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Thigh-highs, Otokonoko

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Thigh-highs#Otokonoko#Male#blush#Apron#kneeling#Dress#Cross-dressing#Short Hair#Sweat#solo#Grey hair#Bulge#Hair over one eye#Nun#Waist Apron#brown eyes#Long sleeves#Black Dress#Boy#full body#White Gloves#Pelvic Curtain#candle#Closed mouth#White thighhighs#Crossdressing (male-to-female)
kk

Killer King

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1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Show Parameters
Original Prompt
1 femboy, feminine boy, Christian, Christian dress, Christian outfit, nun headwear, cleavage cutout, chest curtain, pelvic curtain, praying, stockings, gloves, flushed face, small visible bulge, tears, ballet flats,
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.36k

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AI artwork
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
#Otokonoko#Socks#Male
AI artwork
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
#Thigh-highs#Otokonoko#Male
AI artwork
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
#Thigh-highs#Male#blush
AI artwork
kk
In a medium shot from a front-facing angle, a feminine boy dressed in a stylized Christian-inspired outfit is centered in the frame. The character is a young male with a flushed face and glistening tears in his eyes, his hands pressed together in a devout praying gesture. He wears a white nun's headwear and a modified Christian dress featuring a cleavage cutout, a chest curtain, and a pelvic curtain that drapes over his lower body, revealing a small visible bulge. His attire is completed with white gloves, white thigh-high stockings, and delicate ballet flats. The background is a minimalist, ethereal space with soft, diffused lighting. The overall atmosphere is one of solemnity and vulnerability, rendered in a clean anime illustration style with a soft color palette and a shallow depth of field.
Killer King
#Thigh-highs#Otokonoko#Male

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