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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Show Parameters
Original Prompt
a light brown hair longest ponytail and red eyes as wearing a vampire costume gown aged up and sunglasses, large chest and curvy
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past the hips, red eyes, sunglasses, dark sunglasses, vampire costume, gothic gown, red velvet gown, black lace trim, high collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, full body, standing, one hand on hip, other hand lifting sunglasses, looking at viewer over lowered sunglasses, raised eyebrow, lopsided smirk, head tilt, gothic interior, candlelight, deep shadows, dutch angle composition, The camera looks up at her from a low angle, tilted slightly off-level, so her full figure dominates the tall gothic hall behind her and the space opens above her head. She stands with her weight sunk into her left hip, right knee bent and slightly forward, left leg straight and bearing her; her left hand rests flat on the curve of her hip, fingers spread over the velvet, while her right hand has caught the temple of her dark sunglasses and pulled them a little down and away from her eyes, so the red irises show above the black rims, fixed on the viewer with one eyebrow arched high and the corner of her mouth pulled into a one-sided smirk. Her very long light brown ponytail is drawn high at the back of her head and falls in a heavy, glossy rope past her waist, its tip curling forward beside her right thigh where the movement of her lifted arm has swung it; a few loose strands lie against her cheek and neck. She wears a vampire costume gown of heavy deep red velvet that catches the candlelight along its folds: a high black lace collar stands up around her throat, black lace edges the long fitted sleeves and the neckline that frames her very large chest, and the bodice nips in hard at her narrow waist before the skirt breaks outward over her wide hips and thick thighs, falling in weighted folds to the floor where the hem pools and drags a little behind her left heel. The cut is deliberate and close, so the velvet is stretched taut across her bust and pulled into long diagonal creases down toward her waist, and the skirt swings out at the hip because her weight is on the other leg. The hall behind her is a candlelit gothic interior: a tall pointed window with dark glass and stone tracery on the left, clustered candles in iron stands on the right, and beyond them the room falls into blackness. The candles are the only light source; they sit low and to her right, so the light climbs the right side of her face and throat, rims the red of her eyes, and leaves the left half of her face and the left folds of the gown in deep shadow, while her cast shadow climbs the stone behind her at an angle thrown by the tilted frame. The palette is red velvet, black lace and the warm amber of candle flames against cold grey stone, nothing else admitted. Every fold of velvet is rendered with visible weight and shadow, the lace with fine repeating holes, the hair with a single hard highlight running down the length of the ponytail. Quietly commanding, gothic glamour.
Kylee Violette (Kiy Chan)
AI artwork
ク
character: oriana_thomason 1girl, solo, mature female, blonde hair, very long hair, drill hair, ringlets, hair over one eye, blue eyes, smug, half-closed eyes, haughty, head tilt, hand on hip, standing, weight shift, from below, looking down, looking at viewer, black strapless dress, high leg slit, long black gloves, high heels, opulent room, polished marble floor, red velvet drapery, rim lighting, dramatic shadows From below, an imposing low-angle shot looks up at her commanding figure as she stands tall, shifting her weight onto one hip in an imperious posture. Her chin tilts back slightly with an aloof air, allowing her striking blue eye to peer down directly at the viewer through heavy lashes with a half-lidded, amused disdain, framed by an asymmetric smirk on her lips. Thick, voluminous blonde hair cascades down past her waist in tight, sculpted spiral drills, with a heavy sweep of bangs veiling the other side of her face. One elbow-length black-gloved hand rests firmly against the curve of her waist with fingers splayed against the fabric, while her opposite shoulder rolls back, leaving her other arm relaxed at her side. She wears a sleek, form-fitting black strapless gown with a high side slit that exposes a long leg, terminating in a sharp stiletto heel planted firmly against the ground. The scene is set in an opulent interior flanked by heavy crimson velvet curtains that drape into deep folds. A single warm overhead light source illuminates her from above, casting bright rim light across her bare collarbones, the crests of her blonde ringlets, and the glossy surface of her gloves, while plunging the lower folds of her dress into dramatic shadow. Directly beneath her, the dark polished marble floor mirrors her stance in a slightly muted, darkened reflection, anchored by the crisp contact point of her pointed heel. Imperious dominance.
クワトロ大尉

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