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View detailsThe Masked Avenger in the Alley!
I've always been drawn to the mysterious vibe of this masked fighter, especially how the silver skull contrasts with the vibrant red suit in this moody alleyway lighting. There's just something so captivating about a character who lets their fists do the talking. If you enjoy this piece, please leave a like and follow for more art!
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- Original Prompt
- A man, a superhero, wearing a red and black uniform, a leather jacket on top of it, he is fair skinned. He wears a mask, full face. The face mask has a carved skull on it, for intimidation value and made lf metal, only thing visible of his face is his eyes. He stands, fists clenched, ready to strike
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
Similar Images
Show moreThe Terminator in the Ruins
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character: deadpool
solo, 1girl, skeleton, deadpool, red mask with white lens eyes, red and black bodysuit, red gloves, knee pads, utility belt, skull face under the mask, crossbones motif on the chest, from below, foreshortening, close-up, kneeling, one hand planted on the ground, leaning forward, looking at viewer, head tilt, :d, open mouth, finger gun, other arm extended toward the lens
A low worm's-eye close-up looks up at a single figure in a red and black mercenary bodysuit, caught in the instant after dropping to one knee. The costume is intact and worn hard: a red full-face mask stretched over a bare skull rather than skin, the white lens shapes of the eye panels sitting in empty sockets of bone, the jaw and nasal gap of the skull showing through the stretched red fabric with the teeth a pale row beneath. Below the mask the red bodysuit runs over a bony frame, black panels across the shoulders and flanks, red gloves on both hands, black knee pads and a utility belt with pouches at the waist. The right hand is planted flat on the ground beside the knee, the glove fingers splayed and taking the figure's weight; the left arm is thrown forward and up toward the lens, gloved fingers curled into a finger gun aimed straight at the viewer, the barrel foreshortened huge and slightly out of focus in the near foreground. The head tilts to one side, the white lenses locked on the viewer, the skull's teeth parted in a wide open-mouthed grin. The lean forward pushes the chest and the crossed-bone emblem toward the camera, the belt pouches hanging away from the hips.
The ground is a cracked grey concrete rooftop slab, its seams running toward the bottom corners of the frame, and beyond the figure's shoulder the city drops away into a flat pale sky. A single hard low sun sits behind and to the left of the figure, rimming the red mask and the shoulder line in hot orange, throwing the front of the body into cool shadow so the white lenses read as the brightest points in the frame; the figure casts a long dark shadow forward across the concrete toward the viewer, its edges broken by the cracks. Palette is red, black and pale grey concrete with the sky a washed bone white, nothing else admitted. Late-afternoon rooftop air, grit on the ground, a loose thread at the glove seam. Effortlessly cocky, dryly comic.
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