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むにむに

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むにむに

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: shinomiya_kaguya, artist: mika_pikazo 1girl, shinomiya kaguya, sharp red eyes, folded ponytail, prominent parted bangs, smile, looking at viewer, halloween theme, dark gothic kimono-style dress, black and deep purple silk dress, golden spiderweb patterns, ornate golden crescent moon hairpin, kanzashi through ponytail, tiny hanging red jewels, black lace bat wings on hair ribbon, hair ribbon, sidelocks, black hair, shuuchiin student council room, halloween decorations, glowing carved pumpkins on desks, jack-o'-lanterns, dim candlelight, candle flames, eerie elegant atmosphere, from below, close-up, dutch angle, upper body, leaning forward, head tilt, (masterpiece, best quality, ultra-detailed:1.2), The camera sits low and slightly off-axis, tilted a few degrees, looking up across the student council desk at the single girl as she leans in over it toward the lens. Her folded ponytail is bound and doubled back on itself at the back of her head, a short black ribbon knotted at the fold; two small black lace bat wings spread from that ribbon, their scalloped edges catching the candlelight from behind so the lace reads as a fine dark lattice. A golden crescent moon kanzashi is thrust through the ponytail's coil, the crescent's horns opening upward above her crown; three tiny red jewels hang from fine gold chains beneath it, swinging slightly forward with her lean. Her black hair is short and straight, two long sidelocks falling past her jaw, and her prominent parted bangs split wide off the center of her forehead, the parting clean down to the brow. Her eyes are narrow and sharp, red irises with a hard bright catchlight, fixed straight on the viewer; one brow lifts a fraction, and her smile is small, closed-lipped and knowing, one corner pulled higher than the other. Her dark gothic kimono-style dress is black silk with deep purple panels, its collar crossed high at the throat, wide sleeves pooling on the desktop; fine gold spiderweb lines are printed across the purple silk, radiating from the shoulder seam and across the sleeve, chained at each web's hub with a small gold bead. She braces one forearm and one palm flat on the desk edge, fingers spread, weight shifted onto that arm, shoulders angled so her left side is pulled back and her right shoulder comes forward toward the camera; the wide sleeve slides back off her wrist as it takes the weight. Behind and around her, the Shuchiin student council room is dressed for Halloween: a row of carved pumpkins sits on the long desk and on the shelf behind, most with jagged grins and triangle eyes, their interior light spilling out through the cut mouths and pooling orange across the polished desktop and along the underside of her sleeve. Two tall candles burn in low brass holders at the room's far edge, and they are the only other light; beyond their small pools the corners of the room fall into a dim brown-dark, the wall panels and the framed board above the shelf reduced to silhouettes. The pumpkin glow is the warm key, low and in front of her, lighting the underside of her chin, the crescent pin's lower horn and the red jewels from below; the candlelight is a cooler amber rim along the edge of her ponytail and the lace wings. The gold of the spiderwebs fires only on the raised folds of the silk facing the pumpkins, and the black silk swallows the rest into near-black. Where the pumpkin light passes the layer of candle flame behind it, the two sources overlap on the desk surface and the nearer orange shadow of her sleeve falls across the farther pool, softening at its edge. Colours are held to one hot orange, the black-and-deep-purple of the dress, gold, and the three red jewels, with a thin edge of neon magenta and cyan bleeding off the highlights on the pin and the pumpkin rims. High-saturation rendering, halftone dots woven into the shadow gradients, sharp delicate linework on the lace and the spiderweb gold, a faint chromatic fringe on the brightest edges, kaleidoscopic multi-facet sparkle inside her sharp red irises, maximalist ornament crowded into the pin and the hem, high-contrast light against a deep dim room. Eerie, elegant.
Ari
#Fate/Grand Order#Kaguya-sama: Love Is War#Kaguya Shinomiya

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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