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Alvin

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Alvin

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1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread โ€” that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes โ€” half-lidded under a lifted brow โ€” look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Show Parameters
Original Prompt
1girl, solo, shirt, long sleeves, skirt, black hair, holding, white shirt, standing, medium breasts, medium hair, indoors, solo focus
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.37k

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AI artwork
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1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread โ€” that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes โ€” half-lidded under a lifted brow โ€” look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin
AI artwork
a
1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread โ€” that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes โ€” half-lidded under a lifted brow โ€” look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin
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y
1girl, solo, glasses, round eyewear, thin-frame glasses, brown eyes, shoulder-length hair, dark brown hair, soft bangs, blunt bangs, cream sweater, cable knit sweater, collared shirt under sweater, navy pleated skirt, leaning forward, head tilt, finger on glasses, touching glasses, looking up, looking at viewer, smile, light blush, from above, cowboy shot, library, wooden bookshelves, sunbeam, dust motes, warm lighting From slightly above, a cowboy shot captures a young woman leaning forward with an inquisitive head tilt, looking up directly toward the lens. Her right hand is raised, index fingertip gently steadying the slim metallic hinge of her round wire-rim glasses, while her left arm rests casually behind her back. Behind the clean, transparent lenses, her warm amber-brown eyes crease with a soft, engaging smile, accompanied by a subtle touch of blush across the bridge of her nose. The optical glass cleanly refracts the contour of her temple, causing a crisp, minute step in the line of her cheek behind the lens edge. She wears a thick cream-colored cable-knit pullover over a white collared shirt whose points emerge neatly at the neckline, paired with a pleated deep navy skirt that sways slightly with her forward posture. Slanted golden afternoon sunlight streams from a tall window out of frame, cutting diagonally across the scene to highlight the raised braided ribs of her wool knit and illuminating suspended motes of dust in the air. In the background, rows of leather-bound and cloth-spined books line warm cedar shelving in a soft, atmospheric blur. The palette balances honeyed sunlight, warm ivory yarn, and deep polished timber, evoking an air of gentle curiosity.
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