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Curvy, Aquarium
#PixAI #水族館デート #Y2Kファッション @PixAI_Official https://eap.pixai.art/go/pe0kt75gzs 【ViVi 11月号風】『雨の土曜日はロマンチックな水族館デート♡ 青いマリンブルーの光に包まれる萌え袖Y2Kギャル』 「雨の日デートに水族館選んで大正解だったね♡ クラゲさんふわふわ浮いてて超キレイ……でもね、ウチのこともしっかり見ててくれないと、どっか行っちゃうぞ？ふふっ♪」 お昼12時は雨の日の室内水族館デートへ🐟✨ 巨大な青いクラゲ水槽の前で、オフホワイトのゆるニットカーデを肩崩しにし、黒レースキャミ×ダメージデニムミニを合わせたグラマラスなリナちゃん！ 神秘的なアクアブルーのライトに照らされた素肌と、あざと可愛く萌え袖でほほ笑む表情に胸がキュンとなっちゃいます♡ PixAIで生成（Dit.3モデル使用）
Show Parameters
- Original Prompt
- 19-year-old Japanese gal, bold and confident, chubby figure celebrated naturally with enhanced plumpness, fuller curves and rounded silhouette, long wavy black hair with pink inner highlights flowing loosely, fair porcelain skin with subtle glow and flushed cheeks, wearing an off-white oversized knit cardigan draped off one shoulder, a black lace-trimmed camisole top underneath, a distressed indigo denim mini skirt, black knee-high boots, bare thighs, chubby Y2K date style, standing inside a dimly lit modern aquarium in front of a giant glowing blue jellyfish tank, blue aquatic light reflecting softly on her skin, affectionate playful smile, looking at viewer, detailed soft knit weave, denim texture, slightly blurred background
- Mode
- ultra
- Quality Tag
- cinematic anime CG, highly detailed, aesthetic, ﹝Prompts﹞
- Size
- 896 x 1120
- Sampling Method
- Euler
- Negative
- low quality, worst quality, bad anatomy, bad hands, missing fingers, extra fingers, deformed, blurry, mutation, distorted, bad proportions, watermark, text, logo, ugly, upskirt, panty shot, underwear visible, skirt flipped up, nipples, nipple slip, visible nipples, areola, wet clothes, explicit, nsfw
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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