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- Original Prompt
- キュアプリズムを力なく壁にもたれ掛かるように座らせて、両手を身体の後ろで手枷で拘束して、体中をヌメヌメに濡らして、髪を濡らして、体と手足と顔と髪を黒緑のカビまみれにして、ピンチな顔にして、アニメ風イラスト描いて、股を広げないように膝を左右に曲げて、前髪を顔にかぶせて、吹き出しを出さないで、両目を閉じて上を向いて苦しそうに叫んで、カビを染み込ませて、ふくらはぎを地面につけて、服と肌をカビで染めて、悪そうな顔のカビの魔女をキュアプリズムの横に立たせて、魔女が黒緑のオーラを放つ手でキュアプリズムの胸を貫いてそこからカビエネルギーをキュアプリズムに注入してキュアプリズムを汚染して、キュアプリズムの顔以下を見えないようにカビで固めて、髪をカビにして、キュアプリズムを赤面させて、キュアプリズムに黒緑のオーラを纏わせて、キュアプリズムの顔以下にカビを纏わせて見えないようにして、キュアプリズムの手足と腕と肩と身体と脚と衣装をカビでコーティングして見えないようにして
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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character: cure_prism
2girls, cure_prism, pink_hair, long_hair, wet_hair, hair_ribbon, white_ribbon, pink_bow, white_bow, braid, green_eyes, white_dress, elbow_gloves, white_gloves, frills, ascot, earrings, slumped, sitting, sitting against wall, leaning back against wall, restrained, arms behind back, bound wrists, handcuffs, arms bound behind back, wet, completely wet, slime, slime on body, slime on clothes, covered in slime, slime dripping, mold, black-green mold, mold on skin, mold on clothes, mold on face, mold-covered, mold growing on body, hair covered in mold, wet strands, hair over face, bangs over eyes, eyes closed, closed eyes, head tilted back, looking up, screaming, open mouth, screaming in pain, agony, pained expression, pinched brow, furrowed brow, blush, flushed face, legs together, knees bent, knees to the sides, calves on ground, aura, black-green aura, glowing aura, corruption, contaminated, impaled, hand through chest, energy injection, witch, evil smile, sadistic smile, standing, standing beside, from below, dutch angle, medium shot, dark background, heavy shadows, dripping, trembling, half-closed eyes, heavy breathing, sweat, wet skin, shiny skin, no speech bubble, no text, cinematic lighting, dark atmosphere, horror, body horror
From a low dutch angle, the frame tilts so that the wet concrete floor runs downhill from the right corner toward the left. Cure Prism sits slumped against a stained concrete wall at the left of the frame, hips dropped back against the baseboard, spine bowed, shoulders low, head fallen back so the crown meets the wall and her chin points up. Her knees are bent sharply and pushed to either side, both legs held closed together, calves flat on the ground, so her thighs form a narrow pitched tent over her lap, nothing exposed. Her arms are pulled behind her back, both wrists cinched together at the small of her back by dark metal handcuffs, the chain drawn taut, elbows pressed into the wall. Her hair — long pink, soaked through — hangs in clinging wet strands down the wall, and the bangs are dragged forward over her forehead and dropped across her eyes. Both eyes are squeezed shut, her brows pinched hard together, mouth torn wide open in a scream at the ceiling. Her cheeks are flushed deep red, heat blotching her jaw. Everything from the collarbones down is slabbed under a thick mass of black-green mold, a crusted shell that swallows her torso, lap and arms, her dress and gloves and frills buried in it; her skin under the mold edges is stained a sickly green, mold soaked into the pores. Her hair too has bloomed into the stuff, matted with green-black filaments. Slime sheets her whole body, a wet gloss over the mold crust, fat drips hanging from her elbow and her chin.
Beside her, to the right and slightly nearer the lens, the mold witch stands with her weight on her back leg, leaning over Cure Prism. Her face is tipped down at her victim, one corner of her mouth pulled up in a cruel, delighted smile, eyes narrowed and bright. Her right arm is thrust forward and slightly down, and her glove disappears into the mold shell at Cure Prism's chest — a ragged entry crater ringed with green — the wrist buried to the cuff. A black-green aura blazes around that hand and forearm, blown out through the mold in a smeary halo, and the same toxic glow bleeds up out of the mold shell and infests the air around Cure Prism's body. The witch's gaze is fixed on the point where her hand enters the chest.
The wall behind them is broad, damp, patchy with old mildew. The lamp source is above and behind the witch, so it rims her shoulder and hair, drops a long hard shadow of both figures across the floor to the left, and leaves the wall in the left corner sinking into darkness. The spilled slime on the floor runs along the seams of the concrete and pools in a shallow puddle that reflects the aura as a dull, dark green smear. Palette: chalky concrete grey, the pink of her hair now darkened and slick, the acid black-green of mold and aura, and the hot red flush on her cheeks. No lettering anywhere in the frame; the air is clean of bubbles. Nauseous, suffocating dread.
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