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AI art "走れ！ピンク髪のブルマ少女" featuring #Dark skin, #Gym Uniform, #pink hair and #navy bloomers
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走れ！ピンク髪のブルマ少女

青空の下、元気いっぱいに走る姿がまぶしすぎて、見ているだけで元気をもらえちゃいます！この爽やかな笑顔と一生懸命な姿が本当に大好きです。気に入ったらいいねとフォローをお願いします！これからも応援したくなるようなイラストを投稿していきますね。コメントもお待ちしています～

#Dark skin#Gym Uniform#pink hair#navy bloomers
卯ひ

卯月 ひで

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A knee-up digital anime illustration of the character from image1, captured from a 45-degree angle to the viewer's right. The scene is framed with a medium telephoto lens effect, creating a compressed perspective and a strong background blur (bokeh). The character is running enthusiastically, breaking a white finish line tape stretched out in front of her. Both of her arms are raised high in victory and remain completely visible within the frame. She retains her exact appearance: messy pink hair secured with a red headband, bright turquoise eyes, a joyful open-mouthed smile, and her school gym uniform consisting of a white short-sleeved shirt with a blue chest emblem and dark blue track shorts with white side stripes. The heavily blurred background features the red athletic track, festive colorful bunting flags, and a bright blue sky scattered with falling cherry blossom petals, while the distant spectators and other runners have been omitted. The art style stays the same as the input image1.
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Original Prompt
【テーマ】 ・添付画像の構図と見る側からの視点を変更してください。 【変更点】 ・キャラクターに向かって、右斜め（45度程度）回り込んだ視点に変更してください。 ・カメラの80mmの中望遠レンズで撮影したような「引き寄せ効果」「圧縮効果」「背景のボケ効果」を再現してください。 ・ただし、両腕は入る画角で描画してください。 ・描画のサイズは、頭からひざ上程度の3/4サイズ(ニーアップ)。 ・この変更に伴い、自然に隠れる（写らなくなる）はずの、右足のひざから下、後方の走者や観客などの描画は省略して構いません。 【変更しない点・維持する点】 ・「視点の変更」、80mmレンズで撮影したような、「引き寄せ効果」「圧縮効果」「背景のボケ効果」の再現、「描画サイズ」の変更以外は、徹底的かつ完全に、変更なく維持してください。
Mode
pro
Size
1024 x 1536
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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