Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
Generate New ArtworkGenerate for FreeGenerate for Free

Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
bb
avatar-frame

Brago bloodfallen

More to See

Comments

character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris boreas greyrat, red hair, long hair, very long red hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, blush, huge breasts, visibly pregnant, pregnant belly, distended round belly, puffy dress, frilled dress, pink and white dress, silver and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, colossal earrings, colossal engagement ring, slave collar, tiara, displeased, unhappy, gritted teeth, furrowed brow, nervous sweat, docile posture, arms down, hands on own belly, front view, facing viewer, standing, one ugly monster, monster with long tongue, monster licking belly, monster hand under belly, hug from beside, monster hug, rococo style, Front view, straight on: the red-haired woman stands facing the viewer at full figure, the colossal skirt spreading wide across the lower frame and spilling past both edges, while a squat ugly monster presses against her from her right side, one arm wrapped behind her back and its long tongue laid flat across the underside of her round pregnant belly. Her arms hang low and docile, both hands resting on the top of the belly with fingers loosely curled, the enormous gem of the colossal engagement ring turned to face the camera on her left hand and catching the light like a drop of pink glass. Her head is tipped a fraction down, thick brows drawn together, mouth pulled tight at one corner, a fine sheen of sweat at her temple, and her red eyes carry bright heart-shaped highlights that sit inside her pupils while the rest of her face plainly wishes to be elsewhere -- the blush is cosmetic heat, not consent. The tiara sits in her red hair, an ahoge sprung loose above it, and enormous dangling earrings pull at both lobes. The slave collar rings her neck in plain metal beneath the lace. The monster is heavy and wrong: mottled olive hide, a hunched rounded back, asymmetric bulging eyes set at different heights, a wide lipless mouth, short thick legs. It leans its whole weight into her hip, its other hand slid flat under the swell of her belly and lifting it slightly, the palm spread and the belly's skin compressed under the press. Its tongue is wet, textured and improbably long, moving in a slow upward drag across the taut belly, saliva sheening the skin where it lifts away. The dress is rococo excess piled until it should not stand: pink and silver-white satin, glitter fabric and sequins catching pinpoints of light, tier upon tier of ruffles and lace and bow upon bow marching down the front of the bodice and around the skirt, gilt-coloured scrolling ornaments and paste-jewel clusters scattered with no restraint. The huge skirt pools outward in stiff, improbable flounces, hem lost beyond the frame edges. Behind her, a shallow rococo interior: a muted pastel wall with one gilt-framed panel and one ornate carved console at the edge, never competing with her. Soft even frontal daylight from above and slightly left, filling the lace and setting the sequins glittering, with the monster's shadow falling across the lower skirt; the skin of the belly holds a wet highlight where the tongue has passed and the fabric sheen is duller where it sits in shadow. Pastel gold-and-sugar palette, everything over-appointed and oppressive. Grotesque and gilded.
Show Parameters
Original Prompt
Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,pregnant,puffy dress,frilled dress,engagement ring,pink and white dress,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,silver and white dress,slave collar,the girl have hearts in eyes,blush,The girl doesn't enjoy it,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,1 monster,ugly monster,monster have long tongue,monster licking woman's belly,hug from beside,el monstruo pone la mano debajo del vientre de la mujer,rococo style
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.97k

Similar Images

Show more
AI artwork
sg
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, pink and white dress, silver and white dress, engagement ring, colossal engagement ring, colossal earrings, tiara, slave collar, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long oversized skirt, glitter fabric, sequins, ridiculous ornaments, rococo style dress, blush, displeased, jitome, frown, docile posture, arms low, hands on own belly, standing, facing viewer, frontal angle, straight-on, full body, ugly monster, long tongue, tongue out, licking belly, hug from beside, hand under belly, claws, uneven teeth, asymmetrical eyes, slime-like skin, rococo interior, ornate gold frames, pastel palette, swirling flourishes, detailed background, heavy_breathing, trembling, sweat, seductive_smile, motion_lines A straight-on frontal full-body view, camera level with the woman's chest so both figures read head to hem against a tall rococo salon wall. Eris stands square to the lens in the center frame, weight settled on her right leg with the left knee slightly bent, red hair swept up into a high gathered updo with a few loose strands at the temples, her black hairband still in place beneath a small jeweled tiara. Red eyes with heart-shaped pupils, thick eyebrows drawn down, one brow cocked, a tight closed-mouth frown, cheeks heavily flushed in a stiff, unhappy blush. Her enormous and heavily over-decorated rococo gown balloons out in pink and white and silver and white, so layered in lace, ruffles and bows it looks almost ridiculous, with glitter fabric and sequins winking across the whole surface; her enormous pregnant belly pushes the fabric taut into a smooth dome at the front of the dress, and her hands rest low and flat on that belly. On her ears hang colossal dangling earrings; on her left hand the colossal engagement ring catches the light. A plain metal slave collar sits around her throat. Beside and slightly behind her right shoulder stands a single ugly monster: hunched, mottled skin, one eye larger than the other, a mouth of crooked teeth and a long tongue unfurling. It has one long arm hooked around her from the side, the other hand slipped underneath the curve of her belly to cup its underside, leaning so its face presses near that belly and its tongue licks across it. Its only eyes stare at her belly and her only eyes stare forward. Ornate gold picture frames and pastel ornament behind them. Light falls soft and even from the front left, picking out the sequins and catching on the ring and earrings. A cramped, uneasy baroque horror.
Shylpfiette greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
eb
character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
sg
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris boreas greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, hearts in eyes, blush, unhappy, displeased expression, clenched teeth, furrowed brow, huge breasts, pregnant, visibly pregnant belly, docile posture, arms lowered, hands resting on own belly, standing facing viewer, frontal angle, straight-on, looking at viewer, slave collar, tiara, colossal earrings, colossal engagement ring, pink and white dress, silver and white dress, puffy dress, frilled dress, puffy huge long skirt, oversized dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, glitter fabric, sequins, ridiculous ornaments, rococo style, monster, ugly monster, long tongue, monster licking belly, monster hugging from side, hug from beside, hand under belly, monster hand on pregnant belly, saliva, from front, full body, The view is frontal and flat-on: the red-haired woman stands square to the camera in a full-length framing that shows her from crown to skirt hem, her chin lifted a touch, her shoulders drawn down and small inside the enormous dress. Both of her arms hang low and inward, forearms folded over the swell of her pregnant belly, fingertips meeting at its underside — not clutching, just resting there, weight settled evenly on both feet with her knees held close together. Her red eyes are wide and fixed with two flat pink heart highlights stamped dead-centre in each pupil, but everything around them refuses the mood: her thick dark brows are pinched hard downward toward the bridge of her nose, her jaw is set, the corners of her mouth are pulled down in a small bitter line, and a hot even blush sits across both cheeks and the bridge of her nose. Her red hair is swept up into a high gathered knot with a soft ahoge standing free at the crown, a black hairband lost somewhere under the mass, and one loose lock escaped at her temple. High on that updo sits a tiara, and her earlobes drag down under colossal earrings almost too heavy for them; on her lowered right hand a colossal engagement ring, gaudy and stone-set, weights the finger. A plain slave collar circles her throat above the dress neckline, visibly out of place against all the finery. Her dress is a pink-and-white-and-silver catastrophe of rococo excess: every seam and border fringed with lace, tiers of ruffles stacking down the bodice, bows clustered and multiplied at the waist, the sleeves, and the hem, glitter fabric scattered with sequins that catch the light in hard pinpoints, and ridiculous overscale ornaments — bows wider than her forearm, lace rosettes, dangling silver charms — loading down the shoulders and the skirt. It is oversized and tacky on her, cut far larger than a woman's shape, so the skirt balloons into a huge puffed dome of pink over silver and white underlayers that pools wide toward the floor and holds its own volume. Her pregnancy pushes the lace-trimmed front of the gown forward into a rounded tent. To her right side, pressed against her, the ugly monster: squat and lumpy-bodied, thick greyish-green hide, blotchy and mottled, small deep-set yellow eyes, a wide wet mouth split open. It leans into her hip and side with one thick arm wrapped around her waist from behind the side, its hand slipping under the round of her pregnant belly from below, fingers splayed across the taut stretched fabric — and the dress fabric dimples and bunches where the touch presses in. Its long, thick, wet tongue extends out and lays flat across her belly, lapping a wet glossy stripe over the strain lines of the skin, saliva stringing from the tongue's underside in drips. The monster's arm and hand are the only contact; her arms stay where they were, unresisting, fingers still on her own belly. Even, soft, slightly cool frontal light from the front of the frame so highlights run down the centre of the dress, hard pinpoint glints on every sequin, gentle shadow gathered at the sides of her belly and under the tongue where it meets her skin. Palette restricted to red hair, pink and white silver lace, and the monster's dull grey-green hide. Rococo excess, sour and glittering.
Shylpfiette greyrat
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile