Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #All About Twintails
Generate New ArtworkGenerate for FreeGenerate for Free

Grim

Contest Entry
All About Twintails!
g
avatar-frame

Grim

More to See

Comments

(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo malevolent deity the Second Skin a creature wearing a person the way a person wears clothes the entity is not the humanoid figure visible at the surface — the humanoid figure is a shell a suit a costume and the real creature is visible as bulges and lumps and moving masses beneath the skin the skin-suit is too large the face is too wide the eyes are too far apart the mouth is slightly off-center the proportions are almost-right but deeply wrong in the way that a reflection in a bent spoon is almost-right the skin itself is pale and soft and real-looking but at the edges — the wrists the ankles the neck — the skin is peeling and beneath the peeling skin is darkness not void not absence but chitin — dark glossy black insectoid chitin the real creature beneath is not human not animal not anything recognizable it is the thing that wears people and discards them when they rot the creature's hands are inside the skin-suit's hands but the fingers are too long the real fingers extend past the skin-suit's fingertips visible as dark chitinous claws protruding from beneath the human-shell nails the creature's face is a mask of stolen skin but the mask is slipping — one eye has slid downward on the face migrating toward the cheek the mouth has shifted to the left the nose is flattening the mask is melting not from heat but from the real creature's body chemistry dissolving the adhesive that holds the disguise the creature's real mouth is visible beneath the dissolving skin-mask — a vertical split like a praying mantis mandible dark and wet and lined with inward-facing teeth the creature's body beneath the skin-suit is writhing visible as rolling lumps traveling across the torso and thighs the real body is trying to get comfortable inside the shell and the shell is running out of room the creature stands in a dressing room — a private space with hooks on the walls and on each hook hangs a skin-suit each one a different person each one slightly worn each one waiting to be worn the creature is mid-change its current skin-suit dissolving its real body emerging at the seams and wrists and neck rim light along pale soft skin-suit edges peeling at wrists and ankles and neck rim light catching dark glossy chitin beneath peeling skin rim light catching chitinous claw-fingers extending past skin-suit fingertips rim light catching dissolving skin-mask with migrating eye and shifting mouth and flattening nose rim light catching vertical mantis-mandible real mouth visible beneath dissolving mask rim light catching rolling lumps beneath skin-suit as real body shifts inside rim light catching dark wet mandible-teeth lining vertical mouth split rim light catching dressing room with hooks and hanging skin-suits in various states of wear shadow skin-wearing malevolent shadow with dressing room of people chiaroscuro body-horror lighting with pale skin-suit and dark chitin-glow at seams ambient highly detailed 8K cinematic composition detailed Second Skin deity texture
Show Parameters
Original Prompt
(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo malevolent deity the Second Skin a creature wearing a person the way a person wears clothes the entity is not the humanoid figure visible at the surface — the humanoid figure is a shell a suit a costume and the real creature is visible as bulges and lumps and moving masses beneath the skin the skin-suit is too large the face is too wide the eyes are too far apart the mouth is slightly off-center the proportions are almost-right but deeply wrong in the way that a reflection in a bent spoon is almost-right the skin itself is pale and soft and real-looking but at the edges — the wrists the ankles the neck — the skin is peeling and beneath the peeling skin is darkness not void not absence but chitin — dark glossy black insectoid chitin the real creature beneath is not human not animal not anything recognizable it is the thing that wears people and discards them when they rot the creature's hands are inside the skin-suit's hands but the fingers are too long the real fingers extend past the skin-suit's fingertips visible as dark chitinous claws protruding from beneath the human-shell nails the creature's face is a mask of stolen skin but the mask is slipping — one eye has slid downward on the face migrating toward the cheek the mouth has shifted to the left the nose is flattening the mask is melting not from heat but from the real creature's body chemistry dissolving the adhesive that holds the disguise the creature's real mouth is visible beneath the dissolving skin-mask — a vertical split like a praying mantis mandible dark and wet and lined with inward-facing teeth the creature's body beneath the skin-suit is writhing visible as rolling lumps traveling across the torso and thighs the real body is trying to get comfortable inside the shell and the shell is running out of room the creature stands in a dressing room — a private space with hooks on the walls and on each hook hangs a skin-suit each one a different person each one slightly worn each one waiting to be worn the creature is mid-change its current skin-suit dissolving its real body emerging at the seams and wrists and neck rim light along pale soft skin-suit edges peeling at wrists and ankles and neck rim light catching dark glossy chitin beneath peeling skin rim light catching chitinous claw-fingers extending past skin-suit fingertips rim light catching dissolving skin-mask with migrating eye and shifting mouth and flattening nose rim light catching vertical mantis-mandible real mouth visible beneath dissolving mask rim light catching rolling lumps beneath skin-suit as real body shifts inside rim light catching dark wet mandible-teeth lining vertical mouth split rim light catching dressing room with hooks and hanging skin-suits in various states of wear shadow skin-wearing malevolent shadow with dressing room of people chiaroscuro body-horror lighting with pale skin-suit and dark chitin-glow at seams ambient highly detailed 8K cinematic composition detailed Second Skin deity texture
Mode
pro
Style
Neon Poster
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Neon Poster
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.97k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile