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ki11yukii
Contest Entry
PixAI ร zeta Original Character Creation Contest 2026 #zetaCollab
Show Parameters
- Original Prompt
- (masterpiece, high quality:1.2), (high-key lighting, bright studio flash photography, brightly lit room, white background, overexposed:1.6), (2D anime style, flat color, matte texture, clean sharp lineart, non-photorealistic:1.6), (Candid photography, photography studio set, light stands, softbox, tripod in background:1.5). 1girl, Rain (OC), pure human, (long black hair with deep crimson inner highlights, messy low twin-tails:1.4), (classic dead fish eyes, half-closed eyes, bored but secretly excited, heavily flushed cheeks, slightly open wet mouth, panting softly, condescending smirk:1.6). (She is slouching lazily on a vintage sofa, legs crossed elegantly, relaxed posture:1.4). (On the bright studio floor, a formal strict high-collar uniform is tossed carelessly:1.5). (Her outfit is avant-garde high fashion: an asymmetrical black structural dress, extreme sideboob, huge side cutout, deep armhole exposing ribs and side breast, held together by thin leather straps and metal rings. The fabric is sheer black mesh, slightly transparent:1.8). (A very high-slit skirt fully exposing her bare legs, wearing sheer black pantyhose, thick black leather thigh straps deeply digging into her pantyhose-clad flesh, squeezing soft skin and causing flesh to bulge out aggressively:1.7). One hand touching her side waist.
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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k1
1girl, solo, (masterpiece, high quality:1.2), (2D anime style, flat color, cel shading, clean sharp lineart, matte texture, no glossy highlights:1.7), (Candid photography, behind the scenes of a fashion photoshoot, photography studio set, professional softbox lighting, camera equipment in background:1.6), (long black hair with deep crimson inner highlights, messy low twin-tails, slightly disheveled hair:1.5), (glowing red eyes, classic dead fish eyes, half-closed eyes, bored and indifferent expression, condescending cold smirk:1.6), (slouching lazily on a vintage studio sofa, legs crossed elegantly:1.4), tight black sheer mesh top, bare shoulders, visible collarbone, pale skin, (flat chest, no cleavage:1.5), high-slit black skirt, bare legs, sheer black pantyhose, thick black leather thigh straps, thigh strap dig, (Discarded clothing: large oversized black techwear jacket, high-collar uniform, vintage headphones, tossed carelessly on the studio floor next to the sofa:1.5), dim cinematic moody lighting, dutch angle, from below, cowboy shot, looking down at viewer, head tilt, arms resting along sofa back, matte shading, flat color shading, no specular highlights,
Shot from a low, slightly tilted angle near the studio floor, the camera tipped up at her so the vintage studio sofa's backrest rises diagonally behind her left shoulder and the ceiling rig hangs deep above. She is the only person in frame: a pale young woman slouched far down into the sofa's worn velvet seat, hips slid forward, spine curved, shoulders dropped low, the whole weight of her upper body carried by the sofa back rather than her own muscles. Her legs are crossed elegantly -- right thigh laid over left, right ankle hooked past the left knee, the top foot hanging in a slack line -- and her arms are flung wide along the sofa's back and armrest, one wrist draping off the far armrest's edge, fingers loosely curled. Her chin is tipped down at the lens, lids heavy and half-shut over glowing red irises that sit flat and unimpressed in the classic dead-fish stare, one brow minutely higher than the other, the corner of her mouth pulled into a cold, condescending smirk, lip corner only. She looks straight down the lens with that bored indifference, and the tilt of her head answers it.
Her long black hair is gathered into two messy low twin-tails that fall past her collarbones and spill over the sofa back, deep crimson inner highlights glowing in the strands where the light rakes in, a few loose disheveled locks sticking out at the crown and across her cheek. The tight black sheer mesh top is a fine dark grid over pale skin, cut low and square at the neck so her collarbones and flat chest read plainly, the mesh lying dead flat with no cleft line, no push and no volume; a high-slit black skirt falls open along her crossed thigh, the slit riding up to the hip and showing bare leg above sheer black pantyhose that sheathes both legs in a smoky grey-black film down to the toes of her dangling foot. Two thick black leather thigh straps cinch the pantyhose high on her right thigh, the leather pressing a deep seam into the mesh-clad flesh so a soft roll of skin bulges out above and below each strap, the nylon puckered into fine wrinkles radiating from the buckles -- the one place in the frame where tension shows.
On the studio floor to the right of the sofa's base, in front of the couch leg and partly in the near foreground out of focus, lie the discarded clothes: a large oversized black techwear jacket crumpled in on itself, its heavy sleeve and buckle straps splayed, a high-collar uniform tossed carelessly half over it with the collar bent flat, and a pair of vintage headphones dropped beside them, one earcup face-up, its cable trailing in a loose loop across the floorboards. The jacket's folds sit heavy and shadowed, and a single crease line of it catches the key light.
Behind her the photography studio set fills the back of the frame: a rolled seamless paper backdrop dropping behind the sofa with its sweep visible at the left edge, a tall professional softbox on a boom camera-left throwing a broad, soft, directional key across her face, chest and near thigh, and a second flagged light behind her right shoulder rimming the sofa's edge and the outer twin-tail. To camera-right, a tripod and a tethered camera stand in the deeper background, plus a couple of light stands and a sandbag, suggested in simplified silhouette. She is lit from upper-left, so her left cheek, collarbone hollow and the top of her near thigh sit bright while the far side of her face and the underside of her jaw fall into deep warm shadow, and her shadow pools under the sofa seat and behind the straps.
Dim, cinematic and moody: the room's ambient falls to near darkness beyond the two soft sources, dust hanging in the light cone, the palette held to black, warm grey, her pale skin and the crimson flash inside her hair, all rendered flatly in cel-shaded 2D anime with sharp clean lineart and an entirely matte surface -- no shine on leather, mesh, nylon or lips. Effortless, insolent cool.
ki11 yukii
k1
1girl, solo, (masterpiece, high quality:1.2), (2D anime style, flat color, cel shading, clean sharp lineart, matte texture, no glossy highlights:1.7), (Candid photography, behind the scenes of a fashion photoshoot, photography studio set, professional softbox lighting, camera equipment in background:1.6), (long black hair with deep crimson inner highlights, messy low twin-tails, slightly disheveled hair:1.5), (glowing red eyes, classic dead fish eyes, half-closed eyes, bored and indifferent expression, condescending cold smirk:1.6), (slouching lazily on a vintage studio sofa, legs crossed elegantly:1.4), tight black sheer mesh top, bare shoulders, visible collarbone, pale skin, (flat chest, no cleavage:1.5), high-slit black skirt, bare legs, sheer black pantyhose, thick black leather thigh straps, thigh strap dig, (Discarded clothing: large oversized black techwear jacket, high-collar uniform, vintage headphones, tossed carelessly on the studio floor next to the sofa:1.5), dim cinematic moody lighting, dutch angle, from below, cowboy shot, looking down at viewer, head tilt, arms resting along sofa back, matte shading, flat color shading, no specular highlights,
Shot from a low, slightly tilted angle near the studio floor, the camera tipped up at her so the vintage studio sofa's backrest rises diagonally behind her left shoulder and the ceiling rig hangs deep above. She is the only person in frame: a pale young woman slouched far down into the sofa's worn velvet seat, hips slid forward, spine curved, shoulders dropped low, the whole weight of her upper body carried by the sofa back rather than her own muscles. Her legs are crossed elegantly -- right thigh laid over left, right ankle hooked past the left knee, the top foot hanging in a slack line -- and her arms are flung wide along the sofa's back and armrest, one wrist draping off the far armrest's edge, fingers loosely curled. Her chin is tipped down at the lens, lids heavy and half-shut over glowing red irises that sit flat and unimpressed in the classic dead-fish stare, one brow minutely higher than the other, the corner of her mouth pulled into a cold, condescending smirk, lip corner only. She looks straight down the lens with that bored indifference, and the tilt of her head answers it.
Her long black hair is gathered into two messy low twin-tails that fall past her collarbones and spill over the sofa back, deep crimson inner highlights glowing in the strands where the light rakes in, a few loose disheveled locks sticking out at the crown and across her cheek. The tight black sheer mesh top is a fine dark grid over pale skin, cut low and square at the neck so her collarbones and flat chest read plainly, the mesh lying dead flat with no cleft line, no push and no volume; a high-slit black skirt falls open along her crossed thigh, the slit riding up to the hip and showing bare leg above sheer black pantyhose that sheathes both legs in a smoky grey-black film down to the toes of her dangling foot. Two thick black leather thigh straps cinch the pantyhose high on her right thigh, the leather pressing a deep seam into the mesh-clad flesh so a soft roll of skin bulges out above and below each strap, the nylon puckered into fine wrinkles radiating from the buckles -- the one place in the frame where tension shows.
On the studio floor to the right of the sofa's base, in front of the couch leg and partly in the near foreground out of focus, lie the discarded clothes: a large oversized black techwear jacket crumpled in on itself, its heavy sleeve and buckle straps splayed, a high-collar uniform tossed carelessly half over it with the collar bent flat, and a pair of vintage headphones dropped beside them, one earcup face-up, its cable trailing in a loose loop across the floorboards. The jacket's folds sit heavy and shadowed, and a single crease line of it catches the key light.
Behind her the photography studio set fills the back of the frame: a rolled seamless paper backdrop dropping behind the sofa with its sweep visible at the left edge, a tall professional softbox on a boom camera-left throwing a broad, soft, directional key across her face, chest and near thigh, and a second flagged light behind her right shoulder rimming the sofa's edge and the outer twin-tail. To camera-right, a tripod and a tethered camera stand in the deeper background, plus a couple of light stands and a sandbag, suggested in simplified silhouette. She is lit from upper-left, so her left cheek, collarbone hollow and the top of her near thigh sit bright while the far side of her face and the underside of her jaw fall into deep warm shadow, and her shadow pools under the sofa seat and behind the straps.
Dim, cinematic and moody: the room's ambient falls to near darkness beyond the two soft sources, dust hanging in the light cone, the palette held to black, warm grey, her pale skin and the crimson flash inside her hair, all rendered flatly in cel-shaded 2D anime with sharp clean lineart and an entirely matte surface -- no shine on leather, mesh, nylon or lips. Effortless, insolent cool.
ki11 yukii
k1
1girl, solo, (masterpiece, high quality:1.2), (2D anime style, flat color, cel shading, clean sharp lineart, matte texture, no glossy highlights:1.7), (Candid photography, behind the scenes of a fashion photoshoot, photography studio set, professional softbox lighting, camera equipment in background:1.6), (long black hair with deep crimson inner highlights, messy low twin-tails, slightly disheveled hair:1.5), (glowing red eyes, classic dead fish eyes, half-closed eyes, bored and indifferent expression, condescending cold smirk:1.6), (slouching lazily on a vintage studio sofa, legs crossed elegantly:1.4), tight black sheer mesh top, bare shoulders, visible collarbone, pale skin, (flat chest, no cleavage:1.5), high-slit black skirt, bare legs, sheer black pantyhose, thick black leather thigh straps, thigh strap dig, (Discarded clothing: large oversized black techwear jacket, high-collar uniform, vintage headphones, tossed carelessly on the studio floor next to the sofa:1.5), dim cinematic moody lighting, dutch angle, from below, cowboy shot, looking down at viewer, head tilt, arms resting along sofa back, matte shading, flat color shading, no specular highlights,
Shot from a low, slightly tilted angle near the studio floor, the camera tipped up at her so the vintage studio sofa's backrest rises diagonally behind her left shoulder and the ceiling rig hangs deep above. She is the only person in frame: a pale young woman slouched far down into the sofa's worn velvet seat, hips slid forward, spine curved, shoulders dropped low, the whole weight of her upper body carried by the sofa back rather than her own muscles. Her legs are crossed elegantly -- right thigh laid over left, right ankle hooked past the left knee, the top foot hanging in a slack line -- and her arms are flung wide along the sofa's back and armrest, one wrist draping off the far armrest's edge, fingers loosely curled. Her chin is tipped down at the lens, lids heavy and half-shut over glowing red irises that sit flat and unimpressed in the classic dead-fish stare, one brow minutely higher than the other, the corner of her mouth pulled into a cold, condescending smirk, lip corner only. She looks straight down the lens with that bored indifference, and the tilt of her head answers it.
Her long black hair is gathered into two messy low twin-tails that fall past her collarbones and spill over the sofa back, deep crimson inner highlights glowing in the strands where the light rakes in, a few loose disheveled locks sticking out at the crown and across her cheek. The tight black sheer mesh top is a fine dark grid over pale skin, cut low and square at the neck so her collarbones and flat chest read plainly, the mesh lying dead flat with no cleft line, no push and no volume; a high-slit black skirt falls open along her crossed thigh, the slit riding up to the hip and showing bare leg above sheer black pantyhose that sheathes both legs in a smoky grey-black film down to the toes of her dangling foot. Two thick black leather thigh straps cinch the pantyhose high on her right thigh, the leather pressing a deep seam into the mesh-clad flesh so a soft roll of skin bulges out above and below each strap, the nylon puckered into fine wrinkles radiating from the buckles -- the one place in the frame where tension shows.
On the studio floor to the right of the sofa's base, in front of the couch leg and partly in the near foreground out of focus, lie the discarded clothes: a large oversized black techwear jacket crumpled in on itself, its heavy sleeve and buckle straps splayed, a high-collar uniform tossed carelessly half over it with the collar bent flat, and a pair of vintage headphones dropped beside them, one earcup face-up, its cable trailing in a loose loop across the floorboards. The jacket's folds sit heavy and shadowed, and a single crease line of it catches the key light.
Behind her the photography studio set fills the back of the frame: a rolled seamless paper backdrop dropping behind the sofa with its sweep visible at the left edge, a tall professional softbox on a boom camera-left throwing a broad, soft, directional key across her face, chest and near thigh, and a second flagged light behind her right shoulder rimming the sofa's edge and the outer twin-tail. To camera-right, a tripod and a tethered camera stand in the deeper background, plus a couple of light stands and a sandbag, suggested in simplified silhouette. She is lit from upper-left, so her left cheek, collarbone hollow and the top of her near thigh sit bright while the far side of her face and the underside of her jaw fall into deep warm shadow, and her shadow pools under the sofa seat and behind the straps.
Dim, cinematic and moody: the room's ambient falls to near darkness beyond the two soft sources, dust hanging in the light cone, the palette held to black, warm grey, her pale skin and the crimson flash inside her hair, all rendered flatly in cel-shaded 2D anime with sharp clean lineart and an entirely matte surface -- no shine on leather, mesh, nylon or lips. Effortless, insolent cool.
ki11 yukii
k1
1girl, solo, (masterpiece, high quality:1.2), (2D anime style, flat color, cel shading, clean sharp lineart, matte texture, no glossy highlights:1.7), (Candid photography, behind the scenes of a fashion photoshoot, photography studio set, professional softbox lighting, camera equipment in background:1.6), (long black hair with deep crimson inner highlights, messy low twin-tails, slightly disheveled hair:1.5), (glowing red eyes, classic dead fish eyes, half-closed eyes, bored and indifferent expression, condescending cold smirk:1.6), (slouching lazily on a vintage studio sofa, legs crossed elegantly:1.4), tight black sheer mesh top, bare shoulders, visible collarbone, pale skin, (flat chest, no cleavage:1.5), high-slit black skirt, bare legs, sheer black pantyhose, thick black leather thigh straps, thigh strap dig, (Discarded clothing: large oversized black techwear jacket, high-collar uniform, vintage headphones, tossed carelessly on the studio floor next to the sofa:1.5), dim cinematic moody lighting, dutch angle, from below, cowboy shot, looking down at viewer, head tilt, arms resting along sofa back, matte shading, flat color shading, no specular highlights,
Shot from a low, slightly tilted angle near the studio floor, the camera tipped up at her so the vintage studio sofa's backrest rises diagonally behind her left shoulder and the ceiling rig hangs deep above. She is the only person in frame: a pale young woman slouched far down into the sofa's worn velvet seat, hips slid forward, spine curved, shoulders dropped low, the whole weight of her upper body carried by the sofa back rather than her own muscles. Her legs are crossed elegantly -- right thigh laid over left, right ankle hooked past the left knee, the top foot hanging in a slack line -- and her arms are flung wide along the sofa's back and armrest, one wrist draping off the far armrest's edge, fingers loosely curled. Her chin is tipped down at the lens, lids heavy and half-shut over glowing red irises that sit flat and unimpressed in the classic dead-fish stare, one brow minutely higher than the other, the corner of her mouth pulled into a cold, condescending smirk, lip corner only. She looks straight down the lens with that bored indifference, and the tilt of her head answers it.
Her long black hair is gathered into two messy low twin-tails that fall past her collarbones and spill over the sofa back, deep crimson inner highlights glowing in the strands where the light rakes in, a few loose disheveled locks sticking out at the crown and across her cheek. The tight black sheer mesh top is a fine dark grid over pale skin, cut low and square at the neck so her collarbones and flat chest read plainly, the mesh lying dead flat with no cleft line, no push and no volume; a high-slit black skirt falls open along her crossed thigh, the slit riding up to the hip and showing bare leg above sheer black pantyhose that sheathes both legs in a smoky grey-black film down to the toes of her dangling foot. Two thick black leather thigh straps cinch the pantyhose high on her right thigh, the leather pressing a deep seam into the mesh-clad flesh so a soft roll of skin bulges out above and below each strap, the nylon puckered into fine wrinkles radiating from the buckles -- the one place in the frame where tension shows.
On the studio floor to the right of the sofa's base, in front of the couch leg and partly in the near foreground out of focus, lie the discarded clothes: a large oversized black techwear jacket crumpled in on itself, its heavy sleeve and buckle straps splayed, a high-collar uniform tossed carelessly half over it with the collar bent flat, and a pair of vintage headphones dropped beside them, one earcup face-up, its cable trailing in a loose loop across the floorboards. The jacket's folds sit heavy and shadowed, and a single crease line of it catches the key light.
Behind her the photography studio set fills the back of the frame: a rolled seamless paper backdrop dropping behind the sofa with its sweep visible at the left edge, a tall professional softbox on a boom camera-left throwing a broad, soft, directional key across her face, chest and near thigh, and a second flagged light behind her right shoulder rimming the sofa's edge and the outer twin-tail. To camera-right, a tripod and a tethered camera stand in the deeper background, plus a couple of light stands and a sandbag, suggested in simplified silhouette. She is lit from upper-left, so her left cheek, collarbone hollow and the top of her near thigh sit bright while the far side of her face and the underside of her jaw fall into deep warm shadow, and her shadow pools under the sofa seat and behind the straps.
Dim, cinematic and moody: the room's ambient falls to near darkness beyond the two soft sources, dust hanging in the light cone, the palette held to black, warm grey, her pale skin and the crimson flash inside her hair, all rendered flatly in cel-shaded 2D anime with sharp clean lineart and an entirely matte surface -- no shine on leather, mesh, nylon or lips. Effortless, insolent cool.
ki11 yukii
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character: eren_yeager, mikasa_ackerman
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