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- Original Prompt
- A close-up of a dark, silent raven perched on a frozen, twisted branch in the foreground. In the far background, completely out of focus, is a chaotic, garish crowd of artificial-looking parrots screaming in a glowing, neon-lit void. The raven is calm, looking away from the noise into the dark fog. Strong contrast between the quiet, cold nature and the fake, loud neon. Mood: isolation, melancholy, silent observation. Cinematic depth of field, deep shadows, 8k, film grain. No text, no watermark. --ar 16:9
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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close-up, 1 raven, black raven, iridescent black plumage, perched on frozen twisted branch, foreground subject, calm, still, looking away, head turned in profile, beak pointed into the fog, dark fog, cold blue-grey fog bank, deep shadows, background out of focus, blurred background, bokeh, chaotic crowd of parrots, artificial parrots, garish plastic-looking parrots, screaming open beaks, neon-lit void, glowing neon, clashing magenta and acid-green glow, extreme depth of field, telephoto compression, shallow focus plane, strong foreground-background contrast, cold versus neon, isolation, melancholy, silent observation, cinematic, film grain, 16:9, no text, no letters, no words anywhere, unmarked clean image, bare of any signature
The camera sits just below the raven's eye line in a tight close-up, the bird filling the left third of a wide 16:9 frame. The raven grips a frozen, twisted branch that cuts diagonally through the lower foreground from bottom-right toward mid-left, its bark sheathed in a thin sleeve of clear ice; three scaled toes wrap the near side of the wood, claws biting into the ice so that small fracture lines radiate from each contact point, and the tail feathers hang below the branch, half-lost in shadow. The head is turned in clean profile away from the background, one round dark eye fixed on the empty fog off-frame left, the beak closed, the feathers of the throat relaxed and smooth, no ruffle, no startle -- a body utterly at rest. Cold rim light from upper left lays a fine blue-white line along the crown, the shoulder and the top edge of the branch; the underside of the bird and the far side of the wood fall into deep, near-black shadow, and the raven's own shadow swallows the branch beneath it.
Behind, thrown far out of focus by a long lens and a wide aperture, a void burns with neon: a packed, screaming crowd of parrots rendered as soft garish blobs of magenta, acid green and hot cyan, their open beaks reduced to bright smeared highlights, their shapes too glossy and too uniform to be alive. The fog between the bird and that noise is thick, cold and blue-grey, so that the neon bleeds into it as a dim glow and never touches the raven's feathers; the sharp frozen bird and the dissolving bright chaos read as two separate worlds in one frame. Icy blue-grey and black dominate the foreground, the neon stays quarantined in the blurred distance, and a fine film grain sits over everything; quiet, melancholy isolation.
C9I
close-up, 1 raven, black raven, iridescent black plumage, perched on frozen twisted branch, foreground subject, calm, still, looking away, head turned in profile, beak pointed into the fog, dark fog, cold blue-grey fog bank, deep shadows, background out of focus, blurred background, bokeh, chaotic crowd of parrots, artificial parrots, garish plastic-looking parrots, screaming open beaks, neon-lit void, glowing neon, clashing magenta and acid-green glow, extreme depth of field, telephoto compression, shallow focus plane, strong foreground-background contrast, cold versus neon, isolation, melancholy, silent observation, cinematic, film grain, 16:9, no text, no letters, no words anywhere, unmarked clean image, bare of any signature
The camera sits just below the raven's eye line in a tight close-up, the bird filling the left third of a wide 16:9 frame. The raven grips a frozen, twisted branch that cuts diagonally through the lower foreground from bottom-right toward mid-left, its bark sheathed in a thin sleeve of clear ice; three scaled toes wrap the near side of the wood, claws biting into the ice so that small fracture lines radiate from each contact point, and the tail feathers hang below the branch, half-lost in shadow. The head is turned in clean profile away from the background, one round dark eye fixed on the empty fog off-frame left, the beak closed, the feathers of the throat relaxed and smooth, no ruffle, no startle -- a body utterly at rest. Cold rim light from upper left lays a fine blue-white line along the crown, the shoulder and the top edge of the branch; the underside of the bird and the far side of the wood fall into deep, near-black shadow, and the raven's own shadow swallows the branch beneath it.
Behind, thrown far out of focus by a long lens and a wide aperture, a void burns with neon: a packed, screaming crowd of parrots rendered as soft garish blobs of magenta, acid green and hot cyan, their open beaks reduced to bright smeared highlights, their shapes too glossy and too uniform to be alive. The fog between the bird and that noise is thick, cold and blue-grey, so that the neon bleeds into it as a dim glow and never touches the raven's feathers; the sharp frozen bird and the dissolving bright chaos read as two separate worlds in one frame. Icy blue-grey and black dominate the foreground, the neon stays quarantined in the blurred distance, and a fine film grain sits over everything; quiet, melancholy isolation.
C9I
close-up, 1 raven, black raven, iridescent black plumage, perched on frozen twisted branch, foreground subject, calm, still, looking away, head turned in profile, beak pointed into the fog, dark fog, cold blue-grey fog bank, deep shadows, background out of focus, blurred background, bokeh, chaotic crowd of parrots, artificial parrots, garish plastic-looking parrots, screaming open beaks, neon-lit void, glowing neon, clashing magenta and acid-green glow, extreme depth of field, telephoto compression, shallow focus plane, strong foreground-background contrast, cold versus neon, isolation, melancholy, silent observation, cinematic, film grain, 16:9, no text, no letters, no words anywhere, unmarked clean image, bare of any signature
The camera sits just below the raven's eye line in a tight close-up, the bird filling the left third of a wide 16:9 frame. The raven grips a frozen, twisted branch that cuts diagonally through the lower foreground from bottom-right toward mid-left, its bark sheathed in a thin sleeve of clear ice; three scaled toes wrap the near side of the wood, claws biting into the ice so that small fracture lines radiate from each contact point, and the tail feathers hang below the branch, half-lost in shadow. The head is turned in clean profile away from the background, one round dark eye fixed on the empty fog off-frame left, the beak closed, the feathers of the throat relaxed and smooth, no ruffle, no startle -- a body utterly at rest. Cold rim light from upper left lays a fine blue-white line along the crown, the shoulder and the top edge of the branch; the underside of the bird and the far side of the wood fall into deep, near-black shadow, and the raven's own shadow swallows the branch beneath it.
Behind, thrown far out of focus by a long lens and a wide aperture, a void burns with neon: a packed, screaming crowd of parrots rendered as soft garish blobs of magenta, acid green and hot cyan, their open beaks reduced to bright smeared highlights, their shapes too glossy and too uniform to be alive. The fog between the bird and that noise is thick, cold and blue-grey, so that the neon bleeds into it as a dim glow and never touches the raven's feathers; the sharp frozen bird and the dissolving bright chaos read as two separate worlds in one frame. Icy blue-grey and black dominate the foreground, the neon stays quarantined in the blurred distance, and a fine film grain sits over everything; quiet, melancholy isolation.
C9I
colossal raven, giant bird, black feathers, shadowy body, glowing eyes, cold blue eyes, intelligent gaze, looking down, completely motionless, perched, dead tree, twisted bare branch, frozen wasteland, snow, fog, drifting snow, massive flock of parrots, many birds, vibrant plumage, artificial birds, metallic gears, exposed clockwork, open beaks, screaming, looking up, chaotic swarm, low angle, from below, extreme low angle, 16:9, wide shot, deep blacks, cold silver palette, faint jewel tones, film grain, dark surrealism, gothic, no text, no watermark, clean image
From an extreme low angle near the ground, the camera tilts up through drifting snow at a colossal black raven frozen on a dead, twisted branch. The bird's shoulders and folded wings fill the upper frame as one absolute silhouette; it does not twitch, does not lean, does not tilt its head. Its two eyes glow a cold pale silver-blue from inside the shadow of its face, and both are angled straight down at the chaos below. The branch juts out of a dead, twisted trunk in a frozen wasteland, the wood bare and split with frost, and the raven's talons clamp around it in a stiff, unmoving grip. Beneath and around the branch, a massive flock of parrots riots upward in a chaotic swarm. The birds are vivid, artificial-looking — enameled magenta, acid green, electric cyan and deep orange — and each body is half-natural, half-machine, with exposed metallic gears visible at the shoulder or throat, small steel teeth catching the cold light as the wings beat. Every beak is open wide, screaming up toward the raven, and every bird's head is thrust in the raven's direction. The raven's stillness is total against their motion: the only things that move in the frame are the parrots and the weather. Snow falls through the scene in large soft flakes and fog drifts in low, pale sheets between the flock and the branch. Deep blacks dominate the raven and the upper frame; the parrots are pinpricks of desaturated, faint color against a cold silver and blue-grey waste. Film grain over everything. Silent, gothic, darkly surreal.
C9I
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