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- 高品質な日本のアニメ・漫画風キャラクターイラスト 1. 基本画風・描画品質 高品質な日本のアニメ・漫画風キャラクターイラスト。 繊細で安定した線画、丁寧な描き込み、柔らかな陰影、透明感のある肌の塗り、自然な人体構造、落ち着いた色彩設計。 線画は細く滑らかで、輪郭線を必要以上に太くしない。髪の毛は細かな毛束ごとに描き分け、顔のパーツは明瞭かつ繊細に描写する。 肌は明るく、自然な血色を持つ。淡いピンク色のグラデーションと柔らかな陰影を組み合わせ、滑らかでマットな質感に仕上げる。 全体的に淡い色彩と繊細な描写を用い、過度なデフォルメや派手な演出を避ける。 キャラクターの素朴さ、不器用さ、気まずさ、緊張感を、目の形、黒目の小ささ、眉の角度、口元の微妙な歪みで表現する。 2. キャラクターの基本的な外見 黒髪のボブヘアが特徴的な、日本のアニメ風の少女。 小柄で華奢な体型。肩幅は狭く、胴体は薄めで、腕や脚は細身。全体的にすっきりとした繊細なシルエット。 頭部は身体に対してやや大きめだが、極端な頭身のデフォルメは避ける。 顔立ちは素朴で控えめ。美少女的な華やかさを強調せず、どこか地味で、不器用そうな親しみやすい雰囲気を持たせる。 3. 顔の輪郭 顔はやや小さめの卵型。 額から頬、顎にかけて自然な曲線でつながり、顎先は細くなりすぎない柔らかな形状。 頬には適度な丸みを残す。顔の横幅は広すぎず、輪郭は自然で滑らか。 目や鼻、口などのパーツは顔の中央付近にまとまり、派手さのない素朴な顔立ちにする。 顎を極端に尖らせない。輪郭を過度にシャープにしない。 4. 髪型・髪色 髪色は黒に近い非常に暗い黒髪。光が当たる部分には、暗い灰色やわずかな茶色を含んだ控えめなハイライトを入れる。 髪型は顎から首元付近までの長さのボブヘア。 後頭部から側頭部にかけて、自然な丸みを持つシルエットを形成する。 髪には適度なボリュームがあり、頭の形に沿ってふんわりと広がる。毛先は完全に揃えず、ところどころ外側に跳ねている。 左右の毛束は完全な左右対称にせず、自然な乱れを残す。 髪の表面には細い毛束を丁寧に描き込み、滑らかな髪の流れと柔らかな立体感を表現する。 髪の輪郭は適度に細かな凹凸を持たせ、整いすぎていない自然な髪型にする。 5. 前髪 前髪は厚みのある、重いぱっつん前髪。 額を広く覆い、眉の近くから目の上にかかる長さにする。 前髪の中央部分は比較的重く、密度の高い黒髪で額を隠す。 前髪の下端は完全な直線ではなく、細かな毛束による不規則な凹凸を持たせる。 数本の細い毛束が自然に分かれ、目の上にわずかに垂れ下がる。 前髪の隙間から額が少しだけ見える程度にし、額を大きく露出させない。 重要なのは、前髪が目のすぐ上まで下りていること。ただし、両目の輪郭と小さな黒目は明確に確認できるようにする。 前髪を軽くしすぎない。薄いシースルーバングにはしない。額を大きく見せる髪型にも変更しない。 6. 最重要：目の形と構造 目は、このキャラクターの個性を決定する最重要要素。 一般的なアニメキャラクターのような大きく丸い目、虹彩が大きく広がった目、キラキラした瞳にはしない。 横長で細く、上下の開きが小さい、眠たげな半開きの目。黒目は極端に小さく、白目の面積を大きく取る。三白眼を明確に表現する。 6-1. 目の外形 目の形は横方向に長く、縦方向には細い。 上下のまぶたの間隔を狭くし、目を大きく見開かない。 目の横幅はある程度確保する一方、縦幅は控えめにする。 目の輪郭は滑らかな横長の形状で、丸いアーモンド形というより、やや平たく、上下から押さえられたような形。 上まぶたは比較的まっすぐで、少し重たそうな印象。 上まぶたの中央から目尻にかけて、わずかに下がるような自然な線を形成する。 目尻は少し垂れ下がり、全体として弱い垂れ目にする。 目頭は鋭く尖らせすぎず、自然な形にする。 目の上下を大きく開きすぎない。驚いたような丸い目にしない。 6-2. 黒目の大きさ：最優先事項 虹彩と瞳孔は、通常の日本アニメ風キャラクターよりも明確に小さくする。 虹彩の直径を極端に小さくし、眼球の白い部分に対して占める面積を最小限に抑える。 黒目は大きな円形ではなく、小さな縦長から楕円形に近い形状。 虹彩は非常に暗い灰色から黒色。外周の輪郭も控えめにする。 瞳孔は虹彩の中に小さく配置し、黒目全体を大きく見せない。 黒目を目の中央いっぱいに広げない。虹彩を目の縦幅に合わせて拡大しない。黒目の周囲に十分な白目を残す。 白目の面積を黒目よりも圧倒的に広く見せる。 黒目は存在を確認できる程度の大きさにとどめ、瞳そのものが顔の印象を支配しないようにする。 目の大きさではなく、白目の広さと小さな黒目の対比によって個性を表現する。 6-3. 三白眼の表現 三白眼を明確に表現する。 小さな黒目に対して白目の面積が非常に広く、特に黒目の下側に白目がはっきりと見える構造にする。 上側にも白目が適度に見え、上下の白目が黒目を取り囲む。 視線の位置と小さな黒目の配置によって、上下左右の白目が目立つようにする。 ただし、極端に眼球が飛び出したような不気味な表現にはしない。 眼球の形状は自然なまま、虹彩だけを小さくすることで三白眼を強調する。 白目を大きく確保しながら、目の縦幅そのものは細く保つ。 重要：目を大きくすることで白目を増やすのではなく、細い目の中で黒目を小さくすることで白目の割合を増やす。 6-4. 黒目の位置 黒目は目の中央付近に配置するが、完全に機械的な中央配置にはしない。 左右の黒目の位置に、ごくわずかな自然な差を持たせる。 視線は正面を基本としながら、少し戸惑いや落ち着かなさが感じられる方向にする。 黒目を極端に端へ寄せない。強い寄り目や斜視にはしない。 黒目の位置を調整しても、白目の広さが失われないようにする。 左右の目は自然な範囲でわずかな違いを持ち、機械的な左右対称性を避ける。 6-5. まぶたと目の輪郭線 上まぶたの線は、下まぶたよりもやや濃く、わずかに太く描く。 上まぶたには重みを持たせ、眠そうで気だるい印象を形成する。 下まぶたの線は細く繊細にし、必要以上に強調しない。 目の輪郭は黒に近い暗色で、滑らかに描写する。 まつ毛は控えめにし、長く密集した華やかなまつ毛にはしない。 目尻のまつ毛を過度に伸ばさない。 アイラインを太くしすぎず、派手なメイクを施さない。 6-6. 瞳のハイライト 瞳のハイライトは最小限にする。 大きな白い光の反射、星形のハイライト、複数の輝く点などは入れない。 虹彩に強いグラデーションを施さず、暗い灰色から黒色の控えめな色調にする。 瞳を宝石のように輝かせない。 目の魅力は瞳の輝きではなく、白目と小さな黒目の対比、重い上まぶた、細い目の形状によって表現する。 6-7. 目から伝わる感情 目つきは眠たげで、気だるく、少し気まずそう。 まぶたが重く、目を大きく開くことに慣れていないような印象。 強気な目つきや鋭い睨みつけではなく、緊張して少し戸惑っているような視線。 視線にはわずかな不安とためらいがある。 目を極端に見開かず、眉を大きく吊り上げず、控えめな表情の変化で感情を表現する。 小さな黒目と広い白目を維持しながら、緊張した心理状態を表現する。 7. 眉 眉は黒髪に近い暗色。 前髪に一部隠れており、全体がはっきり見えすぎないようにする。 眉の太さは細めから標準程度で、自然な形状。 眉の角度にはわずかな不安定さを持たせ、困惑や緊張を表現する。 眉頭付近に少し力が入り、眉全体が微妙に緊張している。 極端につり上げたり、怒りを強調したりしない。 目の重さと眉の微妙な角度を組み合わせ、気まずそうな表情を作る。 8. 鼻 鼻は小さく控えめ。 正面から見たときに目立ちすぎない、簡潔なアニメ風の描写。 鼻筋を強調せず、小さな線や淡い陰影で自然に表現する。 鼻の陰影を濃くしすぎず、顔の中で鼻だけが目立たないようにする。 9. 口元 口は小さく、顔の中で目立ちすぎない。 口元は緊張によってわずかに歪んでいる。 口は少しだけ開き、上下の歯がわずかに見える。 歯を食いしばるような、ぎこちなく引きつった口元。 上下の歯は細い白い形状として控えめに見せる。歯列を細かく描き込みすぎない。 口角は自然に横へ引かれ、笑顔とは異なる緊張した形になる。 唇は強調せず、簡潔な線で表現する。 口を大きく開けない。叫んでいるような表情にしない。 舌や大きな口内は描かない。 口元から、恥ずかしさ、緊張、困惑が伝わるようにする。 10. 表情・頬の赤み 表情は、強い緊張、困惑、気まずさ、戸惑いが混ざったもの。 人前で緊張しているような、落ち着かない雰囲気。 目はわずかに緊張しているが、極端な驚き顔ではない。 眉には力が入り、口元はぎこちなく引きつっている。 頬は淡いピンク色に赤らんでいる。 頬の中央から目の下にかけて、柔らかな赤みを加える。 頬の赤みは左右に広がるが、顔全体を濃い赤色で塗りつぶさない。 細かな赤い線や淡いグラデーションによって、恥ずかしさを表現する。 片側の頬には小さな汗の粒を一つ配置する。 汗は透明感のある小さな水滴として描き、大きな汗マークや漫画的な記号にはしない。 可愛らしい満面の笑顔にはしない。 困惑と照れが混ざり、少し情けなく、気まずそうな表情を維持する。 11. 肌の質感 肌色は明るく、透明感のある自然な色調。 顔、首、腕、脚の肌色を統一する。 頬や膝など、自然に赤みが生じる部分には淡いピンク色を加える。 肌の陰影は柔らかく、境界線を強くしすぎない。 滑らかなグラデーションによって自然な立体感を表現する。 過度に光沢のある肌にはせず、柔らかなマット調のアニメ塗りを基本とする。 12. 首・肩・胴体 首は細めで自然な長さ。 肩幅は狭く、肩のラインはなだらか。 鎖骨や筋肉を過度に強調しない。 胴体は細身で、腰回りもすっきりとしたシルエット。 身体の各部位は自然につながり、極端なくびれや不自然な曲線を避ける。 華奢な体格を維持し、肩、胴、腰のバランスを自然に整える。 13. 腕・手・脚 腕は細く、肩から手首に向かって自然に細くなる。 手は小さめで華奢。指は自然な長さと本数にし、関節の位置を正確に描写する。 脚は細身で、太ももから膝、ふくらはぎ、足首へ自然につながる形状。 脚を極端に長くしたり、細くしすぎたりしない。 膝は小さめで自然な丸みを持たせ、ふくらはぎは控えめな膨らみとする。 全体として、華奢で素朴な体型を維持する。 14. 立ち姿・ポーズ 身体を正面に向けた直立姿勢。 頭部、肩、胴体、腰、脚の向きは基本的に正面。 身体の軸は自然にまっすぐ。 肩の力が少し抜けた、緊張感のある立ち姿。 両腕は身体の左右に自然に下ろす。 手は腰の横付近に位置し、指先にはわずかな緊張が見られる。 両脚はほぼ揃え、左右の足に自然に体重をかける。 膝は過度に曲げず、直立に近い姿勢を保つ。 身体を大きくひねらず、正面向きの自然な立ち姿にする。 15. 構図・背景 キャラクターの全身が頭頂部から足先まで画面内に収まる構図。 キャラクターを画面中央に配置する。 正面から見た全身立ち絵。 頭部や足先が画面の端で切れないよう、十分な余白を確保する。 キャラクターの顔、特に目の形と小さな黒目がはっきり認識できる解像度にする。 背景は無地の白、またはごく薄いオフホワイト。 背景装飾、文字、ロゴ、吹き出し、小物などは入れない。 キャラクターそのものの外見と表情に視線が集中するようにする。 16. 最優先の再現条件 以下の特徴は、ほかの描写よりも優先して維持する。 1. 極端に小さい虹彩と瞳孔。 2. 黒目の面積に対して圧倒的に広い白目。 3. 黒目の上下に白目が見える明確な三白眼。 4. 横長で縦幅が狭い、細い半開きの目。 5. 重く、比較的まっすぐな上まぶた。 6. わずかに下がった目尻と、気だるげな垂れ目。 7. 大きなハイライトを持たない、暗い灰色から黒色の瞳。 8. 重い黒髪のぱっつん前髪が目のすぐ上にかかる髪型。 9. 淡く赤らんだ頬、小さな汗の粒、歯がわずかに見える引きつった口元。 10. 華奢で素朴な体型と、緊張しているような自然な立ち姿。 特に目は、一般的なアニメ風の大きな瞳に変化させないこと。 虹彩を大きくして可愛らしさを強調しないこと。 目の縦幅を広げないこと。 白目を黒目で覆わないこと。 大きなハイライトや華やかなまつ毛を追加しないこと。 小さな黒目、広い白目、重い上まぶた、細い半開きの目。この4つの特徴を最優先で忠実に再現する。 17. ネガティブプロンプト 大きな瞳、巨大な虹彩、大きな黒目、大きな瞳孔、丸く見開いた目、縦幅の広い目、幼児向けアニメの目、キラキラした瞳、星形ハイライト、複数の大きなハイライト、宝石のような虹彩、派手なグラデーションの瞳、長すぎるまつ毛、濃いアイライン、華やかなメイク、強いつり目、極端な寄り目、極端な斜視、白目の少ない目、前髪で完全に隠れた目、極端に薄い前髪、額が大きく露出した髪型、長髪、ポニーテール、ツインテール、極端な頭身のデフォルメ、過剰な筋肉、極端なくびれ、不自然な人体構造、過度に誇張された表情、満面の笑顔、大きく開いた口、叫び顔、誇張された汗マーク、過剰な肌の光沢、強すぎる陰影、太すぎる輪郭線、低解像度、ぼやけた顔、左右で大きく異なる目、崩れた顔のパーツ、余分な指、欠損した指、不自然な関節、文字、ロゴ、透かし。 チャイナドレス、お団子ツイン、背景は仙人のいそうな山
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Onimai art style, high quality Japanese anime/manga-style character illustration
1. Basic Art Style & Drawing Quality
High-quality Japanese anime and manga style character illustration.
Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color design.
Line art is thin and smooth, without unnecessarily thick outlines. Hair is drawn strand by strand with fine detail, and facial features are depicted clearly and delicately.
Skin is bright with a natural complexion. Smooth, matte texture achieved through a combination of pale pink gradation and soft shading.
Overall, use pale colors and delicate depiction, avoiding excessive chibi deformation or flashy visual effects.
Express the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils/irises, eyebrow angle, and subtle tension around the mouth.
2. Basic Character Appearance
A Japanese anime-style girl characterized by black bob hair.
Petite, slender build. Narrow shoulders, slim torso, slender arms and legs. Overall clean, delicate silhouette.
Head is slightly large relative to the body, but avoid extreme chibi proportions.
Facial features are plain and modest. Do not emphasize glamorous pretty-girl charm; instead, give her a somewhat unassuming, clumsy, and approachable atmosphere.
3. Face Contour
Slightly small, egg-shaped face.
A natural curve connects from the forehead to cheeks and chin, with a soft chin that is not overly pointed.
Moderate roundness remains in the cheeks. Face width is not too wide, outline is natural and smooth.
Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unflashy, simple look.
Do not make the chin extremely pointed. Do not make the facial outline overly sharp.
4. Hairstyle & Hair Color
Hair color is an extremely dark black close to pure black. In areas hit by light, add modest highlights containing dark gray or slight brown.
Hairstyle is a bob cut reaching around the chin to neck.
Forms a naturally rounded silhouette from the back to the sides of the head.
Hair has moderate volume, puffing out gently along the head shape. Ends are not completely blunt, slightly flipping outward in places.
Hair locks on left and right are not completely symmetrical, leaving natural disarray.
Fine hair strands are carefully drawn onto the hair surface, expressing smooth flow and soft three-dimensional volume.
Hair contour has moderate fine irregularities, resulting in a natural, not-too-tidy hairstyle.
5. Bangs
Thick, heavy straight-cut bangs (blunt bangs).
Broadly covering the forehead, hanging from near the eyebrows to just above the eyes.
The center of the bangs is relatively heavy, concealing the forehead with dense black hair.
The bottom edge of the bangs is not a straight line, but features irregular textures made of fine hair strands.
A few thin strands naturally separate, hanging slightly over the eyes.
Forehead is barely visible through gaps in the bangs; do not expose the forehead widely.
Crucially, the bangs hang down just above the eyes. However, both eye contours and the small pupils/irises must remain clearly visible.
Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a style that shows a lot of forehead.
6. Most Important: Eye Shape & Structure
The eyes are the most critical element defining this character's individuality.
Do not make them large, round eyes, widely expanded irises, or sparkling pupils typical of standard anime characters.
Horizontally elongated, narrow, with small vertical opening—sleepy, half-opened eyes. Pupils/irises are extremely small, leaving a large area of sclera (white of the eye). Clearly depict sanpaku eyes.
6-1. Eye Contour
Eye shape is long horizontally and narrow vertically.
The gap between upper and lower eyelids is narrow; eyes are not wide open.
While horizontal width is maintained to a degree, vertical height is kept minimal.
Eye contour is a smooth, elongated shape, not a round almond shape, but somewhat flat, as if pressed from above and below.
Upper eyelid is relatively straight, giving a slightly heavy impression.
Forms a natural line slanting slightly downward from the center of the upper eyelid toward the outer corner.
Outer corners droop slightly, creating overall subtle droopy eyes (tareme).
Inner corners are not overly sharp, remaining natural.
Do not open the eyes too wide vertically. Do not make them startled, round eyes.
6-2. Iris/Pupil Size: Top Priority
Irises and pupils are clearly smaller than standard Japanese anime characters.
Irises are extremely small in diameter, minimizing the area they occupy relative to the white of the eyeball.
Dark centers are not large circles, but small, vertically elongated or oval-like shapes.
Iris color is very dark gray to black. Outer border outline is also understated.
Pupils are placed small inside the irises, keeping the entire dark center from looking large.
Do not spread the dark eye centers to fill the eye. Do not expand the irises to match the eye's vertical height. Leave ample sclera around the pupils/irises.
Make the sclera area look overwhelmingly wider than the dark centers.
Keep dark eye centers just large enough to be recognized, ensuring the pupils themselves do not dominate the face's impression.
Express individuality not through eye size, but through the contrast between wide sclera and tiny irises.
6-3. Sanpaku Eye Depiction
Clearly depict sanpaku eyes.
Sclera area is extremely wide relative to the tiny irises, structured so white is distinctly visible especially below the irises.
Sclera is also moderately visible above, with whites surrounding the small dark centers above and below.
Arrange gaze position and small irises so sclera stands out on top, bottom, left, and right.
However, avoid a creepy look like bulging eyeballs.
Keep eyeball shape natural, emphasizing sanpaku solely by making the irises small.
Maintain wide whites while keeping the vertical height of the eyes narrow.
Important: Do not increase whites by making the eyes large; increase the ratio of whites by making the irises small within narrow eyes.
6-4. Iris/Pupil Placement
Irises are placed near the center of the eyes, but not in a completely mechanical center.
Include a very slight, natural difference in the positions of left and right irises.
Gaze is basically forward, but in a direction that conveys slight confusion or unease.
Do not pull irises extremely to the corners. No strong cross-eyed or strabismus look.
Ensure wide sclera is not lost when adjusting iris positions.
Left and right eyes have slight differences within a natural range, avoiding mechanical symmetry.
6-5. Eyelids and Eye Outlines
Upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid.
Upper eyelids have a sense of weight, forming a sleepy, languid impression.
Lower eyelid line is thin and delicate, not over-emphasized.
Eye contour is a dark color close to black, smoothly rendered.
Eyelashes are modest, not long, dense, or glamorous.
Do not excessively extend eyelashes at the outer corners.
Do not make eyeliner too thick; avoid flashy makeup.
6-6. Pupil Highlights
Pupil highlights are minimal.
No large white light reflections, no star-shaped highlights, no multiple glistening dots.
No intense gradient on the irises; keep them in understated tones of dark gray to black.
Do not make pupils shine like gemstones.
The eyes' charm comes not from sparkling pupils, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shapes.
6-7. Emotion Conveyed by Eyes
Gaze is sleepy, languid, and slightly awkward.
Heavy eyelids give the impression of someone not used to opening their eyes wide.
Not an aggressive glare or sharp scowl, but a nervous, slightly bewildered gaze.
A hint of anxiety and hesitation in the gaze.
Eyes not opened wide, eyebrows not sharply raised, expressing emotion through understated facial shifts.
Express a tense psychological state while maintaining tiny irises and wide sclera.
7. Eyebrows
Eyebrows are a dark color close to black hair.
Partially hidden by bangs, not overly visible in full.
Eyebrow thickness is thin to standard, natural shape.
A slight instability in eyebrow angle, expressing confusion or tension.
Slight strain near the inner ends of the brows, with the entire eyebrows subtly tensed.
Do not arch them extremely or emphasize anger.
Combine the weight of the eyes and subtle angle of the brows to create an awkward expression.
8. Nose
Nose is small and modest.
Simple anime-style depiction that does not stand out when viewed from the front.
Without emphasizing the nasal bridge, expressed naturally with small lines or faint shading.
Nose shading is not too dark, so the nose alone does not draw attention on the face.
9. Mouth
Mouth is small, not standing out on the face.
Corners of the mouth are slightly distorted from tension.
Mouth is slightly open, upper and lower teeth subtly visible.
A stiff, strained mouth as if lightly gritting teeth.
Upper and lower teeth appear modestly as thin white shapes. Do not over-detail the row of teeth.
Corners of the mouth are pulled naturally sideways into a tense shape distinct from a smile.
Lips are not emphasized, expressed with simple lines.
Do not open the mouth wide. Do not make a shouting expression.
Do
ちょな子
グ
女性
グレイテストアシッド
character: moegi_emo
emo_cute_chibi_style_mung_dit3, thich lines, chibi only, high-quality Japanese anime/manga style character illustration
1. Basic Art Style and Drawing Quality
High-quality Japanese anime/manga style character illustration.
Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color scheme.
Linework is fine and smooth, without unnecessarily thick contour lines. Hair is drawn strand by strand in detailed clumps, and facial features are depicted clearly and delicately.
Skin is fair with a natural complexion. Combining faint pink gradients with soft shading to create a smooth, matte texture.
Overall using pale colors and delicate depiction, avoiding excessive chibi deformation or flashy effects.
Expressing the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils, eyebrow angle, and a subtle twitch at the mouth.
2. Basic Character Appearance
A Japanese anime-style girl featuring black bob-cut hair.
Petite and slender build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette.
The head is slightly large relative to the body, but avoiding extreme head-to-body proportion deformation.
Facial features are plain and reserved. Not emphasizing bishoujo glamour, projecting a somewhat drab, clumsy, and approachable atmosphere.
3. Face Contour
Face is a slightly small oval shape.
Connecting naturally in a curve from forehead to cheeks and chin, with a soft chin tip that is not overly sharp.
Cheeks retain moderate roundness. Face width is not too wide, contour is natural and smooth.
Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unpretentious, plain countenance.
The chin is not extremely pointed. The contour is not excessively sharp.
4. Hairstyle and Hair Color
Hair color is an extremely dark black close to pure black. Subtle highlights containing dark gray or slight brown are added where light hits.
Hairstyle is a bob cut ranging in length from chin to near the neck.
Forms a naturally rounded silhouette from the back of the head to the sides.
Hair has moderate volume, spreading softly along the shape of the head. Hair ends are not completely neat, flipping outwards here and there.
Left and right hair clumps are not completely symmetrical, retaining a natural dishevelment.
Fine hair strands are meticulously drawn onto the hair surface to express smooth hair flow and soft three-dimensionality.
The hair contour has moderately fine irregularities, creating a natural hairstyle that is not overly manicured.
5. Bangs
Bangs are thick, heavy blunt straight bangs.
Covering the forehead broadly, hanging from near the eyebrows to right above the eyes.
The center section of the bangs is relatively heavy, concealing the forehead with dense black hair.
The bottom edge of the bangs is not a completely straight line, but has irregular notches from fine hair clumps.
A few fine hair clumps naturally separate and hang down slightly over the eyes.
The forehead is barely visible through gaps in the bangs, avoiding exposing a large portion of the forehead.
Crucially, bangs hang down to just above the eyes. However, the outlines of both eyes and the small pupils must be clearly visible.
Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead.
6. Most Important: Eye Shape and Structure
The eyes are the most crucial element defining this character's individuality.
Do not make them large, round eyes with wide-open irises and sparkling pupils like typical anime characters.
Horizontally elongated, narrow, with small vertical opening, sleepy half-open eyes. Pupils are extremely small, with a large sclera (white of the eye) area. Clearly depicting sanpaku eyes.
6-1. Outer Eye Shape
Eye shape is long horizontally and narrow vertically.
The gap between upper and lower eyelids is narrow; eyes are not opened wide.
Horizontal width of the eyes is maintained to an extent, while vertical height is kept modest.
Eye outline is a smooth horizontally long shape, rather than a round almond shape, appearing somewhat flat, as if pressed from top and bottom.
Upper eyelid is relatively straight, giving a slightly heavy impression.
Forms a natural line slanting slightly downward from the center of the upper eyelid to the outer corner of the eye.
Outer corners of the eyes droop slightly, resulting in a subtle tareme (droopy eyes) look overall.
Inner corners of the eyes are not overly sharp, remaining natural in shape.
Do not open the eyes wide vertically. Do not make surprised round eyes.
6-2. Pupil Size: Highest Priority
Iris and pupil are distinctly smaller than those of standard Japanese anime characters.
The iris diameter is made extremely small, minimizing the area it occupies relative to the sclera.
The dark center of the eye is not a large circle, but rather a small vertically long to near-oval shape.
Iris is very dark gray to black. The outer rim contour is also understated.
Pupil is placed small within the iris, preventing the entire dark eye center from appearing large.
Do not spread the pupil to fill the center of the eye. Do not enlarge the iris to match the eye's vertical height. Leave ample sclera around the pupil.
Make the sclera area overwhelmingly broader than the dark center of the eye.
Keep the dark center of the eye only large enough to confirm its presence, preventing the pupil itself from dominating the facial impression.
Express individuality not through eye size, but through the contrast between the broad sclera and tiny pupils.
6-3. Depiction of Sanpaku Eyes
Clearly depict sanpaku eyes.
The sclera area is very broad relative to the small pupil, specifically structured so the white of the eye is clearly visible beneath the pupil.
Sclera is also moderately visible above, with the white of the eye surrounding the pupil above and below.
Gaze direction and small pupil placement make the sclera prominent above, below, left, and right.
However, do not create a grotesque appearance with bulging eyeballs.
Keep eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris.
Keep vertical eye height narrow while securing a large sclera.
Important: Increase sclera proportion not by enlarging the eyes, but by making the pupils small within narrow eyes.
6-4. Pupil Placement
Pupils are positioned near the center of the eyes, but not in a completely mechanical center position.
There is a very slight, natural asymmetry in the positioning between left and right pupils.
Gaze is fundamentally facing forward, but directed in a way that suggests a bit of confusion and restlessness.
Do not push pupils extremely to the sides. Do not make them severely cross-eyed or strabismic.
Ensure that adjusting pupil position does not lose the breadth of the sclera.
Left and right eyes have subtle differences within a natural range, avoiding mechanical symmetry.
6-5. Eyelids and Eye Contours
The upper eyelid line is drawn slightly darker and marginally thicker than the lower eyelid line.
Upper eyelid conveys heaviness, giving a sleepy, languid impression.
Lower eyelid line is thin and delicate, not overemphasized.
Eye contours are in dark colors close to black, rendered smoothly.
Eyelashes are understated, not long, dense, or glamorous.
Do not excessively extend eyelashes at the outer corners.
Do not make eyeliner too thick; no flashy makeup.
6-6. Eye Highlights
Highlights in the eyes are kept to an absolute minimum.
No large white light reflections, star-shaped highlights, or multiple sparkling dots.
No intense gradients in the iris, keeping a subdued tone from dark gray to black.
Do not make eyes sparkle like gems.
The charm of the eyes is expressed not through pupil sparkle, but through the contrast of wide sclera and tiny pupils, heavy upper eyelids, and narrow eye shape.
6-7. Emotion Conveyed by the Eyes
The gaze is sleepy, languid, and looks somewhat awkward.
Eyelids appear heavy, giving the impression of someone unaccustomed to opening their eyes wide.
Not an assertive glare or sharp scowl, but a nervous, slightly bewildered gaze.
There is slight anxiety and hesitation in the look.
Expressing emotion through subdued facial changes without opening eyes wide or raising eyebrows high.
Expressing a nervous psychological state while maintaining tiny pupils and wide sclera.
7. Eyebrows
Eyebrows are a dark color close to the black hair.
Partially hidden by bangs, avoiding the entirety being too clearly visible.
Eyebrow thickness is thin to standard, with a natural shape.
Eyebrow angle has a subtle instability, expressing confusion and tension.
Slight tension near the inner ends of the brows, with the entire eyebrows subtly strained.
Do not sharply arch or emphasize anger.
Combining the heaviness of the eyes with the subtle eyebrow angle to create an awkward expression.
8. Nose
Nose is small and modest.
Concise anime-style depiction that is not overly conspicuous when viewed from the front.
Without emphasizing the nasal bridge, expressed naturally with small lines or pale shading.
Nose shading is not too dark, preventing the nose alone from standing out on the face.
9. Mouth
Mouth is small, not standing out too much on the face.
Mouth is slightly distorted from tension.
Mouth is opened just a crack, with upper and lower teeth slightly visible.
A stiff, strained mouth as if gritting teeth.
Upper and lower teeth are subtly visible as narrow white shapes. Do not draw the
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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