Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

잘못된 MP40

More to See

Comments

mp28 submachine gun, german-made firearm, single object study, product-shot framing, three-quarter side view, from above, slight dutch angle, mechanical detail focus, side-mounted magazine, wooden stock, perforated barrel shroud, tangent rear sight, bolt handle, trigger guard, sling loop, blued steel, oiled walnut, no people, no hands, empty studio ground, soft single key light, deep shadow falloff, cool grey palette A three-quarter side view from slightly above and a touch off-axis presents one German-made MP28 submachine gun alone, angled across the frame with the muzzle toward the lower left and the buttstock toward the upper right; the whole weapon fits inside the frame with a narrow margin at both ends, and nothing else occupies the image. The receiver sits at the centre of the frame: a squared tube of blued steel, its top flat, its left flank carrying the long straight box magazine inserted horizontally into the side port, the magazine's body protruding to the right of the receiver and held by its catch at the front of the well. Ahead of the receiver the perforated barrel shroud runs forward as a cylinder pierced by two visible rows of cooling holes, and the barrel's muzzle ring closes the front end. Behind the receiver the wooden buttstock rises in a straight comb to the buttplate, its grain running lengthwise, the wrist thinning where the hand would grip. The cocking handle juts from the right side of the receiver near the rear, and the tangent rear sight stands as a small raised leaf on top of the receiver just ahead of the bolt travel. The trigger and its guard hang beneath the receiver, and the sling loop hangs from the left side of the buttstock, the loop rotated so its opening faces the camera. The gun rests on nothing: it is suspended clean against a seamless cool grey studio sweep, lit by one soft key from the upper left. That light runs in a continuous highlight along the top-left edge of the receiver and along the crown of the barrel shroud, while the lower right of every cylindrical surface falls into a soft shadow that darkens toward the underside; the perforation holes each hold a small crescent of shadow on their lower-right inner wall and a pin-prick of light on their upper-left rim. The blued steel reads cool and slightly reflective, its edge highlights thin and pale, the walnut stock warm and matte by contrast, its figure catching the key only as a low sheen. A faint contact-darkening gathers along the seam where the magazine meets the receiver, and the underside of the weapon carries a soft reflected bounce from the sweep, so the steel never goes to pure black. Palette holds to cool blue-grey steel, warm mid-brown walnut, and the neutral grey ground, nothing else admitted. Objective, quietly precise.
Show Parameters
Original Prompt
독일에서 만든 MP28 기관단총을 그려줘
Mode
flash
Size
1232 x 1232
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬