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AI art "Tom Holland/Spider-Man on rooftop at dusk" featuring #Marvel and #Spider-Man
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Tom Holland/Spider-Man on rooftop at dusk

#Marvel#Spider-Man
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character: tom_holland 1boy, solo, tom holland, brown short hair, brown eyes, bare face, no mask, fully visible face, red and blue spider-man bodysuit, skin-tight suit, web pattern on red sections, black web lines, large white eye-shaped lenses absent, bare head, squatting, deep squat, heels flat on the parapet, forearms resting on knees, hands loosely clasped, looking away, looking out over city, three-quarter profile from side, from behind, over-shoulder composition, rooftop ledge, skyscraper rooftop, rooftop parapet, water tower, ventilation units, cityscape, new york city skyline, distant skyscrapers, dusk, post-sunset sky, orange horizon, indigo upper sky, tinted clouds, city lights below, atmospheric haze, cowboy shot, wide shot The view is from behind and slightly to his right, a high over-shoulder composition: his back and the near side of his face sit in the left foreground while the city opens away beneath and beyond him. He perches in a deep squat on the flat top of a skyscraper rooftop parapet wall, both feet planted heel-down with toes over the outer edge, the suit's red-and-blue fabric pulled taut across his thighs and creasing in the crook of each knee, black web lines running unbroken over the red panels and stopping where the blue panels begin. He rests his forearms across his knees, left hand draped over the right wrist, fingers loosely interlaced and hanging slack; his weight settles evenly through both hips, back rounded forward, shoulders low, neck stretched a little toward the drop. His head is turned in three-quarter profile to the right, chin lifted a touch, and his eyes are open and steady, gazing out and down at the grid of streets and the deep blue shadows between the towers rather than at the camera; the near eye and the straight bridge of his nose catch the last light while his far cheek falls into shadow. His short brown hair lifts slightly at the crown and one loose strand stirs at his temple; nothing covers his head, both ears bare and unobstructed. The rooftop stretches behind him to the left: a low weathered parapet, a wooden water tower on steel legs, two grey ventilation boxes and a stub of antenna mast, all simplified dark shapes against the sky. Beyond the roof edge the city falls away in layers -- near rooftops with lit windows below eye level, then a wide field of towers with the taller ones far off and softened by haze, streets pencilled through them as thin glowing lines. The camera sits just above his shoulder height, so the horizon line crosses high and the whole of the sky holds the top third of the frame. The sun is entirely below the horizon and out of shot; the light comes from a low band of orange-red glow along the horizon far ahead of him, which rims the outer edge of the parapet, the top of his shoulders, the crown of his head and the backs of his hands in warm amber, while the city below and the roof behind him go cool indigo and violet. His cast shadow falls long and soft forward off the ledge into the drop. Clouds low in the sky are tinted coral at their undersides and grey-blue above, and a first few windows glitter like scattered sparks where the darkness has already settled between the towers. Palette held to the suit's red and deep blue, the sky's orange-to-indigo grade, and the neutral grey of the rooftop concrete. Tiny steadying physical detail: a thin line of rooftop grit sits gathered against the inner base of the parapet where the wind has pushed it, and it stays there because the wall blocks the breeze. Quiet, solitary, poised.
Show Parameters
Original Prompt
Tom Holland, spiderman suit without mask, squatting on top of a skyscraper, looking out over NYC, dusk
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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Avatar image of Yiğit Şerif Yaman The Man
character: peter_parker, spider-man 1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck. Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man
AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: peter_parker, spider-man 1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck. Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man

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