Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
Show Parameters
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
Similar Images
Show more
김
Ultra-high-definition premium dark otome game event CG, a blend of 70% adult female-oriented visual novel illustration and 30% high-end 2D romance webtoon style. The art style must perfectly match the line work, coloring, shading, and facial depiction of the previous Blood God Prison mugshots. Three men must maintain their established appearances and must not look alike. Sharp and delicate line art, deep cinematic shading, vivid eyes, matte skin, and detailed hair.
The setting is a communal dining area for S-class special management inmates at Blood God Prison. Gray concrete walls, heavy rectangular metal tables, simple metal utensils, and cold lighting from a low ceiling. A closed atmosphere with bars and faint light visible through the window.
Three adult men are sitting at one table, spaced apart from each other. All are wearing identical dark charcoal prison uniforms made of matte, coarse fabric with workwear collars, front buttons, and chest pockets. While the clothing is the same, the way they wear them reflects their personalities.
On the left — Seo Yun-ho: 32 years old, short and neat jet-black hair with a 6:4 part, black eyes, sharp and cold face. He wears his uniform neatly and is eating with a straight posture. Holding a spoon in one hand, he slightly lifts his head to check for a presence in front of him. He is expressionless and completely uninterested in the conversation of the other two.
In the center — Lee Seon-gyu: 35 years old, voluminous silver-gray hair, pale gray eyes, thin silver metal-rimmed glasses, pale skin. He sits comfortably in his chair, lightly resting his chin on one hand. He watches the reactions of the other two with a thin smile at the corners of his mouth. There is an interested look in his eyes, but no exaggerated madness. His eyes and glasses must be clearly visible.
On the right — Park Ho-in: 34 years old, dark golden-blonde wolf cut, pushed-back top hair and long back hair, tawny eyes, and several silver ear piercings. He has the top button of his uniform slightly undone and leans obliquely against the back of the chair. With one arm draped over the backrest and the other hand lightly tapping the table, he smiles arrogantly and slyly toward the visitor in front. He has the most relaxed and playful expression among the three.
The three must not look like close friends. Park Ho-in enjoys the atmosphere, Lee Seon-gyu observes with interest, and Seo Yun-ho indifferently focuses on his own task. This represents the early stage of their relationship before any romantic feelings or jealousy have developed.
The camera is positioned slightly lower than eye level, facing the opposite side of the table. Horizontal wide cinematic composition 16:9. The three men are placed so that each is clearly distinguishable, showing their faces, upper bodies, and the position of their hands on the table. Naturally reflect differences in height and physique, ensuring they do not overlap or obscure each other's faces.
Cold blue-gray prison lighting, soft backlight coming through the window, and shadows at different angles on each character's face. A dark, tense, yet luxurious and dangerous atmosphere characteristic of adult female-oriented games.
Exactly three men only. No female characters or additional inmates. Avoid facial blending, hair color changes, missing glasses, missing piercings, different prison clothes, happy friend gathering atmosphere, photorealism, 3D, collage, split screen, text, or watermarks.
김슬기
김
Ultra-high-definition premium dark otome game event CG, a blend of 70% adult female-oriented visual novel illustration and 30% high-end 2D romance webtoon style. The art style must perfectly match the line work, coloring, shading, and facial depiction of the previous Blood God Prison mugshots. Three men must maintain their established appearances and must not look alike. Sharp and delicate line art, deep cinematic shading, vivid eyes, matte skin, and detailed hair.
The setting is a communal dining area for S-class special management inmates at Blood God Prison. Gray concrete walls, heavy rectangular metal tables, simple metal utensils, and cold lighting from a low ceiling. A closed atmosphere with bars and faint light visible through the window.
Three adult men are sitting at one table, spaced apart from each other. All are wearing identical dark charcoal prison uniforms made of matte, coarse fabric with workwear collars, front buttons, and chest pockets. While the clothing is the same, the way they wear them reflects their personalities.
On the left — Seo Yun-ho: 32 years old, short and neat jet-black hair with a 6:4 part, black eyes, sharp and cold face. He wears his uniform neatly and is eating with a straight posture. Holding a spoon in one hand, he slightly lifts his head to check for a presence in front of him. He is expressionless and completely uninterested in the conversation of the other two.
In the center — Lee Seon-gyu: 35 years old, voluminous silver-gray hair, pale gray eyes, thin silver metal-rimmed glasses, pale skin. He sits comfortably in his chair, lightly resting his chin on one hand. He watches the reactions of the other two with a thin smile at the corners of his mouth. There is an interested look in his eyes, but no exaggerated madness. His eyes and glasses must be clearly visible.
On the right — Park Ho-in: 34 years old, dark golden-blonde wolf cut, pushed-back top hair and long back hair, tawny eyes, and several silver ear piercings. He has the top button of his uniform slightly undone and leans obliquely against the back of the chair. With one arm draped over the backrest and the other hand lightly tapping the table, he smiles arrogantly and slyly toward the visitor in front. He has the most relaxed and playful expression among the three.
The three must not look like close friends. Park Ho-in enjoys the atmosphere, Lee Seon-gyu observes with interest, and Seo Yun-ho indifferently focuses on his own task. This represents the early stage of their relationship before any romantic feelings or jealousy have developed.
The camera is positioned slightly lower than eye level, facing the opposite side of the table. Horizontal wide cinematic composition 16:9. The three men are placed so that each is clearly distinguishable, showing their faces, upper bodies, and the position of their hands on the table. Naturally reflect differences in height and physique, ensuring they do not overlap or obscure each other's faces.
Cold blue-gray prison lighting, soft backlight coming through the window, and shadows at different angles on each character's face. A dark, tense, yet luxurious and dangerous atmosphere characteristic of adult female-oriented games.
Exactly three men only. No female characters or additional inmates. Avoid facial blending, hair color changes, missing glasses, missing piercings, different prison clothes, happy friend gathering atmosphere, photorealism, 3D, collage, split screen, text, or watermarks.
김슬기
김
Ultra-high-definition premium dark otome game event CG, a blend of 70% adult female-oriented visual novel illustration and 30% high-end 2D romance webtoon style. The art style must perfectly match the line work, coloring, shading, and facial depiction of the previous Blood God Prison mugshots. Three men must maintain their established appearances and must not look alike. Sharp and delicate line art, deep cinematic shading, vivid eyes, matte skin, and detailed hair.
The setting is a communal dining area for S-class special management inmates at Blood God Prison. Gray concrete walls, heavy rectangular metal tables, simple metal utensils, and cold lighting from a low ceiling. A closed atmosphere with bars and faint light visible through the window.
Three adult men are sitting at one table, spaced apart from each other. All are wearing identical dark charcoal prison uniforms made of matte, coarse fabric with workwear collars, front buttons, and chest pockets. While the clothing is the same, the way they wear them reflects their personalities.
On the left — Seo Yun-ho: 32 years old, short and neat jet-black hair with a 6:4 part, black eyes, sharp and cold face. He wears his uniform neatly and is eating with a straight posture. Holding a spoon in one hand, he slightly lifts his head to check for a presence in front of him. He is expressionless and completely uninterested in the conversation of the other two.
In the center — Lee Seon-gyu: 35 years old, voluminous silver-gray hair, pale gray eyes, thin silver metal-rimmed glasses, pale skin. He sits comfortably in his chair, lightly resting his chin on one hand. He watches the reactions of the other two with a thin smile at the corners of his mouth. There is an interested look in his eyes, but no exaggerated madness. His eyes and glasses must be clearly visible.
On the right — Park Ho-in: 34 years old, dark golden-blonde wolf cut, pushed-back top hair and long back hair, tawny eyes, and several silver ear piercings. He has the top button of his uniform slightly undone and leans obliquely against the back of the chair. With one arm draped over the backrest and the other hand lightly tapping the table, he smiles arrogantly and slyly toward the visitor in front. He has the most relaxed and playful expression among the three.
The three must not look like close friends. Park Ho-in enjoys the atmosphere, Lee Seon-gyu observes with interest, and Seo Yun-ho indifferently focuses on his own task. This represents the early stage of their relationship before any romantic feelings or jealousy have developed.
The camera is positioned slightly lower than eye level, facing the opposite side of the table. Horizontal wide cinematic composition 16:9. The three men are placed so that each is clearly distinguishable, showing their faces, upper bodies, and the position of their hands on the table. Naturally reflect differences in height and physique, ensuring they do not overlap or obscure each other's faces.
Cold blue-gray prison lighting, soft backlight coming through the window, and shadows at different angles on each character's face. A dark, tense, yet luxurious and dangerous atmosphere characteristic of adult female-oriented games.
Exactly three men only. No female characters or additional inmates. Avoid facial blending, hair color changes, missing glasses, missing piercings, different prison clothes, happy friend gathering atmosphere, photorealism, 3D, collage, split screen, text, or watermarks.
김슬기
m1
Damn!
misha101
Explore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Comments