Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "The genderless prince."
Generate New ArtworkGenerate for FreeGenerate for Free

The genderless prince.

Saber got a pair of fuzzy socks from the Dutch sailors. an absurdly soft pair of socks of yellow, purple, white and black. they might not know much about it but they do know it fits them. now you're going to be stepped on by the androgynous Saber that you love. (You know, I personally consider Yamato male but I don't mind the genderless idea of Yamato, myself.)

#Ahoge#Androgynous#long hair#solo#tatami#Looking down#Black hair#white hair#Multicolored hair#from below#Smile#Shōji#Golden eyes#Long sleeves#Looking at viewer#Fate series#full body#Indoors#sliding door#Ambiguous Gender#Fate/Samurai Remnant#Yamato Takeru
Avatar image of Damien Moon

Damien Moon

More to See

Comments

character: yamato_takeru_(fate) 1girl, solo, yamato_takeru_(fate), black hair, white hair tips, two-tone hair, long hair, ponytail, sidelocks, hair intakes, amber eyes, ahoge, white tunic, black pants, non-binary flag fuzzy socks, yellow white purple black striped socks, fuzzy socks, one leg raised, foot raised, foot up, socked foot, stepping on viewer, pov from below, from below, extreme foreshortening, worm's eye view, looking down, looking at viewer, standing, towering, edo japanese house interior, tatami floor, wooden pillars, shoji screens, low angle, full body, dominant posture, faint smile, half-closed eyes, Seen from a worm's-eye point on the tatami floor, the tall figure of a lone warrior-woman towers directly overhead, hips almost at the top of the frame and her raised right foot filling the lower third of the picture: black socks striped in yellow, white, purple and black – the non-binary flag – knit thick and fuzzy, the pile flattened where her toes flex, individual fibres catching the light at the edges. Her left foot stays planted flat and bearing all her weight, toes gripped into the woven tatami grain, a crease in the matting around it. Her right knee lifts high and the sole of that raised foot hangs over the camera point, a shadow crossing the lens plane and darkening the foreground boards. Her black hair is gathered in a high ponytail with the tips bleached white, and because she is looming, the tail hangs forward past her shoulder and swings toward the viewer, one bending ahoge at the crown silhouetted against the ceiling; her brows are low, her eyes half-lidded with amber catching a downward sheen, the faintest lopsided smile at one corner of her mouth, all of it aimed straight down the axis of the lens. Loose black pants drape her raised thigh and gather at the ankle above the cuffs of the fuzzy socks, and the long white tunic hangs away from her body toward the camera, hem swaying. Behind her the low-beamed room opens up: a row of dark polished wooden pillars runs away in perspective past her left side, shoji screens of paper and lattice diffuse the day into a soft muted glow, tatami mats laid in staggered order across the floor beneath her, and the far ceiling beams heavy and dark. That paper-filtered daylight is the only light source: it comes from the screens behind her right shoulder, rims the edge of her ponytail and the raised sock in cold white, and leaves the undersides of the room – the gaps under the shoji rails, the corner shadows behind the pillars – in deep brown-black; where her raised foot blocks it, the boards below sit in a hard-edged rectangular pool of shade that mirrors the shape of the sole. The palette stays restrained: warm tan tatami and honey-brown wood, moon-white paper and her tunic, flat black of hair and pants, and on that one foot the colour of the flag as the brightest note in the frame. The detail budget is spent on the looming sock and its contact shadow, the knit texture, the strain of her hip and waist, and her downward glance; the room behind is simplified into beams and paper. Composed, quietly menacing.
Show Parameters
Original Prompt
yamato takeru (fate), wearing their normal white tunic with black pants and non-binary flag fuzzy socks. black hair with white tips in a ponytail and amber eyes. standing above you with their socked foot raised about to step on you. in a Edo Japanese style house.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.02k

Similar Images

Show more
AI artwork
p
character: hataya_misuzu 1girl, solo, purple hair, short hair, purple eyes, mole under mouth, white shirt, school uniform, vest, neck ribbon, dirty socks, sweaty socks, socked feet, sole, from below, pov, stepping on viewer, foot focus, contemptuous smirk, scornful smile, looking down, looking at viewer A low-angle POV shot looking up from the ground. A girl with short purple hair, a small mole beneath her mouth, and wearing a school uniform consisting of a white shirt and vest with a neck ribbon, looks down at the viewer with a cold, contemptuous smirk and half-lidded, scornful eyes. Her right foot is thrust forward and pressed firmly downward toward the camera lens, occupying the foreground in a heavy, foreshortened perspective. The sole of her white sock is visibly dirty and damp with sweat, the fabric clinging to the contours of her foot and toes as it crushes toward the viewer. The lighting is a stark, overhead fluorescent glow that casts a shadow beneath her foot and emphasizes the grime and dampness of the sock's fabric. The palette is dominated by the clinical white of her uniform and the dull, grayish-yellow stains of the dirty socks against a blurred, neutral indoor floor. The weight of her step is evident in the way the socked sole flattens against the perspective of the lens. Domineering and scornful.
pemuso

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile