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wata sasa

ws
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wata sasa

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realistic, photorealistic, 1girl, solo, 22 years old, japanese woman, beautiful face, beautiful skin, clear skin, flawless complexion, long black hair, straight black hair, glossy black hair, beautiful eyes, dark brown eyes, long eyelashes, large breasts, ample cleavage line, white lace dress, high neckline lace bodice, intricate lace floral pattern, sheer lace trim, luxurious necklace, ornate gold and diamond necklace, luxurious earrings, ornate gold chandelier earrings, white gloves, white opera gloves, both hands behind head, hands raised behind head, arms up, elbows out, armpits exposed, armpit close-up, upper body, chest-up crop, close-up, from below, slight low angle, standing, elegant posture, ballroom, chandelier bokeh, japanese royal family member, refined noble bearing, subtle blush, closed mouth, light smile, looking down at viewer, luxurious, elegant, soft warm light, The camera sits low and close, tilted slightly up, cropping her at the top of the chest so the frame is filled by her raised torso. Her chin lifts over the lens, head high, long black hair swept back and falling behind her shoulders with a few strands loose at the temples; her dark eyes look down past the camera with the calm, half-lidded composure of someone used to being watched. Both arms are lifted and bent, forearms folded behind her head, elbows spread wide to either side so each underarm opens into a clean, hollowed curve, smooth and softly shadowed, with the pale underside of the upper arm catching the light and the lace cap sleeve slipping a little toward the shoulder. Her weight rests on her left foot, hip pushed a touch to that side, the spine drawn tall so the lifted arms lengthen the neck and the rise of the chest, the train of the white lace dress falling away behind her out of frame. Her fingers are laced loosely together at the back of her head, gloved in white fabric that creases finely across the knuckles and shows the seams over the back of the hand where it meets the wrist. At her throat a heavy gold necklace lies regally across the collarbones, a large faceted stone at the center flashing as it catches the chandelier light; matching chandelier earrings hang in tiers beside her jaw, swinging slightly and sending tiny glints across the side of her neck. The high lace neckline sits exactly at the base of the throat above the necklace, its sheer floral patterning open and finely worked over the bust before the bodice closes; a shallow shadowed line marks the cleavage just below it. Behind her the ballroom recedes into warm golden bokeh, out-of-focus crystal chandeliers scattered as soft points of light, a faint marble pillar and gilded wall glow at the edges, the floor polished enough to pick up a blurred smear of her white dress and the lights above. The chandeliers are the only light source: warm honey-coloured light comes from above and slightly behind, striking the tops of her cheekbones, the curve of her shoulders, the underarms where the effect of warm light is highest, the gold at her throat and the pale white gloves, leaving deep soft darkness beneath her chin, in the hollows of her ears and in the folds of the lace. Where the light passes through the sheer parts of the lace hems the fabric glows a fraction warmer than the opaque panels beside it. Palettes: white lace, black hair, warm gold, honeyed skin and dark amber background, nothing else admitted. Her jewels and the crispness of her gloves ground an air of effortless, regal allure.
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Original Prompt
リアル風　白いレースのドレスを着た黒髪の美しい日本人女性　22歳　綺麗な肌　綺麗な瞳　胸大きめ　豪華な首飾り　豪華なイヤリング　白の手袋　日本の皇族　美しい立ち姿 　両手を頭の後ろに上げて　脇の下をクローズアップ　場所は舞踏会　胸までの描写
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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ws
1girl, solo, realistic style, photorealistic rendering, beautiful Japanese woman, 22 years old, long black hair, clear flawless skin, beautiful eyes, large breasts, white lace dress, ornate necklace, ornate earrings, white gloves, Japanese royalty, elegant standing posture, both arms raised behind head, elbows up and back, exposed armpits, armpit close-up, from side, profile, cowboy shot, ballroom, chandelier light, looking to the side, calm noble expression, aristocratic poise The camera sits at the subject's left in a tight side view, cropping her at hip height and framing the upper body so the raised arms and the side of the torso are the subject of the image. She is shown in near-profile, standing on a polished parquet floor, weight settled on her back foot with the front knee faintly bent so the spine draws a long, elegant S-curve upward from hip to nape. Both hands are laced together behind the back of her head, fingers interlocked against the hair, elbows lifted and opened away from the head. Her chin is slightly lifted, eyes looking off to the side, lids lowered a fraction, lips closed in a small composed line; one brow sits a touch higher than the other. Her long black hair is gathered up loose behind her, a few fine strands sliding free along the side of her throat and at the nape. The white lace dress covers her torso in a fitted bodice of dense floral lace over a pale silk lining, its high rounded neckline and short sleeves trimmed with scalloped lace, the lace pattern opening into a low back and a skirt that disappears past the crop. Where the arms rise, the fabric of the bodice pulls taut across the bust, the lace motifs stretching slightly and the seams easing, and the raised arms bare the smooth line of the armpit and the side of the shoulder above the sleeve edge. A white glove sheathes each hand, the kid leather creased at the wrist and taut across the knuckles of her interlocked fingers. At her throat a heavy ornate necklace of gold filigree set with pearls and clear stones follows the hollow of the collarbone; matching ornate earrings hang from each earlobe, pendant drops of the same stones and goldwork, swinging a little with her lifted chin. The setting is a grand ballroom behind and to the side of her: honey-toned parquet underfoot, a tall mirrored wall and gilded door frames receding into soft focus, a great crystal chandelier above and behind her shoulder. Warm chandelier light is the single source, striking her face and the exposed side of her throat and armpit from above and slightly ahead, so the near plane of her cheek and shoulder glow warm white while the far side of her body and the hollow beneath the lifted arm fall into soft warm shadow, and her tall shadow stretches across the floor behind her heels. Colour stays in white, warm skin, black hair, and the gold and pearl glitter of the jewels, with the ballroom's gilt and amber receding muted. The fabric of the bodice pulls into fine diagonal tension lines from the bust up toward the raised shoulder, the one detail that shows how far the arms are lifted. Serene, aristocratic.
wata sasa
AI artwork
ws
realistic style, photorealistic, 1girl, solo, 22 year old, japanese woman, mature female, beautiful face, beautiful skin, detailed skin, clear complexion, beautiful eyes, long black hair, straight black hair, hair falling behind her shoulders, large breasts, cleavage, white lace dress, floor-length lace gown, long sleeves, white gloves, luxurious necklace, jeweled necklace, luxurious earrings, chandelier earrings, japanese royalty, tiara-free bare head, standing, both arms up, hands behind head, arms raised behind head, elbows out, armpits, armpit focus, bare upper arms, from side, profile, side view, close-up on armpits, ballroom, chandelier light, elegant, graceful, eyes closed, serene expression, parted lips, A tight side-profile shot from just below shoulder height, camera close and slightly low so the frame is built around the raised arm: the woman stands in pure profile facing frame-left, both arms lifted and folded so her gloved hands rest one over the other behind the back of her head, elbows spread wide, which pulls the long white lace sleeve taut and opens the whole line from wrist to collarbone. The near arm dominates the left half of the frame — its inner surface runs as a long clean diagonal from elbow to the lifted shoulder, catching the light along the top of the forearm and falling into a soft shadow in the hollow beneath, where the lace has slipped down toward the elbow and bunched in a pale cuff. Her chin is lifted a fraction, eyelids lowered nearly closed with the lashes dark against her cheek, lips slightly parted on a quiet breath; her gaze goes down and forward, out of the frame, away from the viewer. Black hair is gathered back off her face and spills down behind her neck and along her shoulder blades, a few loose strands stuck to the nape and one strand crossing the near cheek. The lace dress climbs over the full bust in profile, the bodice edge curved and close, the skirt falling in layered white lace to the floor at the very bottom of the frame; one white-gloved hand at the crown of her head, fingers laced, the other hidden behind it. At her throat and ear hang heavy gold-set jewels packed with clear stones and pearls, the necklace lying across the collarbone where the lifted arm stretches the skin smooth, the earring swinging slightly forward of the jaw; both ears adorned, wrists fully gloved to the fingertips with no bare skin at the cuff. Behind her a ballroom opens out of focus: a tall gilt-framed mirror and a column, the blur of other dancers far back and small, warm candlelit chandeliers overhead, a polished marble floor carrying a long soft smear of her reflection. The chandeliers are the only light source — warm, slightly golden, striking her raised arm, the near cheek and the lace from above and in front, leaving the far side of her face, the underside of the bodice and the folds behind the skirt in deep soft shadow. Palette restricted to white lace, black hair, warm gold, and honeyed ballroom browns. A small bead of light sits on the highest curve of the lifted shoulder, and where her sleeve has slid down the skin shows the faint crease of the fold. Elegant, quietly regal.
wata sasa

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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