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AI artwork featuring #zetaCollab
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qbueih#0

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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qbueih#0

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solo, 1 entity, eldritch deity, demonic eldritch abomination, transcendent form, nightmarish appearance, beyond human comprehension, terrifying, extreme low angle, from below, camera positioned extremely low, tilted sharply upward, dutch angle tilt, close-up, zoomed in, front view, full body framing, full body, towering figure, towering over viewer, looming, non-humanoid physiology, shifting asymmetrical proportions, elongated limbs, too many joints, extra arms, many eyes, countless eyes, eyes on wings, eyes on palms, halo of eyes, jagged crown of horns, antlers, ribcage exposed, hollow chest cavity, tendrils, writhing tendrils, tattered drapery, chitinous plating, wet iridescent texture, dripping, void black body, bioluminescent veins, glowing cracks, enormous spread wings, clawed hands, clawed feet, exposed spine, faceless, mouth of teeth, unspeakable geometry, fractal patterns, geometry that does not resolve, floating debris, embers, ash motes, oppressive atmosphere, neon green and hot magenta rim light, deep violet shadows, halftone dots, graffiti marks, thick outlines, high contrast, chaotic energy, pop-graphic composition, street art aesthetic, comic ink, terrifying, The camera is on the ground, virtually at the entity's feet, tilted sharply upward so the whole composition rears back and the figure's crown of horns and the top of its spread wings nearly graze the upper edge of the frame. Even though the lens crowds in close, the entire body still fits: the clawed feet, huge and splintered, plant in the immediate foreground — the left foot forward and its toes splayed, the right foot planted behind it and bearing the weight — and from there the body climbs away from the viewer, the shins and knees foreshortened into steep cliffs of ridged chitin while the torso tapers up into a small, distant mass against a black sky. The point of view sits dead center on the front of the body, but the entity is not symmetrical: one shoulder hangs far lower than the other and drags a slack elongated arm down almost to the ground, while the other arm rears up and out with the elbow bent back the wrong way and the wrist hanging loose. Extra limbs branch out behind the shoulders, where fingers end in hooked points. The wings unfold fully to either side and their membrane is studded with open eyes, all of which are at different heights and all of which are angled down and toward the viewer. The chest is a hollow cavity, its ribs framing an opening onto a darkness that has no bottom, and strands of pale light bend across that gap in a way that cannot be followed, sliding off the eye before they have any width. Fine tendrils hang from the underside of the ribs and trail downward toward the ground. On the head there is no face, only a vertical seam of countless crowded teeth set in a shallow groove, and above it a jagged crown of horns, one horn broken halfway. Both hands hang open with their claws curled inward and their palms turned toward the lens, so the eyes set in those palms can look straight down at the viewer. There is nothing behind the entity but a featureless void-black field, and no visible walls or ground are drawn beyond a scorched crater of cracked ground that spreads outward across the bottom edge of the frame. The only light comes from the entity itself: bioluminescent veins of acid green run through the chitin along the shins and the lower ribs, and the light falls off sharply as it climbs the body, so the crown and the wingtips fade into deep violet darkness. A hot magenta rim light scrapes along the left silhouette — the leading clawed foot, the low shoulder, the outer edge of the wing — while the right side of the body sits in unlit violet shadow. The glowing veins light the cracked ground only where the lowest limbs touch it. The entity's own body casts no shadow behind it in the void-black field, which makes the figure appear to float above the ground. Ash motes and embers hang in the air between the lens and the body, each one a hard bright point, and the nearer ones are larger and the farther ones are smaller. In the ornamentation, the halftone dots are fine and dense: the body itself is rendered as flat plates of void black, acid green and hot magenta, cut into clean cel shapes with heavy black outlines and stronger ink lines at every articulation, while the glowing areas break into larger halftone dots and graffiti-like scratches across the wings and the broken horn. The palette is limited to void black, acid green, hot magenta and deep violet against the black ground, and nothing else is admitted. Every eye in the frame looks down at the viewer at once.
Show Parameters
Original Prompt
(masterpiece best quality 1.2) ultra-detailed eldritch deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo demonic eldritch abomination transcendent form nightmarish appearance beyond human comprehension terrifying
Mode
pro
Style
Neon Poster
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Neon Poster
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.02k

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g
1entity, solo, eldritch deity, demonic eldritch abomination, transcendent form, nightmarish appearance, terrifying demonic aura of darkness, intricate design patterns, extremely unique appearance, mythical form, chaotic lightning, extreme low angle, from below, extreme foreshortening, zoomed in up close, front view, full body framing, full body, facing viewer, towering, asymmetrical, many eyes, extra eyes, too many eyes, extra arms, multiple arms, tendrils, horns, jagged crown of horns, faceless mask, chitinous plating, bone spurs, tattered robe, dark palette, high contrast, neon accents, thick outlines, halftone dots behind the figure, sparks, floating particles, dark void background, looking down at viewer, open maw, sharp teeth, clawed hands, dramatic lighting, volumetric darkness, masterpiece, best quality, ultra-detailed, Full body framing held from a camera set extremely low near the ground and tilted sharply upward, so the one solitary entity towers and the perspective swallows the frame; it is a demonic eldritch abomination in a transcendent mythical form, seen head-on in front view, its body stretched and foreshortened upward toward the lens. The head sits high and small in the extreme upward angle of the shot, hairless and elongated, its face an intricate arrangement of patterns rather than a human face: a mask-like expanse of carved symmetric sigils and veins of glowing light, sliced by three long narrow eyes set at different heights, none matching, all of them angled down and fixed directly on the viewer; the jaw splits wider than the skull warrants and is full of too many sharp teeth. Horns rise from the brow in a jagged, uneven crown, branching and asymmetrical, breaking the silhouette against absolute black. Shoulders are far broader than the narrow waist, and from behind the shoulders extra arms unfold — two pairs of long spindly clawed arms that fork away from the body, one pair folded toward the chest, the other spread outward with fingers splayed. The torso is plated and chitinous, dark bone-pale ridges cut across by a dense lattice of intricate glowing patterns that run down the chest and spine, and the lower body dissolves into a long trailing skirt of tattered translucent robe that whips violently outward and upward in the updraft of energy. All one subject; the faint reflective glint in each of its eyes reads as a wet surface catching light — the revealer of the storm's direction. Camera position is everything: the ground plane falls away out of focus at the very bottom edge, the entity's feet almost lost in dark mist, and its whole figure looms overhead so intensely that the top horns nearly graze the upper frame. Against a seamless void of near-black, chaotic lightning forks and branches behind and around the figure, thin white-violet veins splitting the darkness at irregular intervals, and where each fork passes close behind the entity its light rims the edges of shoulders, horns and claws. The lightning itself is the only light source: cold violet-white in the forks, hot pale blue where the arcs strike nearest the figure, and every lit face is lit from behind and above while the front of the body holds deep shadow. A dense halo of dark aura boils around the entity — an inky, churning shadow that streams upward as the storm's updraft catches it — and it swallows whatever is behind, leaving the figure a silhouette cut-out edged in lightning. Sparks and embers drift up past the shoulders. Rendering in high-contrast anime style: bold thick black outlines wrap every ridge, horn and limb, halftone dots sit flat behind the figure as a graphic field, and punchy neon accents — electric violet and hot magenta — flare in the lightning and the glowing sigils against the near-black palette. Graffiti strokes slash the background edges. The mood is terrifying, overwhelming, awe-struck.
grim
#All About Twintails
AI artwork
g
1entity, solo, demonic eldritch abomination, transcendent form, nightmarish appearance beyond human comprehension, ((God of Nightmares:1.8)), deity character design, unique mythical form, intricate design patterns, terrifying aura of darkness, chaotic lightning, full body framing, extreme low angle, tilted sharply upward, front view, from below, foreshortening, extreme close-up on the upper body, towering, looming over viewer, glowing eyes, multiple glowing eyes, jagged horns, crown of horns, tattered dark robes, tendrils of shadow, arcane sigils, halftone dots, graffiti marks, neon accents, thick outlines, high-contrast anime style The camera is set down almost at floor level and tilted sharply upward, so the entire frame fills with one entity rearing straight up the image: from this front view the colossal demonic eldritch abomination in its transcendent form occupies the full body framing, the enormous head and horned crown crushed into the upper third under the extreme foreshortening while the vast column of its torso and clawed feet standing far below compress and converge toward the bottom edge. Its nightmarish appearance is well beyond human comprehension — a face that is nearly all jaw, split by a vertical seam of teeth, a cluster of glowing eyes ranged in an uneven row across the brow, jagged horns fanning outward in a broken crown, and slender tendrils of shadow curling off its shoulders and drifting up toward the lens. The unique mythical form is built of intricate design patterns: layered banding, whorls, and sigil-like incisions carved across the chest, arms, and hips like a ritual inscription read from underneath. Its arms are flung wide and slightly forward in a gesture that reaches over the viewer, fingers splayed and claws hooking downward, robe and shadow-tatters billowing back away from the body. A terrifying demonic aura of darkness pools around it, thickest at the feet and bleeding upward into the frame; chaotic lightning, jagged and branching, forks across the open space between its horns and behind its shoulders, each bolt thin and hot and each a separate recorded arc, not one merged smear. The solitary light source sits far below the frame like a fire at the bottom of a pit — the underlighting catches the underside of the jaw, the lower rims of the horns, the fingertips and the hem of the tatters in a hot acid-green to violet-white glow, leaving everything above and behind the entity in near-total darkness. Palette discipline: black, charcoal, and deep violet shadow, one searing electric cyan-white in the lightning and the eyes, one acid green in the underlight, the whole ground cut into harsh halftone dot fields. Bold flat halftone dots and graffiti scrawl markings bite into the dark at the frame's edges, thick ink outlines hold every silhouette against the black, and the sharp low-angle perspective warps the patterns so the very top of the figure is squeezed and the space beneath it feels enormous. Awe-struck dread.
grim
#All About Twintails
AI artwork
g
character: duo_maxwell (masterpiece best quality 1.2), ultra-detailed, eldritch deity character design, low angle, extremely zoomed in, up close, ((God of Death:1.8)), massive winged demonic deity, extremely unique appearance, intricate design patterns, enormous evolution towering three times taller, single massive skull-head merged with the torso — the skull IS the upper body the ribcage forms a screaming jaw the sternum forms a nasal bridge the shoulder ridges form cheekbones the entire chest cavity is a screaming face that cannot close its mouth because its mouth is its own skeleton, two massive blazing demonic red furnace eyes set into the shoulder-cheekbones burning upward like searchlights, vast demonic wings spreading from the back made of exposed ribs torn from the creature's own flank extended outward with shadow-membrane stretched between each rib bone pulsing with visible red pain-waves, inky black horns branching upward like a cathedral of bone each branch dripping liquid shadow, long black skeletal dragon tail coiling beneath with thorned protrusions, body covered in dense smoky shadows billowing in aggressive waves, big floating glowing black text now a violent cyclone orbiting the body in spiraling burn — the text is on fire and the burning characters spiral outward, everything in the environment visibly screaming — buildings cracking open with darkness pouring from walls like opened wounds, the sky itself fracturing with red light bleeding through, divine dark red aura massive in scale, solo, 1boy, from the front, facing forward, black and red color scheme, floating glowing red halo above the skull-torso, glowing red crest on the forehead of the skull-torso, glowing red magical engravings covering every bone surface, all healing and regeneration completely negated, barriers and walls demolishing automatically in the background
Grammy
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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