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黒猫とギャル天使とおじさん
10/24の京都新聞のテレビ欄から単語を15個ほど選び、そこから幾つかチョイスしてプロンプトにしたヤツ 【10/24に選んだ単語】 天使の誘惑 深海6500m バラが咲いた と酒飲み さがしてます 顔ノ無イ ハロウィーンコスプレ 恋のバトルが始まって おじさん猫 ギャル猫 個性的な山小屋 史上最強の 大絶叫 地球外知的生命 きのこ大量
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眩い光の中の天使
siroha
c2
a girl who has yellow long straight hair and blue eyes,
female,sexy,big breast,blush,
smile slightly,
white clothes,
white background,
angel,angel's huge white wings,angel's halo,
Depth of field,
looking at the viewers,
Clear contour lines,
clear lines,
thick lines,
dynamic angle,
dynamic pose,
vivid contrast,
dot nose,
close-out,
wide shot,
solo,
detailed background,
masterpiece,
best quality,
ultra detailed,
delicate anime illustration,
detailed eyes,
best aesthetic,
ultra_detailed,
high contrast,
high saturation,
detailed hair,
best-quality,
ultra-detailed lineart,
intricate details,
vibrant color,
chromatic aberration,
hair strands,
fine lineart,
manga style
cubicer2
せゎ
A close-up, eye-level anime illustration featuring a maternal angel figure positioned very close to the viewer, creating an intimate spatial composition. The woman has a gentle, serene expression with a warm smile and kind, shimmering eyes. She possesses a voluptuous figure with a prominent, full bust, accentuated by her attire. She wears a flowing, ethereal white gown made of translucent silk with golden embroidery and delicate lace trimmings, and large, fluffy white feathered wings that partially wrap around the frame. Her long, wavy golden hair cascades over her shoulders, and a glowing golden halo floats softly above her head. She is reaching out toward the viewer, her hands poised in a tender, welcoming gesture. The background is a soft, luminous void filled with golden light and floating white feathers. The lighting is warm and divine, with a soft-focus effect and a pastel color palette, evoking a peaceful, nurturing, and heavenly atmosphere.
せゎ
kurumi noah, a cartoon of a girl with angel wings is sitting on a chair next to a small brown robot, halo, 1girl, wings, feathered wings, red eyes, sitting, crossed legs, blonde hair, long hair, smile, angel wings, socks, looking at viewer, angel, skirt, feathers, short sleeves, chair, shirt, white shirt, ((shaft look:2.5)),((rounded checkered pattern:2.5)),((surreal:2.5)),((fading border :2.5)),((arched back:1.5)), ｢surreal｣ ｢see-through silhouette｣ ｢backlighting｣ ｢sunlight｣ ｢squatting｣ ｢legs together｣ fading border ｢three quarter view｣ ｢perspective｣ ｢floating hair｣ ｢arched back｣ ｢shaft look｣ ｢twisted torso｣ ｢depth of field｣ caustics, caustics, cel shading, double exposure, anaglyph, clear lines, pastel colors, pastel ink, ink, 1girl, score_9, score_8_up, score_7_up, source_anime, <lora:Aetherflare_Marks:1>,<lora:LCMTurboMix2fix:1>, black_line, 2D_image, clear_lines, Ultra-sharp intricate details, hyper-detailed 3D, hyper-compressed densely packed spatial world, face with dimensional shading in anime-style realistic 3D, hair at the limit of unreal 3D, body at the limit of photorealism, ultimate texture quality, crystal clear expression at the depiction limit, hyper-saturated colors, three-dimensional shading, extreme three-dimensionality, glossy skin, warm skin, cute girl, fluffy delicate hair and fur are ultra-transparent, lolita dress, transparent dress, frill race dress, layered clothes, transparent dress layer, layered dress, gold embroldery, silhouette, black background, sparkle, glittler, nereid style, absurdres, highres, niji style, santamaria-raphael, halo, golden eyes, long hair, platinum hair, blue chest jewel
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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