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AI art "Leon Kennedy ❤️" featuring #Resident Evil, #Leon S. Kennedy, #Resident Evil 4 and #Resident Evil 4 (2023)
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Leon Kennedy ❤️

#Resident Evil#Leon S. Kennedy#Resident Evil 4#Resident Evil 4 (2023)
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Brahim Ben

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character: leon_s._kennedy 1boy, solo, short hair, blonde hair, brown hair, parted bangs, curtained hair, blue eyes, black shirt, black pants, black gloves, fingerless gloves, from below, cowboy shot, standing on one leg, leaning against wall, head tilt, looking to the side, half-closed eyes, one eyebrow raised, smirk, arms crossed, shoulder against surface, wall, outstretched leg, shoe braced on wall, alley, brick wall, single streetlamp, night, underside lighting, dutch angle, pale eyes catching light, quiet swagger Solo male figure, seen from a low angle in a cowboy shot, body turned three-quarter to the camera and leaning his right shoulder flat against a brick wall so that the wall fills the left third of the frame; his right arm is crossed low over his abdomen, the left forearm stacked above it, the two forearms pressed together across his chest with the fingerless-gloved left hand gripping the right elbow and the bare fingertips of the right hand resting against the left bicep. His weight sits on the straight left leg; the right leg is lifted and bent, boot sole braced flat against the brick two courses above the pavement, knee angled out toward the lens so it borrows foreshortening. His chin tips up and to his right, one brow lifted higher than the other, lower lids half lowered over considering blue eyes that look off past the right edge of the frame, lips pulled into a small closed lopsided smirk as if he had just heard something on the street. Short blonde hair falls in parted, curtained bangs that hang over the raised brow and swing slightly forward at the temple, the crown catching a hard rim of light. His black shirt is unbuttoned only at the top, sleeves pushed to the forearm with a folded cuff, black trousers creased at the hip where the wall takes his shoulder, and the black fingerless gloves scuff the fabric where the hand grips the elbow. The only light source is a streetlamp high behind and above him on the left: it throws the wall into coarse brick relief, rims his hair, the bridge of his nose and the top edge of his braced boot in warm amber, and drops his face from the brow down into a soft dark gradient, while the pavement behind him goes to near-black beyond the pool of light; his shadow stretches long and thin along the wall in the opposite direction, and the lamp's own faint warm bounce tints the underside of his chin. Palette is amber and soot: warm ochre brick, near-black garments, a single pale blue accent in the irises, the ground a flat unlit greyscale. Cool night air, effortlessly cool.
Show Parameters
Original Prompt
Leon S Kennedy
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ヤ
character: leon_s._kennedy, copyright: resident_evil_requiem 1man, solo, short hair, curtain bangs, parted bangs, light brown hair, blue eyes, intense gaze, furrowed brow, mature male, holding weapon, handgun, aiming, two-handed grip, tactical stance, black fitted shirt, shoulder holster, tactical vest, fingerless gloves, dark cargo pants, utility belt, cowboy shot, from below, three-quarter view, dutch angle, weapon light, tactical flashlight, flashlight beam, indoor, ruined corridor, concrete wall, dark, rim light, volumetric lighting, dust motes, chiaroscuro From a low-angle three-quarter perspective with a dynamic Dutch tilt, a cowboy shot captures an athletic male operative braced in a tactical shooting stance inside a derelict industrial corridor. His center-parted, curtained light brown hair falls in sharp strands around his temples, slightly disheveled by motion, while his focused blue eyes sight down the raised iron barrel of a matte-black semi-automatic handgun. His brow is intensely furrowed and his jaw set firm in concentration. Both arms are extended forward in a rigid, isosceles combat grip: his right gloved hand wraps firmly around the textured pistol grip with the trigger finger poised along the guard, while his left hand supports the base and clasps over the fingers beneath. A weapon-mounted tactical flashlight attached under the gun barrel casts a blinding, conical beam of stark white light forward, illuminating drifting airborne dust motes and micro-mist in the cold air. The operative's torso is bladed slightly away from the camera, wearing a form-fitting black tactical long-sleeved shirt pulled taut across broad shoulders, overlaid with reinforced leather shoulder holster straps and utility harnesses that buckle securely across his chest. Dark combat trousers tuck into heavy boots firmly planted on the cracked, damp concrete floor, his back heel resting just at the margin of a shallow puddle where the water's surface trembles. The primary illumination comes from the harsh forward tactical beam and a faint, flickering cyan emergency strip light recessed in the ceiling behind him, carving a sharp rim light along the contours of his jaw, shoulders, and the brushed steel slide of the firearm. Deep, velvety shadows swallow the background walls and exposed overhead piping, while the floor reflects a fractured, desaturated streak of the overhead light. The palette is disciplined in cool gunmetal slate, charcoal, and industrial navy, pierced only by the incandescent spear of the flashlight beam. Tense tactical suspense.
ヤマメ
1#Resident Evil#Leon S. Kennedy#Resident Evil 4

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