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AI art "たぶん売れない(笑)" featuring #Object Focus
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たぶん売れない(笑)

どんな形も思いのまま…変幻自在のスマホケースが遂に発売。 で生成したらこうなりました(^_^;) ゲル状か何かで出来た形状記憶型のスマホケースΣ(・・!?) 変幻自在のスマホケースとか意味なさそうなもん生成した自分も自分ですけど、こんな耐久性0っぽくて使いにくそうなスマホケース生成したAIもAIですね(⁠≧⁠▽⁠≦⁠) スマホやタブレット端末の形状なんて基本は長方形な訳ですから変幻自在である必要は無いのでしょうけどね(笑) 丸いスマホやタブレット端末が発売されたとしても…要らないかも？(⁠≧⁠▽⁠≦⁠) 丸いスマホも使いにくいですけど(笑)

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yamanoda

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product advertisement, commercial poster, smartphone case, single smartphone case as sole product hero, transforming, morphing, shifting shape, multiple simultaneous silhouettes, vibrant colors, intricate details, sharp focus everywhere, no blur, no depth of field falloff, crisp edges across the whole frame, front view, slight low angle, centered hero object, studio sweep background, seamless gradient ground, saturated magenta to cyan gradient, chrome and holographic finish, glossy plastic, high-gloss reflections, radial highlight, cast prismatic shadow, sharp focus on every element, no text other than the locked narration box, 1:1 square-ish poster composition A commercial product-release poster for a single transforming smartphone case, shot from a slight low angle at close range so the case sits dead center and the camera looks a little up at it, giving it monument-like presence; the background is a completely empty seamless studio sweep running from deep magenta at the bottom to electric cyan at the top, with no props, no figures and no room, only the product and its light. The hero is one smartphone case with rounded corners and a slim camera cutout, caught mid-transformation: its lower half is still a rectangular glossy shell in an iridescent chrome-and-magenta finish, while the upper half has already flowed upward into a rising ribbon of liquid plastic that curls into a horn-like fin and a looping curl, its surface pulling into stretched, glassy strands and beaded droplets that hold their shape at the moment of freezing. A second, tighter motion echo of the same silhouette floats just behind at the left, half-transparent, like a ghost frame of the shape it is becoming; a third small bloom of geometric petals peels off at the upper right, each petal a tiny curved slab of the same material, so the eye reads one object and its shapeshifting continuum, not several products. Every surface is sharp: the cutout rim, the beveled edge, the micro-texture of the holographic flake under the clear coat, the wet specular beads where the ribbon necks thin — no falloff, no soft focus anywhere in the frame. Contact and physics: the case stands upright on its bottom edge, touching the sweep along a narrow flat strip; the weight tips slightly forward toward the lens; beneath it a crisp prismatic cast shadow fans out with faint chromatic fringing where the edges of the shadow catch stray light. The only light is a single broad studio source from the upper left, which lays a hot white specular streak down the left edge of the shell and a run of small bright flecks along the ribbon's curve; everything to the lower right falls into a soft magenta ambience, and the sweep itself is lit only by that source and the product's own bounce, so the lower right corner is the deepest area of the frame. The palette is disciplined and nothing else is admitted: magenta, violet and cyan in the ground and the iridescent coat, hot white in the speculars, near-black in the shadow; saturated and clean rather than murky. Material detail earns the budget — the holographic flake catching the key light in a fine grain, the glossy surface acting as a curved mirror that compresses the gradient into a bright band along the ribbon's outer face, a single thin drip of plastic hanging and just about to fall, held at the top of its stretch. Overlaid in the upper-left area, a clean white narration box with a thin dark border, its lettering set in a legible bold Japanese sans-serif, slightly angled with the poster's perspective, reads "どんな形も思いのまま…変幻自在のスマホケースが遂に発売。" — the words fit within the box, nothing clipped, the box floating above the sweep rather than wrapping the product. Crisp, glossy, effortlessly covetable.
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Original Prompt
どんな形も思いのまま…変幻自在のスマホケースが遂に発売。 vibrant colors, intricate details, sharp focus on all elements, masterpiece, best quality, highres, ultra detailed,
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pro
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﹝Prompts﹞
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1056 x 1424
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Euler
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nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Tsubaki.3 - AI Model cover image

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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