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AI art "카메라를 든 남자와 동물들 1" featuring #zetaCollab

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카메라를 든 남자와 동물들 1

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

Published on Oct 24, 2026

장

장승민

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1boy, solo, 25-year-old Korean man, adult, slim average build, glasses, black rectangular-framed glasses, slightly wavy comma hair swept up at the front, dark brown hair, brown eyes, cream knit turtleneck sweater, navy wool trousers, brown leather shoes, holding a DSLR camera with both hands at chest height, three cats, ginger tabby cat, fluffy white cat, grey shorthair cat, two rabbits, brown lop-eared rabbit, white Netherland dwarf rabbit, one red panda, one raccoon, animals clinging affectionately around his legs, from above, three-quarter angle, looking down, slight head tilt, closed-mouth small smile, calm eyes, cozy apartment interior, warm interior lighting, winter Seoul beyond the window, overcast snow-grey daylight, beige brown cream navy palette, soft coloring, semi-anime visual novel illustration, gentle warm mood, slightly wistful. The camera looks down from above and slightly to his right, so the man's shoulders fill the upper half of the frame and slope away toward the lower left where the animals crowd at his feet. He stands turned about thirty degrees off the lens, weight settled on his back leg with the front knee soft, torso angled down toward the camera in his hands; his left hand cups the lens barrel and his right hand curls under the grip, index finger resting along the shutter button, and the strap hangs in a slack loop across his chest. His chin tips down toward the viewfinder but his eyes have lifted over the top of the camera body to the floor at his feet, glasses catching a thin warm highlight along the upper rim, one brow faintly raised, the corners of his mouth pulled into a small closed smile. At floor level the animals press in around his shoes: the ginger tabby cat has both forepaws hooked into the navy wool of his trouser cuff and stretches upward, claws dimpling the fabric; the fluffy white cat rubs its crown flat against his ankle, one ear folded under the pressure; the grey shorthair sits squarely against the outside of his calf with its tail wrapped over its own front paws; the brown lop-eared rabbit nestles into the hollow between his heel and the floor, ears lying flat over its back; the tiny white Netherland dwarf has climbed onto the toe of his brown leather shoe and sits there with its nose lifted; the red panda leans its shoulder into his shin and lets its ringed tail curl around behind his heel; the raccoon stands upright on its hind legs with both small dark forepaws splayed against his trouser seam, masked face tipped up. Seven pairs of eyes point toward the camera in his hands, and his own gaze falls to the same spot, closing the loop. The room is a quiet Seoul apartment on a winter afternoon: low bookshelf and a folded knit throw behind him, a window at the left edge with snow settled on the outer sill and on the top rail of the fire escape beyond, apartment blocks softened to grey-blue silhouettes in the haze. The only light is a warm floor lamp just out of frame behind his right shoulder, throwing gold onto the back of his neck, the cream ribbing of the turtleneck and the animals' fur, while cold overcast daylight from the window edges their far sides in a thin blue rim; shadows pool soft and brown under his shoes and beneath each animal's body. Beige walls, a cream rug, brown wood and navy only in his trousers and the deep shadow of the bookshelf, nothing else admitted. The snow on the outdoor sill has settled only on its flat upward face and melted to nothing along the vertical edge. Quiet, tender.

카메라를 든 남자와 동물들 1

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