Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Saotome Ranma, Akane Tendo

#tatami#Chinese clothes#Saotome Ranma#Ranma ½#Akane Tendo#Girl#Boy#Furinkan High School uniform
More to See

Comments

character: tendou_akane, saotome_ranma_(male), copyright: ranma_1/2 2 characters, male and female, medium-wide shot, dynamic diagonal composition, action scene, chase, from side, full body, both characters fully visible, tendou_akane, saotome_ranma_(male), black hair, braided ponytail, single braid, long hair, blue eyes, chinese clothes, tangzhuang, red shirt, black pants, akane tendo, short blue hair, bob cut, floating hair, yellow eyes, blue sweater, blue skirt, angry, furious, eyebrows sharply lowered, open mouth, yelling, leaning forward, aggressive stance, right arm raised, arm swung back, gripping fly swatter, fly swatter, raised hand, about to strike, running, fleeing, panic, startled, horrified, wide-eyed, screaming, open mouth, leaning forward, looking back, over shoulder, clutching own head, hand on own head, one hand on head, motion blur, speed lines, traditional japanese interior, tatami floor, shoji screens, wooden beams, anime coloring, cel shading, crisp lineart, retro artstyle, comedic The view is locked to a side-on medium-wide shot at roughly hip height, both figures in full, the camera set perpendicular to the long diagonal of the chase. On the left of the frame the girl with the short blue bob drives forward in a hard runner's lunge: her torso pitched forward at forty degrees, weight on her bent front leg, back leg trailing with the heel lifted off the tatami, her right arm swung back behind her shoulder, elbow high, wrist cocked, the wire-handled fly swatter gripped so tightly that the tendons stand out on the back of her hand and the perforated black rubber head is flattened edge-on toward the camera, clearly silhouetted against the shoji panel so it reads as an unmistakable fly swatter. Her eyebrows are jammed down into a hard V, whites showing all around her yellow irises, mouth wide open shouting straight at the back of the runner's head, teeth and tongue visible, a vein bulge drawn comically at her temple, her short hair kicked back off her forehead by her own forward rush. On the right, the boy with the black braided ponytail flees toward the right edge in a desperate forward-leaning sprint, his braid whipped out behind him and streaming back toward her hand, his left hand clamped flat to the back of his own skull, fingers dug into his hair, shoulders hunched up around his ears, eyes blown wide with pin-prick pupils and blue irises shrunk to dots, mouth stretched in a huge panicked scream, jaw dropped, and his head cranked back over his right shoulder so his gaze lands square on the fly swatter, not on her face. His red tangzhuang top is untucked and flapping, black pants snapping at the ankle. Clear empty tatami floor and open air separate the two of them across the diagonal — the swatter head hangs a hand-span and a half behind his hair, and the gap is the whole point of the picture. The tatami mats run as diagonal boards receding under their feet, shoji screens with paper grid and dark wooden framing filling the back wall on a slight dutch tilt, a low wooden table and a folded futon pushed against the far wall, a hanging scroll and a ceiling beam cutting the upper third; the sliding shoji door behind them stands flung open from the run. Warm afternoon light comes in from the garden side at frame left through the paper screens, laying bright lozenges on the tatami and casting both figures' shadows hard to the right along the floor; the shadows stretch and tear where the feet leave the ground, and the loose paper of the screen trembles in the draft. Palette limited to warm ochre tatami, cream shoji paper, dark walnut wood, the girl's cobalt-blue sweater and skirt, the boy's strong red shirt, and black ink lineart. Motion is sold by horizontal speed lines raked across the background and a scuff of displaced tatami dust at her trailing toe. Crisp anime lineart, clean cel shading, classic expressive comedic character designs, broad slapstick energy, gleeful chaotic farce.
Show Parameters
Original Prompt
Ranma 1/2, male Ranma Saotome, Akane Tendo, classic 2D anime style, classic Rumiko Takahashi comedy atmosphere, inside the Tendo family house, Akane furiously chasing Ranma with a fly swatter, Akane gripping the fly swatter tightly in her raised right hand, her arm swung back and ready to strike, angry furious expression, eyebrows sharply lowered, mouth open as she yells at Ranma, leaning forward aggressively, Akane about to swing the fly swatter at the back of Ranma's head, male Ranma running away in panic, Ranma clutching the back of his head with one hand, startled horrified expression, eyes wide with fear, mouth open in a panicked scream, body leaning forward as he desperately flees, Ranma looking back over his shoulder at Akane, clear distance between both characters, dynamic diagonal composition, exaggerated comedic action, strong sense of motion, fly swatter clearly visible, both characters fully visible, distinct character poses, medium-wide shot, traditional Japanese home interior in the background, crisp anime lineart, clean cel shading, classic Rumiko Takahashi character designs, expressive comedic facial expressions
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1632 x 1232
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of dks
character: tendou_akane, saotome_ranma_(male), copyright: ranma_1/2 2girls, saotome ranma (male), tendou akane, medium-wide shot, dynamic diagonal composition, running, chase, ranma in foreground running away from viewer, leaning forward, one hand clutching back of head, looking back over shoulder, wide-eyed, horrified expression, open mouth, screaming, black hair, braided ponytail, single braid, blue eyes, chinese clothes, red tangzhuang shirt, akane in background chasing, running forward, right arm raised and swung back, gripping fly swatter, fly swatter clearly visible, furious, eyebrows sharply lowered, yelling, open mouth, head turned over shoulder, glaring, short blue hair, yellow eyes, fully visible, strong separation, motion lines, traditional japanese home interior, tatami, shoji, crisp anime lineart, clean cel shading, classic 2d anime style, comedic The view is a medium-wide shot cut on a steep diagonal: Ranma Saotome fills the foreground, three-quarters away from the camera, his whole body pitched forward into his sprint down the tatami corridor of the Tendo house, while Akane Tendo runs in the background a good five tatami-mats behind him, both of them tearing toward the same far doorway at the end of the hall — he is unmistakably ahead, she is unmistakably behind, and the long corridor's floorboards and the shoji panels along the right wall draw converging lines that widen the gap between them. Ranma's weight is on his front left leg, right leg kicked back off the mat, torso hinged forward at the hips so the red tangzhuang shirt pulls taut across his shoulders and its hem flips up behind him; his dark braided ponytail streams backward over his shoulder, the tail whipping sideways with the turn of his head. His left hand is clamped flat to the back of his own head, fingers dug into his black hair, elbow thrown up and out. His head is twisted hard over his right shoulder, chin nearly at his collarbone, so his wide blue eyes stare straight back past the fly swatter toward Akane behind him, brows shot high, mouth torn open in a full panicked scream, a bead of sweat flying off his temple. His right arm pumps forward mid-stride. Akane's torso and legs drive straight forward down the corridor, her right foot planted and her left knee lifted high, blue skirt swinging with the stride; only her head is cranked around over her left shoulder to glare back at Ranma, short blue bob whipping across her cheek, yellow eyes narrowed hard under eyebrows slammed down into a furious V, mouth wide open mid-yell. Her right arm is cocked all the way back behind her ear, wrist snapped tight around the thin plastic handle of the fly swatter, the mesh head held high and clearly silhouetted against the pale shoji — a clean gap of empty air between its mesh and the back of Ranma's head, caught in the instant before the swing lands. Light comes from the sunlit garden through the shoji on the right, warm and diffuse, laying soft bands across the tatami and the corridor's wooden frame, with the interior shadows sitting cool and grey under the eaves; the brighter outdoor glow behind the far doorway rims both figures in pale light. Speed lines streak along the tatami seams and the wall panels, and a small vase on a low shelf tips and spills a scatter of tatami dust and one loose petal in the slipstream of their passing. Palette held to warm wood browns, cream shoji, tatami green, Ranma's red shirt and black hair, Akane's blue hair and blue skirt, with the fly swatter's flat yellow popping as the brightest small accent in the frame. Frantic, comic mayhem.
dks

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬