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AI artwork featuring #All About Twintails
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eljapo20

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All About Twintails!#All About Twintails
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eljapo20

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character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, red eyes, sad, red hairclip, x hair ornament, fake animal ears, headphones, glowing pink headphones, black choker, padlock, heart-shaped padlock, silver chain, collar, tucked-in accessory, handcuffs, handcuffed, arms behind back, shackles, ankle shackles, metal shackles, orange jumpsuit, prison jumpsuit, open jumpsuit, black crop top, pvc, fishnet, navel, navel piercing, belly piercing, midriff, female police officer, police uniform, japanese police uniform, tactical vest, holding arms, gripping, walking, three-quarter shot, cowboy shot, eye level, head turned, profile, looking to the side, fluorescent lighting, glossy, shiny, leather, leather reflections, cinematic lighting, hallway, indoors, dynamic accessories, swaying charm Eye-level three-quarter shot, medium-close framing. Three figures advance down a brightly lit police precinct hallway, and the camera holds them at chest-to-thigh depth: the prisoner centered, the two uniformed officers half a step behind her on either side. The woman in custody walks toward the lens with her torso squared directly to the frame and her chin swung hard to her left so her face reads in clean profile, nose and lips breaking the silhouette against the right side of the frame, her red eyes fixed on something off past the right edge, lids lowered, mouth pulled down at the corners, brows drawn up in the middle -- a quiet, wet sad expression with no tears yet. Her long hair is split pink and black in streaked bands, straight and heavy past her shoulders, blunt bangs cut dead level at her brows, an ahoge springing off the crown; a red hairclip and a small X-shaped ornament pin the left side, and a pair of fake animal ears sits among the strands. Over her ears ride glowing pink headphones, the cups throwing a soft rose glow against the fluorescent white of the corridor. Behind her back her wrists are clamped in steel handcuffs, arms wrenched straight down and slightly out from the small of her back. The officer on her right -- a woman with dark hair pulled back tight under a police cap -- closes her right hand around the prisoner's forearm just above the cuff, fingers digging in, knuckles pale, elbow bent and low so the gripped arm stays pressed down and never lifts; the officer on her left mirrors her, her left hand clamped on the other forearm the same way, her other hand steadying the prisoner's shoulder. Both wear navy Japanese police uniforms under black tactical vests, vests sitting square over the chest, and both look forward past their prisoner into the corridor, jaws set. The prisoner's orange leather jumpsuit is unzipped from the throat down, hanging open in two glossy panels that catch the overhead tubes in long white streaks, the open edges falling either side of a black PVC crop top with fishnet showing beneath it; the frame cuts her at mid-thigh where the heavy metal shackles weigh her ankles, a short chain strung between them pulled taut by her stride. At her throat, tucked down inside the jumpsuit's collar so only the charm shows, the black leather choker's silver heart padlock hangs on its layered chains, swinging slightly with each step; at her bare navel the piercing's twin metal balls and tiny charm sway against her skin, catching a pinpoint highlight. One leg drives forward, the other trails, the jumpsuit's open panels flaring and the chains and padlock lagging a half-beat behind the motion. The hallway runs deep behind them: pale tiled floor, pale walls, a line of ceiling tubes receding into perspective, only legible as light, no readable signage. The harsh fluorescent lighting comes from directly overhead and slightly ahead, laying a flat white wash over foreheads and shoulders, punching hard specular highlights along the leather and the vests and pooling crisp shadows under every figure; the glossy orange reads almost wet where the tubes hit it. Palette held to orange, black, navy, and the fluorescent white-blue of the corridor, pink only in her hair and the headphone glow. Grim, glossy.
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Original Prompt
sengoku yuno, long multicolored pink and black hair, blunt bangs, red eyes, red hairclip, x hair ornament, fake animal ears, and glowing pink headphones on her head, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward. Her body and torso face directly forward, while her head is turned to her left, looking to the right side of the frame in profile. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing a medium-width black leather neck choker with a prominent medium-sized silver heart-shaped padlock charm dangling at the center with layered silver chains, completely tucked inside the collar area, navel piercing with two small metal balls and a tiny dangling charm hanging in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories, realistic swaying navel piercing charm and heart padlock
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: sengoku_yuno 3girls, multiple girls, sengoku_yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, frown, looking to the side, head turned, profile, torso facing forward, walking forward, forcefully escorted, arms behind back, handcuffed, metal handcuffs, heavy metal ankle shackles, black leather choker, heart-shaped padlock, silver chains, navel piercing, navel, glossy orange leather jumpsuit, open jumpsuit, black PVC crop top, fishnet underlayer, midriff, orange leather, leather reflections, female police officer, japanese police uniform, navy blue uniform, black tactical vest, holding arms, from behind, three-quarter shot, medium-close framing, eye level, brightly lit police precinct hallway, harsh fluorescent lighting, cinematic lighting, glossy texture, cell shading, dynamic accessory physics Eye-level medium-close three-quarter shot, camera square on to the front of the group so that the prisoner's torso reads dead-on and her head sits in clean profile. A young woman fills the centre of the frame walking straight at the lens: her shoulders and chest face the camera directly, her jumpsuit zipped low and peeled open down the front, while her head is wrenched around to her own left so that we see her face edge-on, nose, lash line and one red eye aimed past the right edge of the frame. Grief sits in the profile: brow drawn up at the inner end, lower lip pushed out and pressed, one slow blink, a shine at the lower lid that has not yet fallen. Her long hair is a split of candy pink and black, blunt bangs cut straight across the forehead, the pink falling forward over the cheekbone as she turns; the red hairclip pins the bangs at one temple and the small x-shaped ornament sits above the opposite ear, and the two fake animal ears stand up through the hair while the glowing pink headphones ride over them, their cups casting a faint pink glow onto the pink strands. Her arms are wrenched behind her back, wrists clamped in tight steel handcuffs, elbows drawn together so the shoulder blades pinch the leather. Two female officers walk a half step behind and to either side, their bodies angled in toward her, shoulders overlapping her silhouette at the frame edges. Both wear navy Japanese police uniforms under black tactical vests, collars buttoned, radios clipped at the shoulder, hair pulled back tight. The officer on the left grips the prisoner's left forearm just above the cuff with a closed fist, thumb dug in; the officer on the right grips the right forearm the same way, and both hold those arms low and level behind her back, never lifting them, the weight of the hold pulling the prisoner's shoulders down. Both officers stare straight ahead past her toward the corridor, jaws set, and the prisoner's profile gaze never meets theirs. At her throat, tucked down inside the jumpsuit's open collar where the leather meets skin, a medium-width black choker sits close, and from it a silver heart-shaped padlock hangs with layered silver chains, swinging out and settling against her collarbone with each step; the padlock catches the overhead light and throws a small moving highlight onto the leather. Where the jumpsuit hangs open, the black PVC crop top and its fishnet underlayer cross her midriff, the mesh printing a fine grid over her skin, and her navel is bared with two small metal balls and a tiny charm that swings and tilts side to side on its own arc, lagging a beat behind the sway of the heart lock. The orange leather is the loudest surface in the frame, wet-glossy, folding in hard bright ribbons at the shoulders and hips, its highlights razoring along every crease; the PVC reads colder and slicker beneath it. Down at her feet, the heavy metal ankle shackles drag and clank, chain links taut between her stride. The corridor is a police precinct hallway in hard working daylight-white: scuffed pale linoleum with a wet-looking sheen, a long run of pale green institutional wall, a row of doors, a bulletin board of pinned notices whose lettering stays illegible, and a low wooden bench. Recessed fluorescent panels march down the ceiling in a receding line and are the only light, throwing flat cold white from directly above so that shadows fall straight down beneath the three women and the floor carries each glossy garment's reflection as a dimmer, softer, downward smear of orange and pink. Perspective lines of ceiling fixtures and floor seams converge behind the group, stacking the depth of the hallway beyond the officers' shoulders. High-quality anime art, crisp cel shading, hard-edged shadow shapes, saturated pink-black-orange against the washed green corridor. Tense, quietly grim.
grey23
#All About Twintails
AI artwork
e2
character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, red eyes, sad, red hairclip, x hair ornament, fake animal ears, headphones, glowing pink headphones, black choker, padlock, heart-shaped padlock, silver chain, collar, tucked-in accessory, handcuffs, handcuffed, arms behind back, shackles, ankle shackles, metal shackles, orange jumpsuit, prison jumpsuit, open jumpsuit, black crop top, pvc, fishnet, navel, navel piercing, belly piercing, midriff, female police officer, police uniform, japanese police uniform, tactical vest, holding arms, gripping, walking, three-quarter shot, cowboy shot, eye level, head turned, profile, looking to the side, fluorescent lighting, glossy, shiny, leather, leather reflections, cinematic lighting, hallway, indoors, dynamic accessories, swaying charm Eye-level three-quarter shot, medium-close framing. Three figures advance down a brightly lit police precinct hallway, and the camera holds them at chest-to-thigh depth: the prisoner centered, the two uniformed officers half a step behind her on either side. The woman in custody walks toward the lens with her torso squared directly to the frame and her chin swung hard to her left so her face reads in clean profile, nose and lips breaking the silhouette against the right side of the frame, her red eyes fixed on something off past the right edge, lids lowered, mouth pulled down at the corners, brows drawn up in the middle -- a quiet, wet sad expression with no tears yet. Her long hair is split pink and black in streaked bands, straight and heavy past her shoulders, blunt bangs cut dead level at her brows, an ahoge springing off the crown; a red hairclip and a small X-shaped ornament pin the left side, and a pair of fake animal ears sits among the strands. Over her ears ride glowing pink headphones, the cups throwing a soft rose glow against the fluorescent white of the corridor. Behind her back her wrists are clamped in steel handcuffs, arms wrenched straight down and slightly out from the small of her back. The officer on her right -- a woman with dark hair pulled back tight under a police cap -- closes her right hand around the prisoner's forearm just above the cuff, fingers digging in, knuckles pale, elbow bent and low so the gripped arm stays pressed down and never lifts; the officer on her left mirrors her, her left hand clamped on the other forearm the same way, her other hand steadying the prisoner's shoulder. Both wear navy Japanese police uniforms under black tactical vests, vests sitting square over the chest, and both look forward past their prisoner into the corridor, jaws set. The prisoner's orange leather jumpsuit is unzipped from the throat down, hanging open in two glossy panels that catch the overhead tubes in long white streaks, the open edges falling either side of a black PVC crop top with fishnet showing beneath it; the frame cuts her at mid-thigh where the heavy metal shackles weigh her ankles, a short chain strung between them pulled taut by her stride. At her throat, tucked down inside the jumpsuit's collar so only the charm shows, the black leather choker's silver heart padlock hangs on its layered chains, swinging slightly with each step; at her bare navel the piercing's twin metal balls and tiny charm sway against her skin, catching a pinpoint highlight. One leg drives forward, the other trails, the jumpsuit's open panels flaring and the chains and padlock lagging a half-beat behind the motion. The hallway runs deep behind them: pale tiled floor, pale walls, a line of ceiling tubes receding into perspective, only legible as light, no readable signage. The harsh fluorescent lighting comes from directly overhead and slightly ahead, laying a flat white wash over foreheads and shoulders, punching hard specular highlights along the leather and the vests and pooling crisp shadows under every figure; the glossy orange reads almost wet where the tubes hit it. Palette held to orange, black, navy, and the fluorescent white-blue of the corridor, pink only in her hair and the headphone glow. Grim, glossy.
eljapo20
AI artwork
u2
character: sengoku_yuno 3girls, sengoku yuno, long hair, multicolored hair, pink hair, black hair, two-tone hair, blunt bangs, ahoge, red eyes, red hairclip, x hair ornament, fake animal ears, glowing pink headphones, sad expression, head bowed, head turned, profile, blank stare, lowered lashes, walking forward, torso facing viewer, arms behind back, handcuffed, metal handcuffs, ankle shackles, heavy chains, being escorted, two female police officers, japanese police uniform, tactical vest, holding arms, tattoo choker, black choker, cross pendant, navel piercing, belly button, shiny orange jumpsuit, orange leather, open jumpsuit, black crop top, pvc, fishnet shirt, underlayer, glossy texture, leather reflections, harsh fluorescent lighting, bright lighting, cinematic lighting, three-quarter shot, medium-close framing, eye level, cell shading, high-quality anime art style, dynamic accessories, swaying charm, police precinct hallway, bright hallway Eye-level three-quarter shot, medium-close framing, in a brightly lit police precinct hallway: the subject walks straight toward the camera, her body and torso squared directly forward, her shoulders level and steady mid-stride. Her head is sharply turned and bowed sideways, sunk toward one shoulder in full profile, so the camera sees her jawline, the downward sweep of her blunt bangs and one red eye cast down and away from everything; the other eye is hidden by the turn of her face. Her long multicolored pink and black hair falls in heavy two-tone sections past her shoulders, an ahoge springing from the crown, the red hairclip and X-shaped hair ornament pinned into the pink side, the fake animal ears set among the strands, and the glowing pink headphones seated on her head, their rim light spilling a soft magenta glow onto the hair immediately around them. Her mouth is pressed flat, the corners pulled down, lashes low, and her brows drawn in a small helpless knot. Her arms are wrenched tightly behind her back, wrists locked in metal handcuffs, elbows bent and close together; heavy metal shackles ring her ankles, and the short chain between them drags and catches the light with each forward step, the links clinking tight and slack, tight and slack, in time with her stride. Two female police officers in Japanese police uniforms and dark tactical vests walk slightly behind her, one at each flank, each with one gloved hand clamped firmly over her cuffed forearms behind her back, pressing them down at hip height and never lifting them; their other hands hang at their sides. Both officers look forward past her toward the corridor ahead, one with her jaw set, the other's eyes flicked sideways to the prisoner's bowed head. Their uniform sleeves and vest straps sway with the walk, and the prisoner's shackled ankles force short, clipped steps. Around her neck, a thin narrow black elastic tattoo choker, its fine woven wire-mesh lattice hugging the skin smoothly, and from its bottom center a tiny silver cross pendant hangs flat and tight against her throat, tucked inside the collar area of the jumpsuit. The jumpsuit itself is shiny glossy orange leather, hanging open down the front, and beneath it the black PVC crop top catches the light with a fishnet underlayer visible at the neckline and midriff; the exposed navel carries a piercing with two small metal balls and a tiny dangling charm that swings with every stride. Every leather and PVC surface throws hard, tight, wet-looking highlights, and the fishnet grid sharpens and blurs as the fabric moves over her skin. The hallway runs deep behind them, pale walls, a scuffed linoleum floor with a low sheen, doors and a distant noticeboard reduced to soft shapes, everything sealed off by the three figures in the foreground. Harsh fluorescent tubes overhead throw flat, cool white light straight down, blanching the officers' uniforms and clipping the glossy highlights on the orange leather and black PVC into hard white streaks; the shadows fall small and sharp directly beneath each figure, and a faint magenta cast from the headphones leaks across the prisoner's shoulder. The palette is cold institutional white, grey and navy against the shot of orange leather, black PVC and pink hair, with the silver pendants, cuffs and shackles as the only reflective accents moving through the frame. Cinematic, glossy, quietly grim.
user-20479
AI artwork
n
character: sengoku_yuno sengoku yuno, long multicolored pink and black hair, blunt bangs, red eyes, red hairclip, x hair ornament, fake animal ears, and glowing pink headphones on her head,, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward, head bowed. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing an ultra-compact tight black leather neck choker with a tiny miniature heart padlock and micro-chains tightly hugging only her neck skin, completely tucked inside the collar area, navel piercing with two small metal balls and a tiny dangling charm in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests.Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories, realistic swaying navel piercing charm and necklace chains
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