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Kylee Violette (Kiy Chan)
Show Parameters
- Original Prompt
- a light brown hair longest ponytail and red eyes as wearing a Halloween gown aged up and sunglasses, large chest and curvy
- Mode
- pro
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
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1girl, solo, mature female, aged up, light brown hair, very long hair, high ponytail, ponytail reaching ankles, red eyes, sunglasses, dark oversized sunglasses, halloween gown, crimson velvet gown, black lace trim, large breasts, curvy, wide hips, thick thighs, hourglass silhouette, hourglass figure, from below, low angle, cowboy shot, looking at viewer, head tilt, hand on hip, contrapposto, hair blown to one side, night, moonlight, jack-o'-lanterns, wrought iron gate, dead trees, fog, floating embers, dark purple and black palette, crimson accent
The camera sits low and looks up: a single adult woman stands just inside a wrought-iron gate on a fog-damp cobblestone walk, her figure towering slightly against a deep indigo night sky. Her weight rests on her back right leg with the left knee eased forward, hips canted so the crimson velvet of her gown pours over one hip in a heavy fold and clings across the other; the bodice is fitted and boned, the neckline squared low over a full bust, black lace edging the sleeves and the flounced hem that pools a little on the stones. Her left hand sits flat on her hip, thumb hooked at the waist seam, fingers spread against the velvet; her right arm hangs loose, rings catching a thin edge of moonlight, nothing in that hand.
Her very long light brown hair is gathered high at the crown into one thick ponytail that falls past her waist and swings out to her right, its tip brushing the lace of her hem; the fine loose strands at her temple lift in a cross-breeze, and the whole rope of hair lags a beat behind the wind because of its weight. Dark oversized sunglasses cover her eyes, their lenses catching two small cold moon-reflections and a faint rim of red where the night light grazes the cheek behind them; her chin is tipped down toward the viewer, the corner of her mouth pulled into a slow, knowing one-sided smirk, one eyebrow arched above the glasses' upper edge.
Environment and light: the moon is the only strong source, high and behind her left shoulder, so it rims the top of the ponytail, the shoulder line and the velvet's pile in cold blue-white, throws her shadow forward across the stones toward the camera, and leaves the front of the gown in a deep wine-dark tone lifted only by the warm orange spill of two carved pumpkins flanking the gate. Fog hangs at knee height; a thin skein of it curls around the hem. The pumpkins' light reveals that the velvet's nap catches differently along every fold — bright where the nap faces the moon, near-black where it turns away.
Palette is held to deep indigo, black, wine-crimson and pumpkin orange, with light brown hair and the red lens sheen the only other notes. Mood: glamorous midnight mischief.
Kylee Violette (Kiy Chan)
1girl, solo, mature female, aged up, light brown hair, very long hair, high ponytail, ponytail reaching ankles, red eyes, sunglasses, dark oversized sunglasses, halloween gown, crimson velvet gown, black lace trim, large breasts, curvy, wide hips, thick thighs, hourglass silhouette, hourglass figure, from below, low angle, cowboy shot, looking at viewer, head tilt, hand on hip, contrapposto, hair blown to one side, night, moonlight, jack-o'-lanterns, wrought iron gate, dead trees, fog, floating embers, dark purple and black palette, crimson accent
The camera sits low and looks up: a single adult woman stands just inside a wrought-iron gate on a fog-damp cobblestone walk, her figure towering slightly against a deep indigo night sky. Her weight rests on her back right leg with the left knee eased forward, hips canted so the crimson velvet of her gown pours over one hip in a heavy fold and clings across the other; the bodice is fitted and boned, the neckline squared low over a full bust, black lace edging the sleeves and the flounced hem that pools a little on the stones. Her left hand sits flat on her hip, thumb hooked at the waist seam, fingers spread against the velvet; her right arm hangs loose, rings catching a thin edge of moonlight, nothing in that hand.
Her very long light brown hair is gathered high at the crown into one thick ponytail that falls past her waist and swings out to her right, its tip brushing the lace of her hem; the fine loose strands at her temple lift in a cross-breeze, and the whole rope of hair lags a beat behind the wind because of its weight. Dark oversized sunglasses cover her eyes, their lenses catching two small cold moon-reflections and a faint rim of red where the night light grazes the cheek behind them; her chin is tipped down toward the viewer, the corner of her mouth pulled into a slow, knowing one-sided smirk, one eyebrow arched above the glasses' upper edge.
Environment and light: the moon is the only strong source, high and behind her left shoulder, so it rims the top of the ponytail, the shoulder line and the velvet's pile in cold blue-white, throws her shadow forward across the stones toward the camera, and leaves the front of the gown in a deep wine-dark tone lifted only by the warm orange spill of two carved pumpkins flanking the gate. Fog hangs at knee height; a thin skein of it curls around the hem. The pumpkins' light reveals that the velvet's nap catches differently along every fold — bright where the nap faces the moon, near-black where it turns away.
Palette is held to deep indigo, black, wine-crimson and pumpkin orange, with light brown hair and the red lens sheen the only other notes. Mood: glamorous midnight mischief.
Kylee Violette (Kiy Chan)
1girl, solo, mature female, aged up, light brown hair, very long hair, high ponytail, ponytail reaching ankles, red eyes, sunglasses, dark oversized sunglasses, halloween gown, crimson velvet gown, black lace trim, large breasts, curvy, wide hips, thick thighs, hourglass silhouette, hourglass figure, from below, low angle, cowboy shot, looking at viewer, head tilt, hand on hip, contrapposto, hair blown to one side, night, moonlight, jack-o'-lanterns, wrought iron gate, dead trees, fog, floating embers, dark purple and black palette, crimson accent
The camera sits low and looks up: a single adult woman stands just inside a wrought-iron gate on a fog-damp cobblestone walk, her figure towering slightly against a deep indigo night sky. Her weight rests on her back right leg with the left knee eased forward, hips canted so the crimson velvet of her gown pours over one hip in a heavy fold and clings across the other; the bodice is fitted and boned, the neckline squared low over a full bust, black lace edging the sleeves and the flounced hem that pools a little on the stones. Her left hand sits flat on her hip, thumb hooked at the waist seam, fingers spread against the velvet; her right arm hangs loose, rings catching a thin edge of moonlight, nothing in that hand.
Her very long light brown hair is gathered high at the crown into one thick ponytail that falls past her waist and swings out to her right, its tip brushing the lace of her hem; the fine loose strands at her temple lift in a cross-breeze, and the whole rope of hair lags a beat behind the wind because of its weight. Dark oversized sunglasses cover her eyes, their lenses catching two small cold moon-reflections and a faint rim of red where the night light grazes the cheek behind them; her chin is tipped down toward the viewer, the corner of her mouth pulled into a slow, knowing one-sided smirk, one eyebrow arched above the glasses' upper edge.
Environment and light: the moon is the only strong source, high and behind her left shoulder, so it rims the top of the ponytail, the shoulder line and the velvet's pile in cold blue-white, throws her shadow forward across the stones toward the camera, and leaves the front of the gown in a deep wine-dark tone lifted only by the warm orange spill of two carved pumpkins flanking the gate. Fog hangs at knee height; a thin skein of it curls around the hem. The pumpkins' light reveals that the velvet's nap catches differently along every fold — bright where the nap faces the moon, near-black where it turns away.
Palette is held to deep indigo, black, wine-crimson and pumpkin orange, with light brown hair and the red lens sheen the only other notes. Mood: glamorous midnight mischief.
Kylee Violette (Kiy Chan)
1girl, solo, light brown hair, extremely long ponytail, red eyes, sunglasses, dark sunglasses, oversized sunglasses, Halloween gown, gothic gown, black velvet, crimson silk, large breasts, large chest, curvy, wide hips, thick thighs, narrow waist, mature female, aged up, adult, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on own hip, other hand at gown skirt, head tilted down, looking down at viewer, over glasses, smirk, raised eyebrow, parted lips, long hair flowing, windblown hair, dress billowing, pumpkin, jack-o-lantern, candlelight, night, cobblestone, falling leaves, depth of field
Shot from below at a low dutch angle, a single adult woman stands over the viewer in a cowboy-shot crop from mid-thigh to just above her head, her tall figure filling the frame. Her light brown hair is gathered high at the crown into one extremely long ponytail that falls past her waist and swings out to the right, strands lifting in a cool night breeze. Dark oversized sunglasses sit on her face, the lenses catching two small candle flames; her red eyes are visible just over the top rim of the frames as she tilts her head down and looks at the viewer, one brow arched above the lenses, her lips parted in a lopsided smirk. She wears a Halloween gown of black velvet and crimson silk: a fitted velvet bodice laced at the front, cut low and full over her large chest, cinching to a narrow waist before the crimson silk skirt flares out in heavy folds over wide hips and thick thighs, the hem trailing onto wet cobblestones. Her weight rests on her right leg, her left knee bent and hip cocked, so the skirt pulls into diagonal folds that reveal the curve of her thigh. Her left hand rests flat on her hip, fingers spread over the velvet; her right hand grips a fold of the crimson skirt and lifts it a hand's width off the ground. A carved jack-o'-lantern glows on the cobblestones at her feet, its candle the only warm light source, throwing amber up the underside of her skirt, her jaw and the rim of her sunglasses while the rest of her falls into cool blue-black shadow; the flame's reflection sits sharper in the left lens than the right. Behind her, bare branches and drifting leaves fade into darkness. Palette of black velvet, deep crimson, warm pumpkin amber and cold night blue. Moody, effortlessly dramatic.
Kylee Violette (Kiy Chan)
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