street rather than down at the lens. Behind and above her, a quiet townscape recedes in layers -- a low row of shuttered two-storey shopfronts with faded painted lettering worn illegible by weather, a single lamp post, a sagging awning, and a strip of pale overcast sky above the roofline. The light is a flat diffuse overcast wash from above and slightly behind her, so the undersides of the skirt and the soles of her boots sit in the deepest shadow while her face and bangs stay evenly lit and shadowless. Palette restricted to black, cream, mushroom-brown, charcoal and the cool grey of wet stone, nothing saturated. Quiet, hushed.
黒
AI artwork
Avatar image of 黒
1girl, solo, young girl, louise brooks bob, heavy straight blunt bangs, sharp short bob, flat sleek hair, symmetrical chin-length hair, retro 1920s hairstyle, gentle smile, closed-mouth smile, peaceful expression, soft lowered lashes, long pleated skirt, retro-style outfit, black opaque tights, extreme low-angle shot, from below, looking up from the ground, worm's-eye view, foreshortening, upskirt, skirt hem seen from underneath, full body, quiet townscape, cobblestone street, overcast daylight, muted palette, no other people, The camera is on the ground itself at the level of the cobblestones, tilted steeply upward, so the cobbled street fills the bottom edge of the frame in the near foreground and the girl towers above it, foreshortened -- her black leather lace-up boots planted close to the lens, the long pleated skirt rising away and flaring wide outward as it recedes, the pleats opening like a fan around her hips from this angle, and the dark gusset shadow between the pleats at the peak of her silhouette. The black opaque tights sheath both legs from the boot tops to where they disappear under the hem, catching a soft grey sheen on the front of the calves where the overcast sky reaches them. Her pleated wool skirt in muted mushroom-brown hangs ankle-length and heavy, its folds disturbed by a light draft so the hem sways slightly out of true; above it a retro-style outfit of a tucked cream blouse with a rounded Peter Pan collar buttoned to the throat and a knitted charcoal cardigan with small shell buttons. Her hair is a flat, sleek, symmetrical chin-length Louise Brooks bob, black and glossy, cut in one sharp straight line at the jaw with heavy straight blunt bangs squared off across the brow in a 1920s line, the temple locks hugging her cheekbones exactly and the whole shape catching a single narrow highlight along the crown from the pale sky overhead. From this low vantage her chin reads as a clean lifted arc, her mouth curves in a gentle closed-lip smile with the corners softly up, her eyelids are lowered a fraction in a calm, peaceful expression, and her gaze drifts to the side along the empty street rather than down at the lens. Behind and above her, a quiet townscape recedes in layers -- a low row of shuttered two-storey shopfronts with faded painted lettering worn illegible by weather, a single lamp post, a sagging awning, and a strip of pale overcast sky above the roofline. The light is a flat diffuse overcast wash from above and slightly behind her, so the undersides of the skirt and the soles of her boots sit in the deepest shadow while her face and bangs stay evenly lit and shadowless. Palette restricted to black, cream, mushroom-brown, charcoal and the cool grey of wet stone, nothing saturated. Quiet, hushed.
黒

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile