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みほみん

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みほみん

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1girl, solo, black hair, medium hair, neck-length hair, straight hair, see-through bangs, swept bangs, bangs swept to the left, black eyes, gentle eyes, soft expression, necklace, pendant necklace, nurse clothes, white nurse dress, garter belt, white thighhighs, long thighhighs, zettai ryouiki, crossed legs, sitting, from above, from side, looking at viewer, head tilt, light smile, hand on own knee, dutch angle, hospital room, window light The camera looks down and in from above her left shoulder at a slight dutch tilt, so her crossed legs read as the longest line in the frame and the crown of her head tips toward the lens. She sits on the edge of a plain clinic examination table, torso turned three-quarters to the window on her right while her face comes back over her shoulder toward the viewer; her weight rests on her right hip, her right foot flat on the table's edge, her left knee folded over the right so the left calf hangs free and the left toe points at the floor. Her left hand lies loose on her upper knee, fingers curled over the white fabric; her right hand is planted behind her on the mattress, arm straight, shoulder drawn up under the short sleeve. Her black eyes are half lowered and steady on the viewer, lips closed in a faint, unhurried smile, one eyebrow a fraction higher than the other. Her hair is straight and falls to the base of her neck, glossy black, heavier on the right side; the see-through fringe is parted and swept diagonally to her left, so the fine strands lie translucent across her brow and you can just see the skin and the eyebrow beneath them. The white nurse dress is buttoned to the collarbone in a soft, worn cotton, its short sleeves ending mid-upper-arm, and a small thin-chain pendant with a single dark stone hangs in the open V of the neckline, lying flat on her sternum. Below the hem the garter belt's straps run down taut over her bare upper thigh to the white thighhighs, which reach high up the leg and band it with a faint compression ring; where the left thigh crosses the right, the stocking fabric presses flat and its ladder of tiny vertical ribs catches the light. The room is a small quiet clinic: pale green wall, a frosted-glass window at her right casting low afternoon light that comes in cool and diffused, brightening the left side of her face and the top of her thigh and dropping her right side and the underside of the table into a soft green-grey shadow. Beyond the window's reach the room dims to muted sage and bone white; nothing else in it is bright. The only saturated colour is the near-black of her hair and eyes against the white cotton and the pale room. A thin crease has formed in the paper sheet where her right hand presses it. Still, quietly warm.
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Original Prompt
黒髪の首元くらいまでの長さのミディアムストレートの女性、おっとりした瞳に黒い目、左斜め前髪のシースルーバング、胸元ネックレス、ガーターベルトに長い白ニーハイを履き、ナース服を着て足を組む
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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み
1girl, solo, black hair, medium hair, neck-length hair, straight hair, see-through bangs, swept bangs, bangs swept to the left, black eyes, gentle eyes, soft expression, necklace, pendant necklace, nurse clothes, white nurse dress, garter belt, white thighhighs, long thighhighs, zettai ryouiki, crossed legs, sitting, from above, from side, looking at viewer, head tilt, light smile, hand on own knee, dutch angle, hospital room, window light The camera looks down and in from above her left shoulder at a slight dutch tilt, so her crossed legs read as the longest line in the frame and the crown of her head tips toward the lens. She sits on the edge of a plain clinic examination table, torso turned three-quarters to the window on her right while her face comes back over her shoulder toward the viewer; her weight rests on her right hip, her right foot flat on the table's edge, her left knee folded over the right so the left calf hangs free and the left toe points at the floor. Her left hand lies loose on her upper knee, fingers curled over the white fabric; her right hand is planted behind her on the mattress, arm straight, shoulder drawn up under the short sleeve. Her black eyes are half lowered and steady on the viewer, lips closed in a faint, unhurried smile, one eyebrow a fraction higher than the other. Her hair is straight and falls to the base of her neck, glossy black, heavier on the right side; the see-through fringe is parted and swept diagonally to her left, so the fine strands lie translucent across her brow and you can just see the skin and the eyebrow beneath them. The white nurse dress is buttoned to the collarbone in a soft, worn cotton, its short sleeves ending mid-upper-arm, and a small thin-chain pendant with a single dark stone hangs in the open V of the neckline, lying flat on her sternum. Below the hem the garter belt's straps run down taut over her bare upper thigh to the white thighhighs, which reach high up the leg and band it with a faint compression ring; where the left thigh crosses the right, the stocking fabric presses flat and its ladder of tiny vertical ribs catches the light. The room is a small quiet clinic: pale green wall, a frosted-glass window at her right casting low afternoon light that comes in cool and diffused, brightening the left side of her face and the top of her thigh and dropping her right side and the underside of the table into a soft green-grey shadow. Beyond the window's reach the room dims to muted sage and bone white; nothing else in it is bright. The only saturated colour is the near-black of her hair and eyes against the white cotton and the pale room. A thin crease has formed in the paper sheet where her right hand presses it. Still, quietly warm.
みほみん
AI artwork
み
1girl, solo, black hair, medium hair, neck-length hair, straight hair, see-through bangs, swept bangs, bangs swept to the left, black eyes, gentle eyes, soft expression, necklace, pendant necklace, nurse clothes, white nurse dress, garter belt, white thighhighs, long thighhighs, zettai ryouiki, crossed legs, sitting, from above, from side, looking at viewer, head tilt, light smile, hand on own knee, dutch angle, hospital room, window light The camera looks down and in from above her left shoulder at a slight dutch tilt, so her crossed legs read as the longest line in the frame and the crown of her head tips toward the lens. She sits on the edge of a plain clinic examination table, torso turned three-quarters to the window on her right while her face comes back over her shoulder toward the viewer; her weight rests on her right hip, her right foot flat on the table's edge, her left knee folded over the right so the left calf hangs free and the left toe points at the floor. Her left hand lies loose on her upper knee, fingers curled over the white fabric; her right hand is planted behind her on the mattress, arm straight, shoulder drawn up under the short sleeve. Her black eyes are half lowered and steady on the viewer, lips closed in a faint, unhurried smile, one eyebrow a fraction higher than the other. Her hair is straight and falls to the base of her neck, glossy black, heavier on the right side; the see-through fringe is parted and swept diagonally to her left, so the fine strands lie translucent across her brow and you can just see the skin and the eyebrow beneath them. The white nurse dress is buttoned to the collarbone in a soft, worn cotton, its short sleeves ending mid-upper-arm, and a small thin-chain pendant with a single dark stone hangs in the open V of the neckline, lying flat on her sternum. Below the hem the garter belt's straps run down taut over her bare upper thigh to the white thighhighs, which reach high up the leg and band it with a faint compression ring; where the left thigh crosses the right, the stocking fabric presses flat and its ladder of tiny vertical ribs catches the light. The room is a small quiet clinic: pale green wall, a frosted-glass window at her right casting low afternoon light that comes in cool and diffused, brightening the left side of her face and the top of her thigh and dropping her right side and the underside of the table into a soft green-grey shadow. Beyond the window's reach the room dims to muted sage and bone white; nothing else in it is bright. The only saturated colour is the near-black of her hair and eyes against the white cotton and the pale room. A thin crease has formed in the paper sheet where her right hand presses it. Still, quietly warm.
みほみん
AI artwork
み
1girl, solo, black hair, medium hair, neck-length hair, straight hair, see-through bangs, swept bangs, bangs swept to the left, black eyes, gentle eyes, soft expression, necklace, pendant necklace, nurse clothes, white nurse dress, garter belt, white thighhighs, long thighhighs, zettai ryouiki, crossed legs, sitting, from above, from side, looking at viewer, head tilt, light smile, hand on own knee, dutch angle, hospital room, window light The camera looks down and in from above her left shoulder at a slight dutch tilt, so her crossed legs read as the longest line in the frame and the crown of her head tips toward the lens. She sits on the edge of a plain clinic examination table, torso turned three-quarters to the window on her right while her face comes back over her shoulder toward the viewer; her weight rests on her right hip, her right foot flat on the table's edge, her left knee folded over the right so the left calf hangs free and the left toe points at the floor. Her left hand lies loose on her upper knee, fingers curled over the white fabric; her right hand is planted behind her on the mattress, arm straight, shoulder drawn up under the short sleeve. Her black eyes are half lowered and steady on the viewer, lips closed in a faint, unhurried smile, one eyebrow a fraction higher than the other. Her hair is straight and falls to the base of her neck, glossy black, heavier on the right side; the see-through fringe is parted and swept diagonally to her left, so the fine strands lie translucent across her brow and you can just see the skin and the eyebrow beneath them. The white nurse dress is buttoned to the collarbone in a soft, worn cotton, its short sleeves ending mid-upper-arm, and a small thin-chain pendant with a single dark stone hangs in the open V of the neckline, lying flat on her sternum. Below the hem the garter belt's straps run down taut over her bare upper thigh to the white thighhighs, which reach high up the leg and band it with a faint compression ring; where the left thigh crosses the right, the stocking fabric presses flat and its ladder of tiny vertical ribs catches the light. The room is a small quiet clinic: pale green wall, a frosted-glass window at her right casting low afternoon light that comes in cool and diffused, brightening the left side of her face and the top of her thigh and dropping her right side and the underside of the table into a soft green-grey shadow. Beyond the window's reach the room dims to muted sage and bone white; nothing else in it is bright. The only saturated colour is the near-black of her hair and eyes against the white cotton and the pale room. A thin crease has formed in the paper sheet where her right hand presses it. Still, quietly warm.
みほみん

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