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山本葵

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山本葵

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character: leon_s._kennedy, copyright: resident_evil, resident_evil_4, original beautiful light, best shadow, color blink, detail illustration, -2::simple illustration, cool lighting, pale color, Male, lines, Illustration, Soft lines, 【Characters】 1man, solo, adult male, 20s, 1.5::leon s. kennedy (resident evil)::, 1.4::resident evil 4 (2005), original biohazard 4 design::, Leon S. Kennedy, appearance from 2005 version of Biohazard 4, handsome and masculine facial features, sharp jawline, slender and toned muscular build, 【Hairstyle/Face】 1.4::ash brown hair, layered side-parted hair::, 1.5::long side-swept bangs partially covering his right eye::, short layered cut, downward-sloping silhouette, soft and finely stranded hair, natural volume on top, neatly trimmed around the ears, ash brown to dark brown hair color, 1.3::sharp narrow eyes, half-lidded eyes::, dark black eyes, modest eye highlights, long narrow eyes, slightly downturned sharp eyes, straight bridge of the nose, firm chin, well-defined masculine facial features, 【Composition/Pose】 1.5::medium shot, reclining backward in a dark wooden chair::, 1.2::three-quarter side profile::, medium shot from a diagonal side angle, an angle where one side of the face and the outlines of both eyes are visible, sitting deeply in a dark wooden chair, posture leaning back against the backrest, tilting the head backward, chin raised, gaze directed diagonally upward, half-closed eyes, listless expression, relaxed posture, slouching while sitting, both hands naturally on the knees, 【Cigarette】 1.4::cigarette held loosely between lips::, holding a cigarette between the lips, thin smoke slowly rising from the tip of the cigarette, smoke drifting beside the face, 【Clothing】 black tailored suit, white dress shirt, loosely knotted black necktie, slightly unbuttoned collar, relaxed formalwear, black tailored suit, white dress shirt, loosely tied black necktie, collar buttons slightly open, disheveled formal style, 【Background】 1.4::brightly illuminated rectangular aquarium on the far left::, a brightly glowing rectangular aquarium on the far left of the screen, vibrant tropical fish, small pink and yellow fish, turquoise blue aquarium lighting, a small stuffed animal next to the aquarium, an old Hong Kong apartment from the 1990s, narrow and dim interior, floral pattern curtains, cluttered furniture with a lived-in feel, nostalgic interior, 【Lighting/Art Style】 1.4::strong cyan aquarium light contrasting with warm amber lighting::, strong cyan blue light from the aquarium, warm amber lighting in the room, blue light illuminating the facial contours and bangs, reddish reflected light on parts of the face, deep black shadows, vivid and dense colors, 35mm film grain, soft focus, cinematic composition, cinematic still, melancholic Hong Kong noir atmosphere, full body mgong_style, painterly anime, loose gestural impasto, chromatic aberration fringe, film grain analog overlay, muted earth tonal palette, selective color pop accents, diffused ambient lighting, surrealist environmental depth, nostalgic atmosphere, dark atmosphere slightly top-down composition
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Original Prompt
【キャラクター】 1man, solo, adult male, 20s, 1.5::leon s. kennedy (resident evil)::, 1.4::resident evil 4 (2005), original biohazard 4 design::, レオン・S・ケネディ、2005年版バイオハザード4の容姿、 端正で男性的な顔立ち、シャープな輪郭、 細身で引き締まった筋肉質の体格、 【髪型・顔】 1.4::ash brown hair, layered side-parted hair::, 1.5::long side-swept bangs partially covering his right eye::, 短めのレイヤーカット、前下がりのシルエット、 柔らかく細かな束感のある髪、 トップに自然なボリューム、 耳周りはすっきりとした髪型、 アッシュブラウン〜ダークブラウンの髪色、 1.3::sharp narrow eyes, half-lidded eyes::, 黒く暗い瞳、控えめな瞳のハイライト、 切れ長の目、やや伏せた鋭い目元、 すっと通った鼻筋、引き締まった顎、 整った男性的な顔立ち、 【構図・ポーズ】 1.5::medium shot, reclining backward in a dark wooden chair::, 1.2::three-quarter side profile::, 斜め横からのミディアムショット、 顔の片側と両目の輪郭が確認できる角度、 暗い木製の椅子に深く腰掛けている、 背もたれに身体を預けて反り返る姿勢、 頭を後方へ傾ける、 顎を上げ、視線を斜め上へ向ける、 半目、気だるい表情、 力の抜けた姿勢、猫背気味に崩した座り方、 両手は自然に膝の上、 【煙草】 1.4::cigarette held loosely between lips::, 唇に煙草をくわえている、 煙草の先から細い煙がゆっくり立ち上る、 煙が顔の横を漂う、 【服装】 black tailored suit, white dress shirt, loosely knotted black necktie, slightly unbuttoned collar, relaxed formalwear, 黒のテーラードスーツ、 白いワイシャツ、 緩く結んだ黒いネクタイ、 襟元のボタンを少し開けている、 着崩したフォーマルスタイル、 【背景】 1.4::brightly illuminated rectangular aquarium on the far left::, 画面左端に明るく発光する長方形の水槽、 鮮やかな熱帯魚、 ピンクと黄色の小魚、 ターコイズブルーの水槽照明、 水槽の隣に小さなぬいぐるみ、 1990年代の香港の古いアパート、 狭く薄暗い室内、 花柄のカーテン、 生活感のある雑然とした家具、 ノスタルジックな室内、 【ライティング・画風】 1.4::strong cyan aquarium light contrasting with warm amber lighting::, 水槽からの強いシアンブルーの光、 室内の暖かな琥珀色の照明、 顔の輪郭と前髪を照らす青い光、 顔の一部に赤みを帯びた反射光、 深い黒の陰影、 鮮やかで濃密な色彩、 35mm film grain, soft focus, cinematic composition, cinematic still, melancholic Hong Kong noir atmosphere, フルボディ mgong_style, painterly anime, loose gestural impasto, chromatic aberration fringe, film grain analog overlay, muted earth tonal palette, selective color pop accents, diffused ambient lighting, surrealist environmental depth, nostalgic atmosphere,dark atmosphere slightly top-down composition
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1888 x 1056
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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