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AI artwork featuring #Blue Archive and #Shimoe Koharu
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Shimoe Koharu, Blue Archive

#Blue Archive#Shimoe Koharu
jｐ
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Jacky Ｐｏｄｐｏ

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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, black feathered wings, low wings, wings at hips, standing, legs together, feet together, holding microphone, hand on microphone, idol costume, pink theme costume, ornate princess bodice, dome-shaped skirt, huge round skirt, fluffy skirt, fuzzy texture, draped skirt, pink skirt, stiff pink iron cylinder at skirt hem, vertical short cylinder, very long thin legs, arena concert venue, stage lights, crowd silhouettes, cowboy shot, from below, looking at another, stage, wide shot, concert, spotlight, lens flare, pink and gold palette, luxurious, elaborate, frills, lace, ribbons, ornate dress, princess dress, idol stage, dramatic lighting, night, indoor, performance, singing, smug, lidded eyes, blush, motion blur in background, glowing, sparkle, bokeh, volumetric lighting, high detail, masterpiece, best quality Front view from a low camera angle, catching the girl rising above a dark arena floor where thousands of penlights sway in a vast sea of glittering points. She stands with her feet pressed neatly together, both thin legs hidden within a rigid vertical pink iron cylinder that rises from the very bottom of her enormous dome-shaped skirt, its painted metal rim catching the stage lights with a hard, unyielding edge. The skirt billows outward in a perfect horizontal circle of layered pink fluff, drapery falling in soft folds from the bodice, the fabric appearing to glow with an inner softness that contrasts the cold solidity of the iron tube beneath it. Above the skirt, her torso is encased in a Western princess-style bodice of ornate gold embroidery and delicate lace, tiny pearls catching the spotlights, a high collar framing her face. Her long pink twin-tails drift in the air currents of the stage, and her feathered wings spread from her lower back, dark against the blinding white spotlight that hits her from the left, casting a long dramatic shadow across the stage floor. She clutches the microphone in both hands near her chin, her pink eyes half-lidded and focused on someone in the distant crowd, a confident smirk on her lips as the light blooms around her silhouette, the air thick with stage haze and floating confetti that catches the beams like suspended stars.
Show Parameters
Original Prompt
下江コハル。ピンクをモチーフにしたアイドルの豪華な衣装。スカートは水平に近くふんわりと膨らんだドーム状だが真横に円状に均等に広がっているが下着までは見えない。足を揃えて立つ。スカートの円の1番下の下に取り付けられた部分は硬い縦の円の筒になっている。コハルはとても長くとても細い足。アリーナでの会場、スカートはちょうど良い丈。スカートはドーム状にふんわりと広がり、1番端っこが1本の縦の短い筒のよう。一番下の端以外のスカートの部分はとてもピンク1色でふわふわでもふもふでドレープもある。上半身だけはスカートとは対象的な西洋のお姫様のような豪華なドレス。1番下の端の部分のみ筒のように固そう。スカートの一番下の端に1本の大きい円の縦の短いピンクに塗られた鉄の筒が取り付けられていて脚を中心にしている。コハルはマイクを握っている。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
jｐ
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, small low wings at the hips, idol costume, pink motif, luxurious outfit, princess-like ornate bodice, long sleeves, frilled cuffs, dome-shaped skirt, horizontally flared circular skirt, skirt interior not visible, fluffy skirt, fuzzy skirt, solid pink skirt, cylindrical tube hem, stiff tube-shaped hem edge, very long thin legs, legs together, standing, angled sideways, full body, wide shot, arena concert venue, stage, from below, dutch angle, looking to the side, light smile, half-closed eyes, dynamic lighting, spotlight, crowd silhouette, glowstick sea, pink and gold palette The camera sits low on the arena floor and tilts a few degrees off level, so the figure is seen from below at a three-quarter angle against the dark bowl of the hall; she is turned diagonally, her body presented in profile-to-three-quarter with her feet pressed neatly together and her weight settled on the near leg, so the far leg's line runs long and unbroken behind it. Her legs are extraordinarily long and thin, pale and smooth from the thigh down to slender ankles and small heeled stage boots, and the diagonal stance draws two clean parallel lines from the tube hem to the stage floor. Because her body is angled, her head is turned partway back toward the camera, chin lowered, and one half-lidded pink eye slides to the side and slightly down toward an out-of-frame point — a cooled, knowing stage look rather than a beam at the lens; the other eye is nearly closed, and one brow is faintly lifted. Her pink hair is gathered into two long twintails that hang behind and to the sides of her shoulders, swinging outward from the turn of her body, and the pair of small black feathered wings at the back of her head are fanned slightly by the same motion; another pair of small black wings rests folded low at her hips behind the skirt, edges just peeking past the flare. The skirt is the centre of the image: a hard-true dome that fans out horizontally in an even circle all the way around her, its silhouette a smooth lens of pure pink that occupies the middle of the frame and ends at just the right length, above the knees and well clear of the floor. Its entire upper mass reads as one saturated pink, nothing else, and the surface is dense plush fur — a soft, fuzzy nap that swallows the spotlight into a velvet halo along the rim, no sheen and no pattern anywhere on it. The interior is entirely enclosed and dark: beneath the flaring fabric the hollow of the dome is a closed shadow, no legs visible inside it, only the outer circle catching light. Where the dome's lowest edge meets the world it transitions into a rigid vertical band — a cylindrical tube of stiff, matte pink material that rings the base like a collar, sitting perfectly vertical while the plush above it bulges outward, and it is the only hard, non-fuzzy part of the costume. The hem's tube ends just above her knees, and the two long legs continue cleanly below it. Above the waist the costume turns deliberately against the soft skirt: a princess-like corseted bodice in pale rose and antique gold, layered with scalloped tulle and edged with fine gold piping, long sleeves closed at the wrist with frilled cuffs, a structured silhouette with a defined waist and a modest high neckline; the richness lives in the cut, the trim and the tone-on-tone rose-and-gold palette, not in sparkle. Her arms hang relaxed, hands loosely clasped in front of one hip at the top of the skirt, fingers interlaced, shoulders gently dropped. The venue is a large arena seen from stage level: a dark, deep hall curving away behind her, its tiers of seating filled with a mass of small silhouetted audience members reduced to depth texture, and hundreds of glowsticks raised in a rippling field of pale blue-violet light. The key light is a hard white-pink spotlight from above and slightly behind camera-left, striking the plush rim of the skirt so the fuzz lights up along its top edge while the underside of the dome falls into shadow, laying an elliptical shadow on the stage floor at her feet and rimming her twintails and sleeve edges with a thin hot line. A secondary cool wash from the arena's rear ring separates her silhouette from the dark seats. Everything is pink, rose-gold and near-black, with the crowd's violet glow kept low and desaturated so the pink of the costume stays the loudest colour in the frame. Confetti dust drifts in the spotlight beam, brightest where it crosses the light and gone where it does not. Performance-still, cool and composed.
Jacky Ｐｏｄｐｏ
#Blue Archive#Shimoe Koharu
AI artwork
jｐ
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings low on the back, idol costume, pink-themed outfit, luxurious princess-like bodice, long sleeves, frilled bodice, white gloves, dome-shaped skirt, fluffy skirt, very fluffy skirt, circular skirt silhouette, stiff cylindrical hem tube at skirt's bottom edge, proper skirt length, very long legs, very thin legs, legs together, standing, diagonal angle, angled pose, three-quarter view, full body, arena, concert venue, stage, blurred crowd, spotlights, depth of field, from below, slight low angle The shot is taken from slightly below in a three-quarter view, full body, so the whole figure stands on a wide arena stage that falls away behind her toward a dark mass of audience and scattered light sticks. Her legs are pressed together and held as one straight column, angled diagonally to the camera so the skirt reads as an ellipse; the camera sits below the hem line and the interior of the skirt is sealed shut — the stiff ring of the hem closes downward and the dense pile behind it admits no gap, so nothing inside is visible and both thighs disappear behind the skirt's leading edge, only the long lower halves of her legs — thin, extremely long, narrow calves and ankles — emerging beneath it. Her weight rides on the foot nearest the camera, the far heel lifted slightly, hips tipped so the diagonal stands; one gloved hand rests flat against the bodice at her waist, the other hangs just away from the skirt with fingers loosely curled, and her chin is tipped up and turned a little off-axis, eyes looking upward and out over the crowd, lashes low, a small closed-mouth smile of pleasant surprise. Her pink hair falls in two long twintails curving down past her shoulders with the ends swaying toward the far side from the turn; the black feathered wings sit low at her back, their tips just clearing the dome of the skirt at the sides. The costume is entirely pink in layered registers: a deep rose princess bodice, densely ruffled and gathered, with puffed shoulders, a fitted waist, and long sleeves ending in white gloves; below it the skirt swells out almost horizontally from the waist into a broad, softly rounded dome that spreads evenly in a perfect circle to every side, so its silhouette is a smooth wide arc with no slope. Everything of the skirt except its very lowest rim is deep, plush, cloud-like fur pile that drinks the light — layered pink and cream fluff with soft self-shadowing and a few loose fibres catching the lamps. Only the bottom edge is different: a narrow, stiff, upright cylindrical band of pale pink rigid material ringing the hem like the lip of a drum, its surface hard and smooth with one clean specular line running around it, standing perpendicular to the floor and holding the fluffy dome above it. A believable physical detail: the stage floor is polished black, and the fluffy dome casts a wide, soft, slightly blurred shadow beneath it while the hard hem band reflects as a thin, sharp pink arc directly under the rim — soft above, crisp below. Light comes from two hard follow spots angled from the upper left and from behind the stage, rimming her hair and the fluffy dome with a pink-white halo and leaving the under-curve of the skirt and her jawline in cool shadow; the crowd is a dark blue-grey bokeh of phone lights, and the palette is confined to deep rose, blush, cream and pale pink against that cold dark ground. Glamorous, buoyant.
Jacky Ｐｏｄｐｏ
#Blue Archive#Shimoe Koharu
AI artwork
jｐ
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, full body, standing, feet together, body angled diagonally, pink idol costume, luxurious idol outfit, princess-like dress bodice, contrasting upper body, dome-shaped skirt, skirt spread in a perfect even circle, knee-length skirt, fluffy pink skirt, one-color pink, stiff vertical cylindrical tube rim at hem, very long very thin legs, arena concert venue, stage, from below, wide shot, looking off to the side, light smile, spotlights, A girl with long pink hair tied in twin tails and small black feathered wings sprouting at the sides of her head stands full-body on an arena stage, seen from a low camera that looks slightly up, her body angled diagonally to the frame with both feet pressed neatly together, weight settled evenly on both heels, so the hem of her skirt presents its circle at a tilt rather than square on. Her very long, very thin legs rise straight and bare from the stage floor, pale and slender under the spotlights. Her upper body wears the opposite of the skirt: a princess-like idol dress bodice in deep rose and pearl, structured, with a fitted waist, and her arms are gracefully held, one hand lightly resting near her waist, the other relaxed at her side. The skirt is the centerpiece: it billows into a near-horizontal dome of soft, evenly-spread volume, falling in a full circular flare all the way around her, and the fabric is an uninterrupted single shade of fluffy, plush pink from waist to rim, so densely fuzzy it catches the light in a soft halo. At the very lowest edge of that circle, only the bottom rim, a short stiff vertical cylindrical tube forms a hard, lacquered band that holds the skirt's shape rigidly and stands in sharp contrast to the soft fuzz above it; the angle of the circle and the dome keep the skirt's interior entirely hidden, the underside sealed in shadow. Behind her the arena opens in vast, dark rows of seating, held flat and simple, with beams of magenta and white stage light cutting down through haze; the spotlights pool at her feet on the reflective stage, and the hard, polished tube at the hem throws a crisp, shallow reflection that the matte fuzz of the skirt above does not. The palette is dominated by pink, rose and pearl against the arena's black, with the hard rim glinting like enamel. A grand, theatrical idol moment, delicate yet commanding.
Jacky Ｐｏｄｐｏ
#Blue Archive#Shimoe Koharu

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