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AI art "ゴルシ・夏祭り" featuring #Uma Musume Pretty Derby and #Gold Ship

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ゴルシ・夏祭り

#Uma Musume Pretty Derby #Gold Ship

Published on Oct 24, 2026

饅頭ブラック

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character: gold_ship_(umamusume), copyright: umamusume 1girl, solo, gold_ship_character, tall female, long grey hair, blunt bangs, purple eyes, horse ears, horse tail, grey horse ears, long tail, sarashi, chest sarashi, white cloth wrap, bare shoulders, bare arms, cleavage, large breasts, navel, bare midriff, fundoshi, triangle fundoshi, white fundoshi, loincloth, bare thighs, bare legs, facing forward, front view, standing, arms crossed, crossed arms, blush, full-face blush, red cheeks, smile, closed-mouth smile, light smile, looking at viewer, night, festival, night festival, lanterns, paper lanterns, red lanterns, food stalls, crowd, bokeh, cowboy shot, from below A vertically framed cowboy shot of a single tall woman standing square to the camera, seen straight from the front, the camera set slightly below her eye level and tilted a few degrees upward so her height and the lantern sky behind her both read, her figure filling the centre of the frame from the top of her head to bare knees. She stands a full 170 cm tall with a long-legged, curvaceous build, bust 99 and hips 88: a heavy bust and full hips carried on a narrow waist. Her hair is long and grey, falling past her shoulder blades, cut into a straight heavy fringe of blunt bangs across her brow; two grey horse ears rise from the crown above the bangs, angled outward and slightly back, tufts at their inner edges, and one ear tips forward at the noise of the stalls. Her tail, long and grey, hangs down behind her and swings out to her right, its lower end visible past her hip. Her eyes are purple, wide and bright, the lower lids lifted by the smile so the cheeks push up into them. She wears a sarashi — a length of white cotton wrapped tightly around her chest, wound in several overlapping bands from just under the bust upward, the edges of each band a raised horizontal seam with a faint ribbed shadow, wound snug enough to press the bust up into a low, deep cleavage line at the centre of her chest. Nothing covers her torso below the wrap: her belly is bare and her navel is a small round hollow sitting in the lit centre of her stomach. Below, she wears a fundoshi of white cloth, tied in a plain triangular front — a single flat triangle of fabric pulled up between her legs and knotted at each hip, the two side cords running taut across the crests of her hip bones and the back cord passing low around her waist. There is no apron of cloth hanging down at the front: the triangle sits flat and close against her body, held only by the hip knots, and the whole rise of her hips and the tops of both thighs are bare. Both hands are empty, both feet flat on the ground. Her arms are folded across her chest, forearms crossed one over the other just under the collarbones and above the top edge of the wrap, her right forearm outermost and her left hand tucked inside it, fingers curled relaxed against her own upper arm, the crossed arms pressing the bust slightly upward so the cleavage deepens against them. Her weight is on her right leg, that hip pushed a little higher, the left knee eased forward and the left foot turned slightly out. Her cheeks are flushed a clear red across both cheekbones and the bridge of the nose, the blush strongest at the apples of her cheeks, and she smiles a small closed-lip smile, the corners of her mouth turned up unevenly, one corner a little higher than the other, her chin slightly lowered. Her eyes look straight out at the viewer, steady under the blush. The background is a night festival behind her. Rows of red and warm-orange paper lanterns hang on cords across the upper third of the frame, receding into the dark, their glow fogging the air around each one; below and behind her shoulders the blurred shapes of food stalls with striped awnings, hanging noren and small warm-lit counters; a loose crowd of indistinct figures in yukata moving at mid-distance, kept out of focus so none of them reads as a second character. The lanterns are the only light source: warm amber light falls from above and slightly in front of her, catching the tops of her shoulders, the upper curve of the sarashi, the ridge of her crossed forearms, her nose and cheekbones and the shine of her grey hair, while the underside of her jaw, the hollows under her bust, the line of the fundoshi's hip cords and the shadowed space between her crossed arms fall into cooler dusky shadow. The red of her blush is the warmest note in the frame against the white cloth and grey hair, and the lantern light behind her rims her hair and horse ears with a thin orange edge. The lanterns nearest the camera are softly out of focus, the far stalls dissolve into warm bokeh, and the ground she stands on reflects a soft pool of lantern light, quiet and warm.

ゴルシ・夏祭り

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