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AI art "一期一振 - ウメ" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
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一期一振 - ウメ

Contest Entry
2nd "Favorite Work" Contest
#Touken Ranbu#Ichigo Hitofuri
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A square 1:1 close composition in an imagined early-spring Japanese residence garden. Ichigo Hitofuri turns gently toward a flowering plum branch that reaches him beside the veranda. His quiet astonishment at its fragrance and delicacy is the focus. The crop runs from the top of his head to his lower ribs, keeping the entire face, a section of both forearms, and the nearby blossoms in view. At face height, the camera looks from his front-left, with his three-quarter face in the upper-right portion and the living branch entering from the left. The branch and his touching fingers share the same depth; there is no detached bouquet. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His eyebrows are lifted softly at their inner ends, and his small mouth rests slightly open as he takes in the blossom's scent. His golden eyes turn toward one white flower just left of his cheek rather than toward the viewer. The forehead and eyelids remain clear beneath the side-swept fringe. His right wrist curves under the small branch and his shoulders incline toward it, lending warmth to an otherwise composed presence. He wears a muted blue-gray silk kimono over a pale pearl-gray inner kimono, with a narrow white inner collar visible as a separate layer along the throat. The outer collar has a thin charcoal woven border and a restrained woven plum-colored motif close to the visible sleeve edge. Across his chest, the wearer's left front panel overlaps the right front panel at the kimono collar. The front remains neatly closed with a shallow V showing only the successive inner collars. The broad right sleeve gathers into diagonal folds at his bent elbow, while its dull taupe lining shows at the turned wrist. The silk's modest sheen differs from the matte inner cloth. A slender gray-brown twig continues from the flowering tree outside the left border. Small pinkish buds alternate with newly open, simple five-petaled white plum blossoms; fine pale-yellow stamens radiate from their centers. An individual blossom measures about two to two and a half centimeters across, narrower than two of his nearby fingertips side by side. The petals and buds sit on short stalks close to bare wood, with no full summer foliage. His right fingertips touch the underside of the twig beneath the blossom without grasping any petals. The visible right forearm leads continuously from his kimono sleeve to the contact. His left forearm rests naturally against a low veranda railing just within the lower-right edge. Only the connected timber railing, part of a vertical cedar post at the far right, and a small area of pale plaster behind his shoulder establish the old residence. These are real architectural surfaces, kept secondary to his face and the plum branch. Cool morning light enters from the upper left across the living flowers. A weaker warm reflection rises from the wooden veranda onto his fingers and kimono. The petals are translucent only at their thin edges, and soft shadows beneath the sleeve folds and against the twig follow the same light direction. The eye colors remain legible. masterpiece, best quality
Show Parameters
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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